Emma (2014)

男性と女性、両方の要素を持って生まれてきたブランドン。だが閉鎖的な町の人々は、衝撃の事件を引き起こしてしまう……。アカデミー賞主演女優賞に輝いたヒラリー・スワンクの演技が観どころ。

A teenager transitions from female to male, and his family must come to terms with that fact.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

When a feminist filmmaker sets out to document the mysterious and polarizing world of the Men’s Rights Movement, she begins to question her own beliefs. Chronicling Cassie Jaye’s journey exploring an alternate perspective on gender equality, power and privilege.

The chauvinist Damien wakes up in a world where women and men have their roles reversed in society, and everything is dominated by women.

A French family moves to a new neighborhood with during the summer holidays. The story follows a 10-year-old gender non-conforming child, Laure, who experiments with their gender presentation, adopting the name Mikäel.

Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.

Sweet, chubby, theatrical Billy was never cut out to be a farmer or a rugby player, but as the only son of a ‘good kiwi bloke’ he’s obliged to try. The cows are stubborn and the chores gruelling but Billy finds escape in a fantasy world playing Lana, heroine of his favourite TV show Adventures in Space. Not everyone approves of Billy's transformation. On the brink of adolescene, he discovers growing up is more complicated than he could ever have imagined.

鳳学園に転校してきた男装の美少女・ウテナ。かつての恋人である冬芽と再会した彼女は、そこで彼と同じ薔薇の刻印のついた指輪を手にする。その指輪を持つ者は、"薔薇の花嫁"と呼ばれる美少女・アンシーを賭けて、決闘ゲームに参加しなくてはならない。そして、そのゲームに勝利すれば、彼女とエンゲージし"永遠があるという城"へ行くことが許されるのだ。女性であるウテナは巻き込まれるようにゲームに参加するも、生徒会副会長の西園寺、フェンシング部キャプテンの樹璃と対決し、次々と勝利を収めていく。こうしてアンシーとエンゲージすることになったウテナは、彼女を"外の世界"へ連れ出そうとする。だが、巨大な洗車ブラシに取り込まれ、自動車にされてしまうウテナ。アンシーはそんなウテナ・カーに乗り込むと、追手を振りきり閉ざされた世界からの脱出に成功するのだった。

A transgender Iranian-American embarks on a road trip to discover the everyday realities of being trans in conservative states across the United States. As he travels through some of the country’s most anti-trans states, he uncovers the struggles and triumphs that define being trans in America today.

Seven year old Ludovic (Ludo) is transgender and believes god has made a mistake. Assigned male, the film follows her difficult journey to get her family to see what seems obvious to her - that she is a girl.

Based on the real life story of Parinya Charoenphol, a Muaythai boxer who underwent a sex change operation to become a woman.

Three poetic tales of seeking the true identity. In the first story, Jing, a blind singer, falls in love with her band's tomboy accordionist Diego. In another time and place, Lily, an elderly lesbian and Yen, her gay friend, create an unexpected bond and support each other in a time of crisis. Finally, we see Diego before she joined the band, when as a teenager she came to grips with her gender identity.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Seven transgender and gender nonconforming individuals share their unique experiences with Silas Howard.

Amber, an eccentric child-turned-adult star, and her lover Liz are moving slow after a romantic evening celebrating Amber’s recent Oscar Nomination. Liz awakens to a strange and invasive postal worker who seems fascinated with Hollywood stars, secretly enters the apartment. The film continues to be filled with secrets of longing, love, and the pain of rejection.

Ash Nielsen is a teenager who is struggling to come to terms with being nonbinary, as well as having to navigate bullying at school.

Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.

Soon after New York state passed a 2015 law that health insurance should cover transgender-related care and services, director Tania Cypriano and producer Michelle Hayashi began bringing their cameras behind the scenes at New York’s Mount Sinai Hospital, where this remarkable documentary captures the emotional and physical journey of surgical transitioning. Lending equal narrative weight to the experiences of the center’s groundbreaking surgeon Dr. Jess Ting and those of his diverse group of patients, BORN TO BE perfectly balances compassionate personal storytelling and fly-on-the-wall vérité. It’s a film of astonishing access—most importantly into the lives, joys, and fears of the people at its center.

It is 1913. Women across the country, outraged by inequality and prejudice are beginning to rise up and demand change. In York, a revolution is about to take place as an ordinary Heworth housewife risks her life and her family to join the fight. And she's not alone. Across the city, women run safe-houses, organise meetings, smash windows and fire-bomb pillar boxes. It's dangerous, it's exhilarating, it's ground-breaking: and in 2017 the amazing story of York's suffragettes will be told for the first time. Everything is Possible is York Theatre Royal and Pilot Theatre's latest large-scale community production. The play was performed on a spectacular scale with a cast of around 150 and a choir of 80. The performance started outdoors before moving onto the stage at York Theatre Royal. We raised the purple, green and white flags and cried "Votes for Women!" to sold-out audiences.