Four

Theo (Ryan Reynolds) é um caracol de jardim, que passa o dia com outros caracóis, colhendo tomates e torcendo para não ser capturado por aves predadoras. Apesar da vida pacata, este jovem animal sonha em se tornar extremamente veloz, como o seu ídolo, o corredor campeão de Indianápolis Guy Gagné (Bill Hader). A obsessão pela velocidade faz que com Theo seja ridicularizado pelos colegas. Um dia, no entanto, ele cai acidentalmente dentro do motor de um grande carro de corrida, e um efeito inesperado acontece em seu corpo, fazendo com que ele se torne extremamente veloz. Rebatizado Turbo, o caracol encontra abrigo na casa de Tito (Michael Peña), um vendedor de comida mexicana conhecido pelos planos inusitados e que quase sempre dão errado. Surpreso com a velocidade de Turbo, Tito decide levá-lo à corrida de Indianápolis, para competir com Guy Gagné.

Dominic Toretto descobre que sua amada Letty foi assassinada e resolve procurar pelo autor do crime. Enquanto isso, o agente Brian O'Conner está em busca de um traficante de drogas. Eles percebem que talvez procurem a mesma pessoa.

Um italiano é atraído para o partido fascista quando é instruído a assassinar seu antigo professor universitário, um antifascista vocal exilado na França durante os anos 30. Baseado no romance homônimo de 1951, de Alberto Moravia.

A high-speed drive through the streets of Paris.

Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...

No final da Guerra Civil Espanhola, os membros de um grupo de artistas de vaudeville foram despojados de tudo: tudo o que lhes resta é a fome e o instinto de sobrevivência. Dia após dia, agonizantemente, perdidos e indefesos entre os vencedores e os vencidos, o músico Jorge, o ventríloquo Enrique, o cupletista Rocío e o órfão Miguel procuram incansavelmente algo para comer e um lugar seguro para viver.

In 1925, young Florentine typographer Mario moves to via del Corno to be near his girlfriend Bianca. Here befriends Maciste, his landlord, and Ugo, anti-fascists both of them. After a resident is beaten by the fascists, Mario meets her wife Milena at the hospital, falling in love with her and leaving Bianca. Maciste is killed, again by fascists, while Ugo is wounded and he seeks shelter in a nearby house. Here he falls in love with Gesuina and the two marry. Milena's husband dies, but she and Mario part ways. Later, Mario is arrested by the police.

The true history of the anti-government extremist terrorist group's century of violence. Focusing on the group which has caused nationwide rioting and violence, The film – which undermines the mainstream media’s depiction of the group as “just an idea” – has already been censored by YouTube and Vimeo.

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

Um grupo de espanhóis refugiados na França tenta organizar protestos contra o governo em Madri. Sua rede está sob constante ameaça pela polícia espanhola e alguns deles foram recentemente presos. O personagem principal Diego (Yves Montand) dedicou toda a sua vida à batalha, mas ele se sente afastado para sempre. Ele não encontra seu lugar nem em seu país adotivo (França) nem no amor. Mas este filme não é sobre a história, é sobre estilo. Alain Resnais tem uma abordagem original neste filme e isso é o que faz com que esse filme valha a pena ser assistido. (e 14 - Estimado 14 Anos)

During the 20 months before Italy's liberation from Fascism, a group of university students trade empty rhetoric for action by joining the Partisans into the mountains of Nazi-occupied northern Italy. There, group leader Gigi falls in love with his best friend's girl. As the Resistance struggle continues, some of the "little teachers" are killed, and the brutal reality of war leaves its mark on their youthful idealism.

Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.

In Venice in 1943, a group of partisans led by Renato Braschi organize a series of autonomous terrorist attacks against the fascists while the National Liberation Committee urges caution. Renato is determined to carry out his ideas, risking his own life, and not only that...

July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.

A compilation of four film edits.

This film is the second of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. Autumn, 1918: Somewhere on Germany’s western front, Ernst Thälmann, age twenty-four, is calling on his fellow soldiers to put down their guns and join him in the communist struggle at home. When Hamburg’s Police Commissioner blocks a much-needed food shipment to the workers of Petrograd, Ernst battles to see it allowed through. Until his murder on August 18, 1944, Ernst remained true to his political convictions in the face of many setbacks.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.