So Is This (1982)

Consisting of two parts: ‘Revelations’, Bill Hicks’ last live performance in the United Kingdom made at the Dominion Theatre; and a documentary about Hicks’ life ‘Just a Ride’ featuring interviews with friends, admirers, and family.

The ambitious friends come together during the holidays after a mystery assailant targets one of their own. A comedic thrill-ride follows, as the wild and unpredictable Psych team pursues the bad guys, justice … and, of course, food!

A story of two stand-up comedians, Deep and Zoya, and how they try to navigate their way through their relationship while joking about it on stage!

Plankton, Mr. Krabs' nemesis, vows to get his Christmas wish - obtaining the Krusty Krab's secret Krabby Patty formula - by turning everyone bad in Bikini Bottom with the help of his special jerktonium-laced fruitcake.

Several roasters, and the master himself Kevin Hart, make fun of Justin Bieber.

비키니 시티의 최고 메뉴 ‘게살 버거’의 특급 레시피가 사라졌다! 레시피를 되찾기 위해 최초로 육.지.상.륙! 비키니 시티의 최고 인기 메뉴 ‘게살 버거’. 어느 날, ‘게살 버거’의 특급 레시피가 사라지자 비키니 시티는 혼란에 빠지게 된다. 스폰지밥과 친구들은 해적 ‘버거수염’에게 특급 레시피가 있다는 사실을 알게 되고 레시피를 되찾기 위해 인간 세상으로 모험을 떠나게 되는데… 마법의 주문으로 거대하고 생생해진 슈퍼 히어로 스폰지밥! 상상 그 이상의 웃음이 넘치는 인간 세상 모험에 흡수된다!

During a lunar eclipse, seven friends gather for dinner and decide to play a game in which they must share with each other the content of every message, email or phone call they receive throughout the evening.

Mexican stand-up comedian Franco Escamilla draws his jokes from real-life experiences -- and he's willing to do anything for new material. He's not afraid to make generalizations about how men bathe. But he is scared to talk to strangers. Especially at funerals.

In front of a live audience at the Raleigh Memorial Auditorium at the Progress Energy Center for the Performing Arts in Raleigh, North Carolina, the Emmy-nominated host of Real Time with Bill Maher performs an all-new hour of stand-up comedy. Among the topics Bill discusses in his ninth HBO solo special are: Whether the "Great Recession" is really over; the fake patriotism of the right wing; what goes on in the mind of a terrorist; why Obama needs a posse instead of the secret service; the drug war; Michael Jackson; getting out of Iraq and Afghanistan; racism; the Teabagger movement; religion; the health-care fight; why Gov. Mark Sanford will come out looking good, and how silly it is to ask "Why do men cheat?"; and why comedy most definitely didn't die when George Bush left office.

Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at The Palladium in Los Angeles, California, in March 2016.

죽은 자들을 볼 수 있고, 죽음을 예측하는 초능력을 타고난 오드 토머스. 그는 이런 능력을 숨긴 채 운명으로 맺어진 연인, 스토미와 함께 평범한 일상을 꿈꾼다. 하지만 어느 날, 마을에 낯선 남자가 나타나는데 그에게는 폭력적이고 처참한 살인에만 출몰한다는 죽음의 마물 ‘바다흐’가 붙어 있어, 오드는 엄청난 재앙이 곧 마을에 불어 닥칠 것을 직감한다. 의문의 남자를 쫓기 시작한 오드. 그러나 이미 마을 곳곳은 무차별 대량 살인을 예고라도 하듯이 죽음의 냄새를 맡고 몰려든 가공할 숫자의 ‘바다흐’로 넘쳐나기 시작한다. 남은 시간은 단 하루, 마을 전체에 끔찍한 피바람을 몰고 올 잔인한 운명의 시간은 점점 다가오는데…

Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.

Rose Matafeo has kissed nearly 10 men in her life, AKA she’s a total horndog. But what is horniness? Is it that intangible essence of excitement and adventure that has inspired humankind since the dawn of time? An understanding of the overwhelming power of love as the key to true personal flourishing? Or is it simply wanting to bone everyone, all the time? Recorded at The Ambassadors Theatre, London.

‘유타’와 ‘릿카’의 공동생활이 계속되던 어느 날. 릿카의 언니 ‘토카’는 대학 진학이 위태로운 릿카를 데리고 이탈리아로 이주하겠다고 선언한다. 이대로라면 두 사람은 헤어지고 만다. 둘을 걱정한 친구들은 사랑의 도피를 제안하는데… ‘중2병이라도 사랑이 하고 싶어!’ 이제 막 펼쳐지는 그들의 사랑과 미래, 그 최종장!

A반 남신 ‘장즈수’와 처음 본 순간 KISS한 F반 ‘위안샹친’! 수학처럼 안 풀려도 절대 포기할 수 없는 확률 0% 멀고도 용감한 짝사랑 일대기. 장난 아니게 설레는 로코의 새로운 흥행 공식. 2019년 봄, 너 x 나 = 공식 ♡ 로코

작은 마을에서 피자 배달부로 일하는 닉(제시 아이젠버그)은 30분 안에 피자 배달을 완수하지 못하면 자신의 월급에서 피자 값을 내야 하는 처지다. 이 규칙을 악용하는 사람들 때문에 늘 아슬아슬한 하루하루를 보내는 닉. 그나마 룸메이트이자 절친인 체트가 위로가 되는데, 우연히 체트의 여동생과 닉의 관계를 알게 된 체트의 절교 선언으로 둘의 사이는 멀어진다. 한편 퇴역한 군인 출신 아버지 집에서 잡일이나 거들며 붙어있는 드웨인(대니 맥브라이드)과 그의 친구 트래비스는 대박 사업인 ‘태닝살롱 겸 매춘업소’를 구상하는데 바로 그들에겐 돈이 없다는 것. 결국 드웨인은 아버지의 유산을 노리고 킬러를 고용하기로 마음 먹고 킬러에게 줄 십만 달러를 구하러 나선다. 대신 은행을 털어줄 은행털이를 물색하던 드웨인은 닉이 일하는 피자가게 광고를 보고 ‘빙고’를 외친다. 피자 배달 온 닉을 기절시켜 닉에게 폭탄이 장착된 조끼를 입힌 드웨인과 트래비스. 닉은 졸지에 몸에 폭탄을 매고 은행을 털어야만 하는 신세가 된다. 10시간 안에 돈을 가져오지 못하면 폭탄이 터지고 움직일 때마다 놈들이 따라붙어 감시하고 있으니 맘대로 폭탄을 없앨 수도, 경찰을 부를 수도 없다. 드웨인의 손에 폭탄 리모컨이 있는 한 닉은 그들의 꼭두각시가 될 수 밖에 없는 노릇이다. 다급한 닉은 체트에게 도움을 청하고 괴한들이 말한 시간은 점점 다가오는데...

Newlywed couple Jay and Monica struggle to decide which set of in-laws they should join for their first Christmas. They eventually decide against picking one family over the other. Little do they know, their decision is made for them when their families show up unannounced.

Untitled adaptation of the hit Chainsmokers song of the same name. Described as “Woody Allen meets 10 Things I Hate About You”.

엄마와 여동생과 함께 살고 있는 10대 소녀 홀리 해밀턴은 엄마 진이 매번 수준미달의 남자와 사귀다 사랑에 실패할 때마다 그 상처를 잊기 위해 다른 도시로 이사하기를 반복하면서 친구도 사귀지 못하는 것에 지쳐 있다. 한 곳에 정착해 평범하게 사는 것이 소원인 홀리는 새로 이사간 곳에서 새로이 친구를 사귀게 된다. 우연히 유명 레스토랑을 경영하는 친구의 멋진 삼촌인 벤을 알게 된 홀리는 그를 모델로 완벽한 남자(퍼펙트 맨)를 만들어내, 엄마에게 러브레터와 선물 등을 보내기 시작하는데...

굴지의 사업가 아들, 금수저를 물고 태어난 덕에 환대와 호감은 쉽게 얻어졌다. 하지만 우연히 만난 한 여자 때문에 사람의 진심이란 게 궁금해진다. 신분을 속이고 사랑도 일도 바닥부터 배워가는데, 대책 없이 불어나는 거짓말은 어쩌나.

Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.

Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry.

A short film documenting what was referred to as "The International Poetry Incarnation". It was billed as Great Britain's first full-scale "happening", with the world's leading Beat poets together under one roof at the Royal Albert Hall on June 11, 1965, for an evening of near-hallucinatory revelry. It came to be seen as one of the cultural high points of the Swinging Sixties.

A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.

Eureka (1974), which lyrically re-photographs a travelogue shot from a San Francisco streetcar, offers the purest expression of Gehr’s deep love of early cinema as a source of a joyous formal inventiveness-- changing its length from 5 to about 38 minutes.

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

A parable centering on an old man who lives a secluded life in the desert, alone with only his memories and photographs. His wellspring, once a source of joy and hope for thirsty passersby, is now rarely used. No longer able to find comfort in his memories, he turns all his photographs to face the walls.

Field workers in Puerto Rico want to have a night school.

The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog.

This film tells the story of Gonthramm, a young knight who sought in vain for the Holy Grail and, on the way back to join his bride, Galeswithe, is met by Queen Banschi in the nightmarish realm of the Sylphs. Brum do Canto based the story on Charles-Marie Leconte de Lisle's Les Elfes.

I evoke a dancing woman. A woman? No. A bouncing line with harmonious rhythm. I evoke a luminous projection on veils ! Precise matter! No. Fluid rhythms. Why should one disregard, on screen, the pleasure that movement brings us in the theatre? Harmony of lines. Harmony of light. Lines, surfaces, volumes evolving directly, without the artifice of evocation, in the logic of its forms, dispossessed of any overly human sense, allowing an elevation towards the abstract, thus giving more space to sensations and to dreams : integral cinema. —Germaine Dulac

Dutch documentary filmmaker Joris Ivens follows the course of the famous wind as it originates in the Alps and finds its way to the Mediterranean Sea. Natural sounds and creative camera work provide a mood film showing the effect of the fury of the wind on the life of southern France.

An experimental feature made by rephotographing the 1905 Biograph short Tom, Tom, the Piper's Son.

Analogies: Studies in the Movement of Time uses a variety of multiple screen formats to create an intriguing series of visual riddles. The film consists of a series of simple camera movements that are rendered "diachronically"- several different aspects of the action are presented on the screen at once. By playing with time delays between these images, new kinds of space, action, gesture, and temporality have been found. Generated from structural principles, the film is both lyrical and sensual and provokes a new understanding of time and cinema.

A woman waits for her husband, a woodcutter, during long lonely days. She becomes weary and leaves him to live with her sister. He takes the news with a look of resignation, but the next day she returns to wait for him again.

"My first film, THE PATH, was based on a dream about a group of people on an ‘outing’ or a picnic. The people in the dream meet and greet one another and then walk around and through old houses, barns, and buildings. Inside these structures they pass by other people involved in various activities. A woman is folding clothes. A man is making paintings. A young girl is sitting in front of a mirror trying on different necklaces." - Richard Myers

In Celestial Subway Lines/Salvaging Noise its story is told by director Ken Jacobs but without the conventional storyline. Using a modified magic lantern, an early type of image projector developed in the 17th century, he morphs, flickering images that look like photo-negatives.

Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution.

This story is built up with filmed documents in an experimental fashion.

A craftsman builds a glass harmonica that enlightens him. He travels to a town where the people are obsessed with money. A bureaucrat smashes the glass harmonica which leads to chaos and eventually to social reform.