大女優として知られるマリア（ジュリエット・ビノシュ）は、忠実なマネージャーのヴァレンティーヌ（クリステン・スチュワート）とともに、二人三脚で日々の仕事に挑んでいた。そんななか、マリアはかつて自身が世間に認められるきっかけとなった作品のリメイクをオファーされる。しかし、その役柄は彼女が演じた若き美女シグリッド役ではなく、彼女に翻弄される中年の上司、ヘレナ役。若い主人公の配役は、すでにハリウッドの大作映画で活躍する若手女優のジョアン（クロエ・グレース・モレッツ）に決定していた…
After a serious sport accident in a swimming pool, Ben, now an incomplete quadriplegic, arrives in a rehabilitation center. He meets with other handicapped persons (tetraplegics, paraplegics, traumatized crania), all victims of accidents, as well as a handicapped since his early childhood. They go through impotence, despair and resignation, with their daily struggle to learn how to move a finger or to hold a fork. Some of them slowly find a little mobility while others receive the verdict of the handicap for life. Despite everything, hope and friendship help them endure their difficulties.
Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?
When her daughter is kidnapped in Belize and held hostage to be used for human organ trafficking, Kate Johnson goes on a crusade to infiltrate the cartel and rescue her.
1971年、文革の嵐が吹き荒れる中国。青年マーとルオは医者を親に持つことから、反革命分子の子として再教育のために奥深い山村へ送り込まれた。彼らはそこで過酷な肉体労働を強いられる。ある日2人は、美しい少女、お針子に出会う。ルオはお針子に一目惚れした。彼らは、同じ再教育で来ている若者が禁書である西洋の本を大量に隠し持っていることを知り、それを盗み出す。そして、文盲のお針子に毎夜西洋の文学を読み聞かせてあげるのだった。許されない秘密を共有することで結びつきを強める3人。そして、お針子は西洋文学が語る自由に次第に目覚めていく…。
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Hartmut Mackowiak, a German taxi driver, tries to help 6 year old Turkish girl to find her mother.
A young married woman from Montreal's Orthodox Jewish community finds freedom from the strictures of her faith through her relationship with a young man who is mourning the death of his estranged father.
Police chief Horst Krause is retired. Together with his sister Elsa, he takes care of the inn in Schönhorst. But none of that makes him happy.
Family Neufund is an exchange student from England in the house! The host parents Martin Brambach and Aglaia Szyszkowitz see this as a chance to finally win a girlfriend for their idiosyncratic 16-year-old daughter. But at the airport is not the expected "hip" Sandy McCartney from London in front of them, but a 13-year-old Indian boy! You want to get rid of the little Hindu as soon as possible. In a roundabout way, Zayn Baig in the role of the unwanted guest and Lena Urzendowsky as a loner are still pretty good friends.
A dream becomes a nightmare: Shortly after the Iranian doctor Murath Tehrani and his German wife Claudia moved into a chic villa on the outskirts of Leipzig, threatening couple flutter into the house and Claudia is harassed by anonymous callers with xenophobic slogans. First, the woman tries to hide the threat from her husband. But not even the police can help her. Suddenly, every stranger approaching the house appears as a threat. Psychological pressure is also increasing the pressure on the harmonious marriage of the young couple. But Murath and Claudia are unwilling to be driven out of their homes by aggressive racists.
Berlin widower Paul Krüger, a retired ex-GDR stone mason (66), hates foreigner immigrants, especially Muslims. When his beloved, doting granddaughter Annie plans to marry Deniz, an ambitious student and waiter in Ankara who needs a visa for Germany, backward Paul and his buddy, publican Karin, go on Turkish 'holiday' so he can talk her out of it. But Deniz proves her only choice and probably a right one, even if countrymen and family win Paul's heart, as well as a resourceful preteen-thief, who proves an orphaned Syrian refugee. Paul even promises to plead with his counterpart, Deniz's family patriarch, who opposes him marrying a Christian infidel at pain of expulsion from the close clan.
Nama, a teenager from Mali, has crossed desert and sea for his freedom. When Nama is injured in a fight, an old man named Willi lets him move into the house that he used to share with his son Stefan. The father and son have not spoken for years and the three men may have little in common, yet what binds them together is their search for a home where their wounds from present and past can heal.
