The Time Killer

Three men at three different times in history come to Mow Top hill in search of sanctuary from their troubles. A Roman soldier, a medieval rebel and a 1970s young man. Somehow they seem linked through an energy within the hill and an axe. Is history doomed to repeat itself or can loving another person free them?

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

Koji Yamamura's allegory the immutability of time, love and devotion, and the unbreakable nature of the parent-child bond, into interlacing story.

After inheriting a magical gold watch from his multimillionaire uncle's estate, Robert Hays and his girlfriend, Pam Dawber, soon discover not only that he can stop time with the watch, but also that it holds the secret to his late uncle's fortune -- a secret that others fall over themselves trying to steal.

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

It’s a paradox. Never before in history we have worked more efficiently. Never before we have saved time with more sophisticated technologies. Anyway, nearly all of us are feeling an increasing pressure of time. It seems that the same technology that has been invented to make our life better and easier, is now enslaving us. Why?

Beginning in South Africa under the apartheid regime, the film follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa.

A narrative poem brought to life and an ode to a grandfather's passing, NAMOO—which translates to “tree” in Korean—follows the journey of a budding artist from beginning to end.

A man is sitting on a bench in the middle of the desert. The world around him starts to develop and prosper rapidly, deserts turning to pastures and then to modern buildings. The man watches these developments with the change of generations until global wars break out. Eventually, all developments vanish and the scene goes back to the desert

Hartmann proposes a 76-minute film in which each minute stands for a year of his life. This obsessive rule is invoked in the last 4 “years” of his life (and of the film). A cable-car journey codes in its own duration the secret of a perdurable shot. A poetic emancipation by a young filmmaker: a life plan finding its right frame. Roger Koza

今から遠くない未来の話。フリーのコンピューターエンジニアのマイケル・ジェニングスは、プロジェクトを完成させる度に、機密保持のためそのプロジェクト期間の記憶を消されていた。そんなある日、大企業のオールコム社から100億円もの大金を報酬に提示される。その代償は3年間分の記憶。しかし、記憶を消した後のマイケルが手にしたものは、19個のガラクタが入った紙袋だけだった。さらにマイケルは、FBIやオールコム社のエージェントに追われ始める。

1969年、ニューヨーク上空に珍しいオーロラが出現した日、消防士フランクは救助を終え、妻ジュリアと6歳の息子ジョンの待つ家へと戻ってきた。親子3人の生活は幸福な輝きで満たされていた。ちょうどその日のオーロラのように。だが、その2日後、フランクは殉職する。息子ジョンは深い哀しみに暮れる。それから30年。再びニューヨークにオーロラが出現した日、ジョンはふと父が愛用していた無線機を見つける。そしてそこから男の声が聞こえてくる……。まるでそれは父と話しているようだった。

An architect's desire to speak with his wife from beyond the grave using EVP (Electronic Voice Phenomenon), becomes an obsession with supernatural repercussions.

美大に通っているベンはガールフレンドのスージーと別れてはみたものの、未練がましく「やり直したい」と申し出る。しかし、スージーにすでに新しい恋人がいるという事実を告げられベンはショックで不眠症になってしまう。＜一流のファッション雑誌のフォトグラファーとして活躍していたショーン・エリス監督が、まるでファッション写真が動き出したかのような美しい映像で見せるラブストーリー。主演に『ハリー・ポッター』シリーズでクィディッチのキャプテンを演じ注目を集めた、ショーン・ビガースタッフ。ヒロインに『戦場のピアニスト』でその存在感を見せつけたエミリア・フォックス。“時間は意識の中で延びたり、縮んだりする”という主人公の回りの時間をフリーズさせて撮った映像は、リアルでありながら幻想的。＞

An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he never ages and has walked the earth for 14,000 years.

海辺の別荘に2年前に投函された手紙が届く。手紙のやり取りを始めると、男は時間軸が違うと気づく。そして未来では男が死んでしまい、女はそれを回避するために行動する。男の死は免れ、2人は出会うことができた。

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

天才的な技術を誇るが傲慢な性格だけが欠点の神経外科医スティーブン・ストレンジは、不慮の事故で両手の機能を失い、築いてきたキャリアの全てが崩壊する。手の治療と失われた人生を取り戻すため、あらゆる手段を模索するストレンジは、やがて神秘に満ちた魔術の力へとたどり着く。魔術の修行に励むストレンジは、強大な敵との戦いに巻き込まれていき、医師として相手を傷つけることに苦悩し、外科医に戻るか最強の魔術師として戦う道に進むかの選択を迫られる。

An intense short movie showing a turbulent marriage. The wife is always smiling. The man gets angry time and again.

From the wall of a small town bakery, a cuckoo clock recounts a day where bread was sliced one second thick, lovers fell in sync and time rarely flowed at an even rate.