So Is This (1982)

Consisting of two parts: ‘Revelations’, Bill Hicks’ last live performance in the United Kingdom made at the Dominion Theatre; and a documentary about Hicks’ life ‘Just a Ride’ featuring interviews with friends, admirers, and family.

The ambitious friends come together during the holidays after a mystery assailant targets one of their own. A comedic thrill-ride follows, as the wild and unpredictable Psych team pursues the bad guys, justice … and, of course, food!

A story of two stand-up comedians, Deep and Zoya, and how they try to navigate their way through their relationship while joking about it on stage!

Plankton, Mr. Krabs' nemesis, vows to get his Christmas wish - obtaining the Krusty Krab's secret Krabby Patty formula - by turning everyone bad in Bikini Bottom with the help of his special jerktonium-laced fruitcake.

Several roasters, and the master himself Kevin Hart, make fun of Justin Bieber.

ボブが働くバーガーショップ“カニカーニ”にある秘密のレシピが、邪悪な海賊バーガー・ビアードに盗まれた。レシピの盗難でバーガーが作れなくなり、海底都市ビキニタウンは大混乱に陥る。ボブは大親友のヒトデのパトリックや、お隣さんのタコであるイカルド、リスの女の子サンディ、そして、カニカーニのオーナーであるカーニらとともに、海賊を追いかけて地上の世界へ。すると海賊はなんと自分のバーガー店を開いていた。

During a lunar eclipse, seven friends gather for dinner and decide to play a game in which they must share with each other the content of every message, email or phone call they receive throughout the evening.

Mexican stand-up comedian Franco Escamilla draws his jokes from real-life experiences -- and he's willing to do anything for new material. He's not afraid to make generalizations about how men bathe. But he is scared to talk to strangers. Especially at funerals.

In front of a live audience at the Raleigh Memorial Auditorium at the Progress Energy Center for the Performing Arts in Raleigh, North Carolina, the Emmy-nominated host of Real Time with Bill Maher performs an all-new hour of stand-up comedy. Among the topics Bill discusses in his ninth HBO solo special are: Whether the "Great Recession" is really over; the fake patriotism of the right wing; what goes on in the mind of a terrorist; why Obama needs a posse instead of the secret service; the drug war; Michael Jackson; getting out of Iraq and Afghanistan; racism; the Teabagger movement; religion; the health-care fight; why Gov. Mark Sanford will come out looking good, and how silly it is to ask "Why do men cheat?"; and why comedy most definitely didn't die when George Bush left office.

Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at The Palladium in Los Angeles, California, in March 2016.

オッド・トーマスはダイナーに勤務する20歳のコックである一方、実は霊能力の持ち主。女の子の霊に導かれて殺人犯を捜し出すなど、死者が見えると放ってはおけない。そんなある日、ダイナーでボダッハという気持ち悪い悪霊を大量に見つける。ボダッハは流血の惨劇が近づいていることをときに現れる悪霊だった。

Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.

Rose Matafeo has kissed nearly 10 men in her life, AKA she’s a total horndog. But what is horniness? Is it that intangible essence of excitement and adventure that has inspired humankind since the dawn of time? An understanding of the overwhelming power of love as the key to true personal flourishing? Or is it simply wanting to bone everyone, all the time? Recorded at The Ambassadors Theatre, London.

「十八歳。高校最後の年。なのに六花は……まだ中二病だった」大学受験も見えてきた高校三年間近の春休み。相も変わらず冨樫勇太は小鳥遊六花と共同生活をしていた。しかし未だ上位契約も結べていない様子……。そんなある日、姉の十花が六花をイタリアに連れて行くと宣言する。仕事も安定したので、家族で移住すると言うのだ。焦る勇太だったが、大学進学も危うい六花をこのままにしてはおけない、という十花の意見はもっともだった。このままでは二人が引き裂かれてしまう。心配した丹生谷らいつものメンバーから、勇太はなんと〝駆け落ち〟を提案される。こうして、日本全国を舞台にした二人の逃走劇が、今始まるのだった。

Yuan Xiangqin, a high school student, is deeply in love with Jiang Zhishu, her schoolmate. He rejects her, only for them to live together when the house that she resides in collapses.

30分の配達時間もろくに守れず、堕落した日々を過ごすピザ配達人ニック（ジェシー・アイゼンバーグ）はある日、銀行強盗を企てる2人組から注文を受けてピザを配達したところ、彼らの計画に巻き込まれてしまう。10時間で爆発するという時限爆弾を体に取り付けられ、強盗せざるを得ない状況になったニックは、絶交しているインド人の親友チェット（アジズ・アンサリ）に頼み込み、協力してもらうことになるが……。 『ソーシャル・ネットワーク』のジェシー・アイゼンバーグが、『ゾンビランド』のルーベン・フライシャー監督と再びタッグを組んだアクションコメディー。30分の配達時間を厳守できないダメなピザ配達人が、時限爆弾を取り付けられ時間内に銀行強盗するはめになり、絶交中の親友を巻き込み大騒動を繰り広げる。製作にベン・スティラーが参加するほか、主人公の相棒役にはアメリカの人気コメディアン、アジズ・アンサリがふんするなど、コメディー・ファンにはたまらない面々がそろっている。

Newlywed couple Jay and Monica struggle to decide which set of in-laws they should join for their first Christmas. They eventually decide against picking one family over the other. Little do they know, their decision is made for them when their families show up unannounced.

Untitled adaptation of the hit Chainsmokers song of the same name. Described as “Woody Allen meets 10 Things I Hate About You”.

Holly is tired of moving every time her mom Jean breaks up with yet another second-rate guy. To distract her mother from her latest bad choice, Holly conceives the perfect plan for the perfect man, an imaginary secret admirer who will romance Jean and boost her self-esteem.

Working incognito at his rich dad's company to test his own merits, Teto falls for Paula and tells her he grew up poor, a lie that spins out of control.

Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.

Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry.

A short film documenting what was referred to as "The International Poetry Incarnation". It was billed as Great Britain's first full-scale "happening", with the world's leading Beat poets together under one roof at the Royal Albert Hall on June 11, 1965, for an evening of near-hallucinatory revelry. It came to be seen as one of the cultural high points of the Swinging Sixties.

A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.

Eureka (1974), which lyrically re-photographs a travelogue shot from a San Francisco streetcar, offers the purest expression of Gehr’s deep love of early cinema as a source of a joyous formal inventiveness-- changing its length from 5 to about 38 minutes.

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

A parable centering on an old man who lives a secluded life in the desert, alone with only his memories and photographs. His wellspring, once a source of joy and hope for thirsty passersby, is now rarely used. No longer able to find comfort in his memories, he turns all his photographs to face the walls.

Field workers in Puerto Rico want to have a night school.

The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog.

This film tells the story of Gonthramm, a young knight who sought in vain for the Holy Grail and, on the way back to join his bride, Galeswithe, is met by Queen Banschi in the nightmarish realm of the Sylphs. Brum do Canto based the story on Charles-Marie Leconte de Lisle's Les Elfes.

I evoke a dancing woman. A woman? No. A bouncing line with harmonious rhythm. I evoke a luminous projection on veils ! Precise matter! No. Fluid rhythms. Why should one disregard, on screen, the pleasure that movement brings us in the theatre? Harmony of lines. Harmony of light. Lines, surfaces, volumes evolving directly, without the artifice of evocation, in the logic of its forms, dispossessed of any overly human sense, allowing an elevation towards the abstract, thus giving more space to sensations and to dreams : integral cinema. —Germaine Dulac

Dutch documentary filmmaker Joris Ivens follows the course of the famous wind as it originates in the Alps and finds its way to the Mediterranean Sea. Natural sounds and creative camera work provide a mood film showing the effect of the fury of the wind on the life of southern France.

An experimental feature made by rephotographing the 1905 Biograph short Tom, Tom, the Piper's Son.

Analogies: Studies in the Movement of Time uses a variety of multiple screen formats to create an intriguing series of visual riddles. The film consists of a series of simple camera movements that are rendered "diachronically"- several different aspects of the action are presented on the screen at once. By playing with time delays between these images, new kinds of space, action, gesture, and temporality have been found. Generated from structural principles, the film is both lyrical and sensual and provokes a new understanding of time and cinema.

A woman waits for her husband, a woodcutter, during long lonely days. She becomes weary and leaves him to live with her sister. He takes the news with a look of resignation, but the next day she returns to wait for him again.

"My first film, THE PATH, was based on a dream about a group of people on an ‘outing’ or a picnic. The people in the dream meet and greet one another and then walk around and through old houses, barns, and buildings. Inside these structures they pass by other people involved in various activities. A woman is folding clothes. A man is making paintings. A young girl is sitting in front of a mirror trying on different necklaces." - Richard Myers

In Celestial Subway Lines/Salvaging Noise its story is told by director Ken Jacobs but without the conventional storyline. Using a modified magic lantern, an early type of image projector developed in the 17th century, he morphs, flickering images that look like photo-negatives.

Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution.

This story is built up with filmed documents in an experimental fashion.

A craftsman builds a glass harmonica that enlightens him. He travels to a town where the people are obsessed with money. A bureaucrat smashes the glass harmonica which leads to chaos and eventually to social reform.