Arabesque for Kenneth Anger (1961)

クリスマスに恋人ハーパーの実家に招待され、そこで彼女にプロポーズするつもりでいたアビー。だが実はハーパーは家族にカミングアウトしておらず、2人の関係も隠していることが判明し...。

College student Danielle must cover her tracks when she unexpectedly runs into her sugar daddy at a shiva - with her parents, ex-girlfriend and family friends also in attendance.

女子高生のジュリーとカイラ、そしてサムの仲良し3人組は、卒業パーティーのプロムが開催される夜にヴァージンを捨てようと計画する。そんな娘たちの計画を知ってしまった親たち、ジュリーのお母さんリサと、カイラのお父さんミッチェル、そしてサムのお父さんであるハンターの3人組が一致団結、娘たちの処女喪失を阻止し貞操を守るため奮闘する。

An unexpected affair quickly escalates into a heart-stopping reality for two women whose passionate connection changes their lives forever.

マイアミの貧困地域で、麻薬を常習している母親ポーラと暮らす少年シャロン。学校ではチビと呼ばれていじめられ、母親からは育児放棄されている彼は、何かと面倒を見てくれる麻薬ディーラーのホアンとその妻、唯一の友人のケビンだけが心の支えだった。そんな中、シャロンは同性のケビンを好きになる。そのことを誰にも言わなかった。

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.

Pennsylvania, 1993. After getting caught with another girl, teenager Cameron Post is sent to a conversion therapy center run by the strict Dr. Lydia Marsh and her brother, Reverend Rick, whose treatment consists in repenting for feeling “same sex attraction.” Cameron befriends fellow sinners Jane and Adam, thus creating a new family to deal with the surrounding intolerance.

1952年の歳末、NYの高級百貨店でアルバイトをするテレーズは、クリスマスプレゼントを探しに店を訪れた優雅で上品な人妻キャロルと出会い、彼女に魅せられる。店に置き忘れた手袋をキャロルに送り届けたことから、彼女の知己を得たテレーズは、キャロルが夫ハージとの愛のない結婚生活に疲れ果て、いまや離婚協議中であること、そして娘の親権を彼に奪われそうになって苦しんでいることを知る。2人の距離は次第に縮まる。

1979年夏、カリフォルニア州西海岸の古ぼけた家で、シングルマザーの母親ドロシアとともに暮らす15歳の少年ジェイミー。家には、2人のほかに、20代半ばの女性写真家アビーと、元ヒッピーの便利屋のウィリアムが間借りしていた。息子が反抗期を迎え、自分だけでは手に負えなくなってきたのを懸念したドロシアは、アビーと、近所に住む17歳の不思議少女ジュリーに、ジェイミーのサポートをぜひよろしく、と頼み込む。

Ava, 13, is spending the summer on the Atlantic coast when she learns that she will lose her sight sooner than expected. Her mother decides to act as if everything were normal so as to spend their best summer ever. Ava confronts the problem in her own way. She steals a big black dog that belongs to a young man on the run...

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

ジェニーは保護された環境で育ったにもかかわらず、頭脳明晰で可愛く、オックスフォード大学への進学を希望している、将来有望なティーンである。そんなジェニーの前に、魅力的だが年上の求婚者デイビッドがピカピカの車で現れ、ジェニーは忘れられない大人の生活を体験することになる。

Alice, a young innocent Catholic girl, is tempted into masturbating after an AOL chat suddenly turns sexual, however is conflicted as the act would be considered a sin.

Dr. Jean Markham returns to the town she left as a teenager to take over her late father's medical practice. When a school-yard scuffle lands Charlie in her surgery, she invites him to visit the hives in her garden and tell his secrets to the bees, as she once did. The new friendship between the boy and the bee keeper brings his mother Lydia into Jean's world.

19-year old Belle practices playing the violin diligently, but is unable to impart her music with a sensitive undertone. Her life changes when she discovers that sexual desire stimulates passion in her music.

Isolated on a remote property, 16-year-old Claudia finds her world transformed when a spirited girl named Grace wanders into her garden.

Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.

Filmed over five years in Kansas City, this documentary follows four transgender kids – beginning at ages 4, 7, 12, and 15 – as they redefine “coming of age.” These kids and their families show us the intimate realities of how gender is re-shaping the family next door in a unique and unprecedented chronicle of growing up transgender in the heartland.

A young female intern at a small magazine company becomes involved with a drug-addicted lesbian photographer, both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other.

Shot in 1959, Scotch Tape is Jack Smith's first film -- a joyous, three-minute romp, in color, using Peter Duchin's rhumba "Carinhoso" for its soundtrack. Three young men merrily bop through the wreckage of razed buildings at the site of what would become Lincoln Center. Apparently, Scotch Tape was never edited and, instead, was cut in the camera by Smith, combining long shots and close-ups while filming mostly from overhead. The title comes from a small strip of scotch tape that was accidentally stuck on the camera and so is visible in the lower-right corner of the frame throughout the film.

Director Joseph Cornell evokes the nostalgia of childhood by filming a children's party.

A short film where circus performers entertain children.

Avant-garde short focused on the pure elements of film like form, visual composition, and rhythm.

London to Brighton in 4 minutes BBC interlude. From the days when TV was all live and programming was hectic. Often when one program finished, the next one was not ready yet, and the gap had to be filled. So the BBC developed a number of interludes to fill these gaps, this being the most famous one.

A high-speed view of Paris via train-track; Zooming down the Seine by boat. Chomette's first film, Games of Reflections and Speed, traverses tunnels and elevated railways to produce a disarming rhythm.

Featuring a commentary by Noël Burch (in nonsense French), Recreation's rapid-fire montage of single-frame images of incredible density and intensity has been compared to contemporary Beat poetry.

The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured images, changing colors, and pulsing rhythms. Near the end, a tree appears briefly, and birds fly - first white, then red and blue. Celtic knots morph from one to another. The images become Rorschach tests although the mood, driven by the rapid changing images and the soundtrack, remains frantic.

Further examining the medium of film itself, Colorfilm is a work Lawder made while trying to make a minimalist, "pure color" film. Using spliced-together strips of colored film leader in white, yellow, blue, red, green, etc., Lawder ran the film through a projector and found the results to be quite boring. While he was running the film, though, he noticed how beautiful the colored strips of film looked as they ran through the projector. So, he turned a camera on the projector and filmed the colored film gorgeously winding its way through the projector's machinery." - Noel Black, Colorado Springs Independent

In this homage to Zen poet Basho, the subtle changes of a pond are chronicled on film over a period of time. Broughton recites his cuckoo haikus in the background.

A wall blocks the path of two people. One man submits, while the other refuses to admit defeat.

La marche des machines is a thundering, thumping symphony of turbines, belts, flanges, wheels and sparks.

With a similar dreamy mood like its predecessor "Take the 5:10 to Dreamland" (1976) this clip starts with a boy getting into his bed. The camera zooms in into the boy's mind and a slow, sad waltz (i.e."Valse Triste") accompanies images of a locomotive, a miner, the globe, the sky, a sheep heard, etc. Disparate elements, but if one concentrates only at the movement of the figures, one can perceive a commotion, slowly livening up: The starting wheels of the heavy locomotive, the tired miner pushing the heavy cart of coal bricks, the globe smoothly turning around and around, the clouds imperceptibly floating in the sky, the sheep idly moving in the herd, etc. We reach the first climax when a mannequin opens her coat like a flower. The second big crescendo spurts out from a "water hose", after watching schoolgirls doing gymnastics for quite a while. A sad, but nostalgic aftertaste lingers in the end when funeral cars drive away through a flooded area…

Robert Breer animation from 1969. 16mm, color, silent, using spray paint & stencils.

An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.

A free flow from photography to geometric abstraction hand-painted by Breer. - Harvard Film Archive

An experimental short film from Stan Brakhage.

"Studie II (Hallucinationer)" (Study II (Hallucinations)) (1952), comprises twelve staged scenes that were modelled after a set of drawings. Accompanied by metallic sounds, various body parts, limbs and objects form surrealistic collages against the background of a black space. Peter Weiss intended to create associative images that can not be deciphered completely. Beyond any logical interpretation, he wanted to show pure inner feelings.

Samadhi is both mystical and mysterious, an incredible fusion of movement, sound and colour. Belson notes the influence of his study and practice of Yoga and Tibetan Buddhism on the creation of Samadhi. The film is inspired by the principles of yogic meditation: the movement of consciousness towards samadhi (union of subject and object), the fusion of atma (breath and mind), a state which reveals the divine force of kundalini, a bright white light we discover at the end of Samadhi. The Tibetan Book of The Dead is the inspiration behind Belson’s use of colour in Samadhi, corresponding to descriptions of the elements of Earth, Fire, Air and Water in the book. —Sophie Pinchetti, The Third Eye