Winter (1969)

A found footage look at a filmmaker's journey to discover what it takes to 'make it'.

1980年代初頭、映画学校に通う温室育ちの学生がひとりの男と出会う。教養豊かだが怪しげなその男と親密な関係になるなかで、彼女は撮りたい世界を見いだしてゆく。

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

A young man recruits a film student to help him prove the existence of an urban legend.

とある事情から、激しく対立する武藤と池上。そんな中、武藤は娘であるミツコの映画デビューを実現させるべく、自らプロデューサーとなってミツコ主演作の製作に乗り出すことに。あるきっかけで映画監督に間違えられた公次のもとで撮影が始まるが、困り果てた彼は映画マニアの平田に演出の代理を頼み込む。そこへライバルである武藤の娘だと知りつつもミツコのことが気になっている池上が絡んできたことで、思いも寄らぬ事件が起きてしまう。

1994年10月、モンゴメリー大学映画学科に所属する3人の大学生がドキュメンタリー映画製作のためにメリーランド州ブラック・ヒルズの森に分け入った。その土地に今なお残る伝説の魔女“ブレア・ウィッチ”をテーマにしていたのだ。だが3人はそのまま消息を絶つ。手掛かりが発見されないままやがて捜索は打ち切られた。しかし事件から1年後、彼らが撮影したものと思われるフィルムとビデオが森の中で発見される……。

While shooting a documentary on the suspicious disappearances within the homeless community, a filmmaker and his crew go missing while uncovering a terrifying and vicious secret below the city's surface.

A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film and committing the perfect murder.

A young couple ventures into the woods to capture footage of the elusive Bigfoot.

A man learns about alien agendas from a dying agent and feels compelled to warn the world about the impending danger.

Fourteen-year–old Megan and her best friend Amy spend a lot of time on the internet, posting videos of themselves and chatting with guys online. One night Megan chats with a guy named Josh who convinces her to meet him for a date. The next day, Megan is missing—forever. Based on actual cases of child abduction.

As Nell Sweetzer tries to build a new life after the events of the first movie, the evil force that once possessed her returns with an even more horrific plan.

The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in the 1970s.

MITに入学を許可されたが学費の工面に苦心する秀才デヴィッド。屋根裏で途方に暮れていた彼は、幼いころの誕生会を録画したビデオを発見する。なんとその映像には、一瞬だが現在の彼の姿が映り込んでいた。仲間たちと真相を探る中で、彼は亡父の作業場からタイムマシンの核となる部品を発見する。なんとかマシンを完成させた彼らは過去へと戻り、ロトくじを当てたり試験をやり直したりと好き放題に過去を改変しはじめる。

After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.

1931年、パリ。身寄りのない少年ヒューゴはリヨン駅の時計台の中に隠れ住み、孤独な毎日を送る。そんな彼に大切なのは、亡くなった父親が残した、壊れた“機械人形”。その修理に悪戦苦闘していたヒューゴは駅の構内にあるおもちゃ店で万引きを働き、店主の老人に、人形について書かれた大切な父のノートを取り上げられてしまう。そんなヒューゴだが、老人の養女イザベルと仲良くなり、一緒に機械人形の秘密を探る。

妻に先立たれ、女子高生の娘マーゴットと２人暮らしのデビッド。ある日、勉強会に行ったはずのマーゴットが行方不明なことに気づく。警察に失踪届を出したデビッドは、担当刑事のヴィックとともに、マーゴットのパソコンにログインし、彼女の手がかりを求めてＳＮＳを探り始める。するとそこには、デビッドの知らないもう一人のマーゴットの姿があった。動揺しつつも、さらにマーゴットのＳＮＳを探っていくデビッドだったが…。

シアトル。母が病で倒れたままで、酒に溺れる父と暮らす孤独な高校生アンドリュー。いとこのマットに誘われてパーティーに行くが楽しめない。マットや人気者の同級生スティーヴと近くで見つけた洞窟の中を探検するが、そこにあった不思議な物質に触れた3人は、触らずに物を動かせるように。その能力を使ういたずらを楽しむようになった3人だが、いつしか空を飛べるようになる。自分の能力に酔ったアンドリューは暴走を始める。

At a remote lake house in the Adirondack Mountains, a couple entertains an out-of-town guest looking for inspiration in her filmmaking. The group quickly falls into a calculated game of desire, manipulation, and jealousy, unaware of how dangerously intertwined their lives will soon become.

心身ともに疲弊した映画監督が昔を回想し、記憶の旅を繰り広げていく。スペインの世界的名匠、ペドロ・アルモドバル監督がアントニオ・バンデラス主演で放った自伝的作品。ペネロペ・クルスが特別出演している。

During the summer of 1968, a young French woman staying in an isolated country house reflects upon her involvement in the events of that May.

One of four Hanoun films that take their titles from the seasons of the year, SPRING tells two parallel stories: a man, fleeing the forces of order, takes refuge in the forest, while a young girl living with her grandmother in a nearby village approaches the threshold of adolescence, and begins to discover both the world and herself. - Anthology Film Archive

Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about.

A woman arrives in Paris with her little girl to look for work. With limited funds and no luck, they end up penniless, homeless and dependent on the rare kindness of strangers.

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)

A visual and sound montage about a fighting bull in the arena.

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...

A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.

Inspired by the Cantat-Trintignant drama.

An actress rehearses behind closed doors scenes from the trial of Joan of Arc, confronted with the view that spectators have character.

In his solitude, a man dreams, imagines, fumbles, eructs. In front of his computer, he writing, he sends e-mails, like bottles at the sea. Robinson, he tries to escape, not from a deserted island, but a world of appearances, deserted, empty, inconsistent, mirage of a mirage.

Film in memory of the workers of the Lille company Massey-Ferguson, who manufactured tractors and combines, and closed its doors in 1984.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.

“I’m dying to live.” These words from Saint Teresa of Ávila are said by Mother Aloïse Osée when she is about to separate forever from Don Jerome.

Film produced as part of the Festival Pocket Films Forum Images.

Processions during a holy week in Valladolid.

A short film shot on July 2, 2011 that directly refers to the DSK case. In voice-over, with an echo in English, the inner monologue of a maid who wears makeup, hair, wounds, whose body has disappeared in suffering. A reflection on loneliness and confinement.

A baker knew the cosmonaut child who now revolves around Earth.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.