Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante (1977)

A film about Mark David Chapman in the days leading up to the infamous murder of Beatle John Lennon.

Spain, 1966. An English teacher who travels to Almería when he hears that John Lennon is making a film there befriends with a 16-year-old boy who has run away from home and a young girl who also seems to be running away from something.

The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.

ジョンとヨーコが『イマジン』に行き着くまでのクリエイティブ面での道程と、『イマジン』の画期的な映画、そしてヨーコの『フライ』というアルバムへの道のりが、説得力のある新たな切り口で語られている。 「イマジン」の最初のデモなど、未公開の音源や映像などを含むジョン・レノンとオノ・ヨーコのアーカイブ映像、そして新旧を織り交ぜたインタビューにより、幼少期に不平等、人種差別、搾取、戦争の恐怖に怯え、のちにそれ

In celebration of the 50th anniversary of The Beatles' first appearance on The Ed Sullivan Show, this magnificent star-studded tribute salutes the Fab Four. Appearing with Paul McCartney and Ringo Starr were guest musicians Joe Walsh, Gary Clark, Jr., Stevie Wonder, The Eurythmics, John Legend, Alicia Keys, Maroon 5, Dave Grohl, Katy Perry, Peter Frampton, and more.

The events on the night John Lennon was killed, seen through the eyes of those who lived it. The great men and women of NYC who did all they could to save a life, some without even knowing it was John Lennon himself. Based on a true story.

Featuring interviews with former employees, fellow musicians, family members and journalists, and supported by original and exclusive never-seen-before footage, this star-studded rockumentary offers a fascinating insight into the creation and recording of one of the most ground-breaking and influential albums in pop history.

The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

Produced by WGBH-TV in Boston, the Medium Is the Medium is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists — Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock and Aldo Tambellini — to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

550 artists were interviewed over ten years. At some point during those interviews, they were asked a question and told to answer with one word only. Some stuck to one, some said more, some answered quickly, some thought it through, and some didn't answer at all. That question… Lennon or McCartney?

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.

A spectacular collaboration between prize winning Canadian animator Pierre Hébert and cutting edge electronics wizard Bob Ostertag. Outrageous noise sampling interacts with spontaneously created live animation in this groundbreaking improvisational work, refined and perfected for an exclusive DVD release.

Writes Imai, "As a photographer during the 1970s, my interest in capturing time led me to explore the video medium. After utilizing video in two or three works, I saw a similarity between videotape and an ancient scroll, in that they both capture a story of our time. I started using physical videotape as a metaphorical representation of time, rolling out the magnetic tape from right to left, representing a narrative from beginning to end."

2001 short film