Care Bears: Oopsy Does It! (2007)

1862年のロンドン。気象学者のジェームズは天気を予測できると考えていたが、学会では荒唐無稽と誰にも相手にされず、それを証明するための実験を行う資金も集まらなかった。そんな中、気球操縦士のアメリアと出会ったジェームズは、彼女に大空に連れて行ってほしいと頼み込む。夫を亡くした悲しみから立ち直れずにいたアメリアは、ためらいつつもジェームズの依頼を受け入れ、高度の世界記録への挑戦を決意する。こうして誰も到達したことのない高高度を目指して、危険な冒険へと旅立つジェームズとアメリアだったが…。

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

天国の入り口にやって来た22人の老若男女。彼らはこれから7日間の間に大切な思い出をひとつだけ選ばなければならない。人はその思い出だけを持って天国に向かう。思い出は職員の手により撮影され、最終日に上映会が開かれることになっていた。さっそく職員たちは死者たちから思い出を聞き出し、撮影のための準備を進める。

Everyone knows that the stork delivers babies, but where do the storks get the babies from? The answer lies up in the stratosphere, where cloud people sculpt babies from clouds and bring them to life. Gus, a lonely and insecure grey cloud, is a master at creating "dangerous" babies. Crocodiles, porcupines, rams and more - Gus's beloved creations are works of art, but more than a handful for his loyal delivery stork partner, Peck. As Gus's creations become more and more rambunctious, Peck's job gets harder and harder. How will Peck manage to handle both his hazardous cargo and his friend's fiery temperament?

さえない人生を送るステファン（ガエル・ガルシア・ベルナル）は父の死をきっかけに、住み慣れたメキシコから母のいるパリへ帰郷する。彼はアパートの隣に引っ越してきたステファニー（シャルロット・ゲンズブール）に恋をするが、なかなか思いを伝えることができず、次第に彼女との関係が成就した夢の世界に逃避するようになる。

The Care Bears have their work cut out for them, because Nicolas, a lonely magician's assistant, is about to fall under the evil influence of a bad spirit who lives in an ancient magic book -- it seems Nicolas will do just about anything for friends. Aside from Nicolas, Kim and Jason are in trouble because they are starting not to trust people after suffering many disappointments.

Compelled by a mysterious force, Kaena, a rebellious, high-spirited teenage girl will defy the High Priest and her people's ancestral beliefs to take the perilous journey through the Axis and discover what dark secrets lie beyond the clouds.

An American investigator for the U.N., a German scientist and a British reporter join forces to investigate a series of disappearances and mutilation-deaths confined to a Swiss Alp and involving a thick, mobile cloud, a telepathic girl, an animate dead man, and tentacled, cyclopean beings from another planet.

While villain Grizzle plots against the Care Bears, it is up to Oopsy Bear to come to their rescue.

A monologue recalling old memories before minds began to rot.

A story through a child's eyes about living through a drought.

The cloud phenomena of Maloja are so well-known that some of them have names, such as the Maloja snake, a cloud bank that winds its way through the Alpine pass like a river. Clouds pass overhead, Fanck films them, just sufficiently to get the idea, among the crags of the Engadine, and gradually he connotes the wider scene, peopling the solitude and stillness below with a person or two, boating.

A sudden rainstorm is unleashed on a city. Everyone seeks refuge. When the clouds thin out, life continues.

Do you know where clouds come from? They come from a mysterious place called “Land of Clouds”! A baby cloud that was born in the Land of Clouds run across Baikinman and Dokinchan. After meeting them, the baby gets the name Flurry and quickly grows while developing a bond with Dokinchan. One day, the Land of Clouds cannot float on the sky because of a strange stain. At the same time, Baigumora, the monster that created by Baikinman, is out of control! Can Anpanman protect the Land of Cloud?

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Recorded Live on August 11, 2013, KEXP and Nature Consortium presents Cloud Cult performing at Camp Long during the 15th Arts in Nature Festival.

Cloud Cult's "Unplug: The Film" is a distillation; twelve years of songwriting into seventy minutes of acoustic performance. What remains is a shared experience of honesty and vulnerability. The songs took collective shape around campfires at the band's recording studio in the woods of Wisconsin and took stage at the Southern Theater in Minneapolis where the concert footage was shot, along with interviews and behind the scenes footage. Co-produced by Jeff D. Johnson (Motion 117 Productions) and Craig Minowa, the film is product of an eight-year collaborative relationship- one that has worked to create a space in which band and audience sit side by side.

Through a grey blanket of clouds, we barely discern the contours of Mount Fuji, a volcano with many faces. 4,500 exceptional and diverse photographs from the past 150 years form the basis for Ascent. Made entirely with stills, it is a filmic experiment balancing between documentary and fiction, photography and film, where an English woman and her deceased Japanese partner, Hiroshi, lead the way. As Mount Fuji is climbed across geographical, temporal and cultural divides, the narrative unfolds, exploring unexpected paths.

In a world where rain is produced by puppy-like rain clouds, Mother Nature’s young daughter sets them free to save them from evaporation.

In 1927, meteorologist Masanao Abe (1891-1966) established the Abe Cloud Air Current Research Observatory on the heights of Gotemba in Shizuoka Prefecture. Until 1942, through his contributions to research magazines and publications, he worked on elucidating the formation process of clouds above Mount Fuji. He left a colossal archive representative of modern meteorology, including pictorial records of every kind-- this one an early success, artistically.