DON'T (2022)

1950年。第二次世界大戦の終結による満州国の崩壊と国共内戦の終結により、共産主義国である中華人民共和国の一都市となったハルビン駅の構内。5年間にわたるソビエト連邦での抑留を解かれ、中華人民共和国に送還された「戦犯」達がごった返す中で、列から外れた1人の男が洗面所で自殺を試みる。男は監視人の手により一命を取り留めるものの、薄れ行く意識の中で幼い日々の頃を思い出していた。この男こそ清朝最後の皇帝にして満州国の皇帝、「ラスト・エンペラー」と呼ばれた愛新覚羅溥儀その人であった。

Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.

Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.

A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.

During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.

19世紀末のロンドン。アイルランドから流れてきたメアリは、ホワイトチャペルの町で売春婦をしながら暮らす。ある日、メアリの売春婦仲間のひとりが刃物で殺される事件が発生。犯人の手がかりはつかめず、警察はアバーライン警部を担当に。かつての事件で妻子を失った彼は生きる希望もなくしてアヘンに溺れているが、幻覚の中で隠された真実を垣間見るという能力がある。互いに惹かれあっていくメアリとアバーラインだった。

Traveler Allan Gray arrives in the village of Courtempierre and takes lodgings in a small inn. Gray has a great interest in the supernatural, particularly vampires. He's barely settled in when he feels a sinister force descending upon him. In the night an old man enters his room to tell him 'she must not die'. One of the old man's daughters, Leone, has been bitten by a vampire. In order to break the curse, Gray and Leone's sister Gisele must find the original vampire and drive a stake through her heart.

「セイ・エニシング」「ザ・エージェント」のキャメロン・クロウ監督が自身の体験を基に、ブレイク寸前のロックバンドのツアーの同行取材を任された15歳の少年の姿を描いた青春音楽ムービー。15歳の少年ウィリアムは伝説的なロック・ライターに自分の記事が気に入られ、ローリングストーン誌の仕事をもらう。さっそく取材で楽屋を訪れた彼は、グルーピーの中にいたペニー・レインに一目惚れする。

Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.

ローマを訪問した某国の王女は儀礼的な行事にうんざり。大使館を飛び出し、一人でローマの街をうろうろしていた彼女は、アメリカ人の新聞記者に出会う。特ダネを狙っていた彼は、彼女が王女だと知りながらも知らない振りをするが、その計画は失敗に終わってしまう。二人が恋に落ちてしまったからだ……。

突如、ワシントンに飛来した円盤。降り立った異星人クラトゥは地球人の未来を懸念し、人類に核兵器の放棄を要求する。そして要求が受け入れられない場合、地球上の全エネルギーを停止させると宣言した……。

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

列車の中でテニス選手のガイに声をかけた、見知らぬ乗客。その男はガイの私生活を熟知しており、交換殺人を提案するが……。映像の魔術に酔わされる、アルフレッド・ヒッチコック監督の傑作スリラー。

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.

アメリカ中部の町に帰還した3人の復員兵。義手になったホーマーは家族の同情に傷つき、アルは銀行家としての豊かな生活に戻り、フレッドの新妻は家を出ていた。明暗が分かれる3人の運命が見事に描かれている。

Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.

Swedish documentary from the Gothenburg area about young drug abusers.

A man becomes obsessed by the sight of his own double in an Italian film from the early 1960s.

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

Liam and Michael are professional safe crackers who meet on a simple job to relieve an office safe from its contents. The catch is a light activated alarm system impelling the men to embark on a pitch black heist.