Nicaragua Part 2: The Making of a Nation (1985)

Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.

October 2018, France. Macron’s government decrees a tax increase on the price of fuel. A wave of protests starts to grow. Citizens mobilize throughout the country: this is the beginning of the Yellow Vests movement. In Chartres, a group of men and women gather daily. Among them, Agnès, Benoît, Nathalie and Allan commit themselves to the collective struggle. Like a whole nation, they discover that they have a voice to be heard...

The First Year tells the inside story of Jamie Driscoll’s first 12 months as the new North of Tyne Mayor.

Based on Zhu Dao-Nan's memoir "In the Flood of the Great Revolution", the film reproduces the historical picture of the changing circumstances of China before and after the Great Revolution through the pursuit, struggle and differentiation of young intellectuals such as Jin Gong-Shou, Gu Da-Ming, and Yang Ru-Kuan in the revolutionary tide.

Thirty years after the end of the Lebanese Civil War (1975-1991), a filmmaker seeks to explore the trauma inflicted by the war on her family. Reverberations traces the history and politics of a nation in disarray in an intimate mother-daughter portrait that unravels the trauma that defined an era lost to history and a generation’s silence about its long-standing effects.

A portrait of the leading female Bolshevik (and later Worker’s Opposition) revolutionary leader Alexandra Kollontai using her own words.

This piece is inspired by the memoirs of Sepideh Gholian. A prisoner of conscience at 26 years old in Bushehr prison, Iran.

Climate change is among the world’s greatest challenges. As a small Caribbean island, Cuba is disproportionately affected by climate change through extreme weather events. Up to 10% of Cuban territory could be submerged by the end of the century, wiping out coastal towns, polluting water supplies, destroying agricultural lands and forcing one million people to relocate. Finding solutions is now essential. In this documentary, Dr Helen Yaffe goes to Cuba to find out about ‘Tarea Vida’ (Life Task), a long-term state plan to protect the population, environment and the economy from climate change. The Cuban approach combines environmental science, natural solutions and community participation in strategies for adaptation and mitigation. Produced by DaniFilms with Dr Helen Yaffe from the University of Glasgow for the COP26 conference in Glasgow.

Revolutions on Granite is a documentary about Maidan Nezahlezhonsti, a public square in the heart of Kyiv, Ukraine — famously home to a number of political revolutions, but also the birthplace of a cultural revolution after the fall of the Iron Curtain. The film takes a look at the burgeoning skateboard scene at Maidan in the early 1990’s, and investigates the idea of a counterculture being created in a place of strict uniformity.

Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.

After the American Civil War, mercenaries travel to Mexico to fight in their revolution for money. The former soldier and gentleman Benjamin Trane meets the gunman and killer Joe Erin and his men, and together they are hired by the Emperor Maximillian and the Marquis Henri de Labordere to escort the Countess Marie Duvarre to the harbor of Vera Cruz.

エルサルバドルで繰り広げられる残虐な行為。それをアメリカ国家が支援していることを知り、政府を告発すべく動き出す2人の男がいた。オリヴァー・ストーン監督による音声解説やドキュメンタリーなどを収録。

Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.

第76回アカデミー賞最優秀外国語映画賞に輝いた、親子の絆と人生の終幕を温かく描き出した珠玉の感動作。愛する家族や友人たちに囲まれて「さようなら」と微笑む父の姿が、いつまでも忘れられない。

Set against the backdrop of the Indian Emergency, the movie tells the story of three youngsters in the 70s, when India was undergoing massive social and political changes. The movie's title is taken from the couplet of Urdu poet Mirza Ghalib.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?

A soldier recounts his relationship with a famous political prisoner attempting to overthrow their country's authoritarian government.