Landscape (for Manon) (1987)

世の中は極端に不景気。小男で風彩もあがらず、服装もみすぼらしく、職もなく住むところもないチャーリーは、職にありつけそうもなく、毎日あちこちさすらい歩いてフーテン暮らしをしていた。そんな彼が一人の娘に恋をした。街角で花を売っている、盲目の貧しい娘だ。彼は彼女の目を治す為に、金を稼ごうと一大決心をするが……。

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger

ある日、いつもの様に街を散歩していたチャーリーの耳に赤ん坊の泣き声が聞こえてきた。辺りを見回すとまだ生まれたばかりの赤ん坊が街頭に捨てられている。どうしたものかと抱き上げた彼の目の前に、パトロール中の警官が通りかかった。警官は彼が赤ん坊を捨てにきたと勘違いし、目を光らせている。仕方なく彼は、その赤ん坊を自分のボロ・アパートに連れて帰った。それから5年後－－その子はチャーリーの仕事を手伝う程成長していた。

大きな製鉄工場で働くチャーリーは、スパナを手にひたすらベルトコンベアーを流れる部品にねじを回し続けるという単純作業を繰り返していた。その様子はテレビモニターで監視され、休む暇もなく働かされていた。ある日、チャーリーは労働者の食事時間を節約するために作られた自動給食マシーンの実験台にされ散々な目に合わされる。その後も仕事を続けていく内にチャーリーは発狂し、トラブルを起こして精神病院送りになってしまう。ようやく退院を迎えた日、トラックから落ちた赤旗を拾い運転手に返そうと追いかけていく内にいつの間にか労働者のデモ隊の先導をきってしまい、そのリーダーと間違われて捕まって拘置所に入れられてしまう。脱獄囚を撃退した功績で模範囚として放免され造船所の仕事を紹介されるものの、上手くいかず辞めてしまい、あてもなく街をうろつく生活に陥ってしまう。 拘置所が恋しくなったチャーリーはわざと無銭飲食をして捕まえられるが、護送車の中でパンを盗んだ浮浪少女（ポーレット・ゴダード）と出会う。護送車が急カーブで横転し、外へ投げ出されたチャーリーと少女は逃亡。少女と意気投合したチャーリーは、2人のために家を建てるという夢を胸に一念発起とばかり働き出す。デパートの夜回り、工場の技師の助手と仕事を獲得するものの結局上手くいかず、2件とも警察沙汰になるという不運な結果に終わってしまう。その後少女が勤め始めたキャバレー[3]のウェイターの職を得る。見世物の「ティティナ」を歌って大成功したが、少女の微罪のため、そこも追われてしまう。やっとの思いで手に入れた幸福すらも失い悲しみに打ちひしがれる少女を、チャーリーは力強く励ます。 そして、二人は未来に希望を見出し、現代社会の冷たさと束縛に囚われない自由な生活を求めて共に旅立っていくのだった。

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.

ベルゲンのカレンダーにはクリスマスのお祝いがない事を知ったトロールの女王ポピーはブランチの助けを借りて、ブリジットたちにクリスマスの大切さを教えようとします。さぁ、友だちになったトロールたちとベルゲンはクリスマスをお祝いすることができるのでしょうか？

Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.

A kid begs to stay home while his older sister runs to the store. After she leaves, he wishes he would have gone because he doesn’t feel comfortable being at home in the dark as strange things start to happen...

バイキングの町、ニューバークでは、かつて人間とドラゴンが特別な関係にあり、仲良く暮らしていた。ヒックとトゥースはそれぞれの家族にそのことを伝えようとするが、娘や息子は信じてくれない。そこでヒックはドラゴンを讃える劇を上演することを思いつく…。

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

Ebenezer Scrooge is far too greedy to understand that Christmas is a time for kindness and generosity. But with the guidance of some new found friends, Scrooge learns to embrace the spirit of the season. A retelling of the classic Dickens tale with Disney's classic characters.

大好きな科学に夢中になるあまり、友達が一人もできない少年ヴィクター。そんな彼を両親は心配していたが、ヴィクターは愛犬スパーキーを相棒にして楽しい毎日を送っていた。しかし、思いも寄らぬ事故が起きて、スパーキーは天国へと旅立ってしまう。深い悲しみに沈んでいたヴィクターだったが、次第にスパーキーをよみがえらせたいという強い気持ちを抱くように。少しばかり危険な科学な知識を駆使してスパーキー蘇生に成功するが、その姿はつぎはぎだらけで、まるでフランケンシュタインのようだった。

Margo, Edith, and Agnes spot an ice cream truck. The three of them go after the truck but Agnes falls as she attempts to pedal to the truck. The Minions, seeing her so upset by this, decide to build her a unicorn-themed motorcycle. Agnes goes for a little ride around town.

A Minion, seeing many owners walk their dogs, wants a puppy of his own. He tries to leash a ladybug but fails. Luckily, a UFO that sweeps away the ladybug somehow agrees to become a Puppy.

The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.

Susan Murphy (a.k.a. Ginormica) and the Monsters are now working with the US government as special ops. So when an alien presence is detected in Susan's hometown of Modesto, California -- right before Halloween -- the team is dispatched to investigate. Everything appears normal, right down to the jack-o-lanterns peering out from every doorstep and windowsill. But when Halloween arrives, those innocent-looking carved pumpkins reveal themselves for what they really are mutant aliens. The altered pumpkins then start to implement their fiendish plan to take over Earth. The Monsters are there to combat the mutant gourds and try to smash their wicked scheme!

The film takes place one year after the events of Captain America: The First Avenger, in which Agent Carter, a member of the Strategic Scientific Reserve, is in search of the mysterious Zodiac.

July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with “straight photography” than Brakhage, but far more engaged with tactility and the plastics of the image than Jonas Mekas, this early work embraces the mundane—making bread in the kitchen, riding bikes by the San Francisco Bay, hanging out in a cheap-looking flat with friends, plucking a game fowl for supper—while also paying attention to the wind, water, and trees that surround these fleeting moments.

A portrait of a dedicated filmmaker who is a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.

This unique video, starring "Vincent Van Goat," introduces babies and toddlers to basic colors through charming puppetry, timeless art, live-action footage, classical music and child-friendly poetry. Includes images of Van Gogh's most famous ... Full Descriptionpaintings. Featuring child-friendly arrangements of music by Brahms, Ravel, Strauss, Tchaikovsky and others.

Footage of the aftermath of the January 14 1931 earthquake in Oaxaca, Mexico.

An off-screen narrator remembers a time he was five years old, walking to school in a heavy rain, wearing a yellow slicker and cap. He relates to us that a boy he'd never seen before ran up to him and said that it was raining worms. Our lad of five is on the cusp between believing anything he hears and entering the age of reason. He asks for proof. He holds out his hand.

Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.

A short film by Walerian Borowczyk in two parts. The first 'panel' follows the morning routine of Leon Boyer who, despite being almost 100 years old, still farms the land, drives a vintage car, and plays with his two dogs. The second panel shows shots of beautiful flowers and a cat, to a recording of Tino Rossi singing 'La romance de Nadir / Je crois encore entendre' from Bizet's opera 'Les pêcheurs de perles'.

In a 13-minute navigation, Nestler takes us downstream the Rhine River. The opportunity of cheap water transport kept prices of raw material down and made the Rhine one of the most important arteries of industrial transport in the world.

CICLÓN is a coverage of hurricane Flora's sweeping the Cuban provinces of Camagüey and Oriente in October 1963: the damage, the evacuation of the villages, and the aid to victims.

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

It is winter and a snowman comes alive. On his adventure he will find a calendar that will make him wish to know the spring.

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

Momotaro, the hero of the story, is born out of a giant peach his foster mother finds floating on the river.

Hinrich, the son of a feudal German landowner, falls in love with the beautiful daughter of one of his father's serfs despite opposition from both families. But when he actually offers marriage to her, this is going too far. The return of his brother Detlev, with an unscrupulous aristocratic bride of his own and a rival claim to their father's estates, proves to be the trigger for tragedy.

On a tropical island, a native boy sings "Pagan Moon" to his sweetheart. Later, he plays music underwater with an octopus-pianist and other jazz-loving sea life.

In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual.

Bartholomew Cubbins has SO MANY HATS. Every time he removes one in the presence of the King, it is replaced magically with another. This enrages the King, who brings him to trial, and to the ultimate sentence.

Three wordless rituals: birth, between, and rebirth. A woman lies at the bottom of a swimming pool, alone. The camera pans her body. She starts to rise, then sinks; convulsions follow and then she rises and hovers above the pool. A shirtless man in white pants stands in an asphalt lot, a car visible on either side. Convulsions begin. The cars back up, still facing him and each other. They pause; they race toward him. He leaps. A youth, shirtless and in white shorts, stands in front of a tall building. Doors open, he enters and walks to an elevator. Convulsions strike him as he rides to a top floor, exits the elevator, pauses, and runs toward a window. He crashes through.

Are we truly free? Are our desires truly our own or merely imposed products of the society we live in? The question this film is asking is this: are we slaves to the culture and society we were born in or is there a way to escape after all?

Six men. The forest. The menace is there somewhere. Armed, ready, looking for action, they wander, day and night, striving for a confrontation.