1/2 of a Telephone Conversation (1973)

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

An odd traveler named Nice Eyes walks the streets and deserts of Utah as his mind, body and soul deteriorate into a far more primitive state.

A European prince terrorizes the local peasantry while using his castle as a refuge against the "Red Death" plague that stalks the land. Restored in 2018 by the Academy Film Archive and The Film Foundation. Restoration funding provided by the Hobson/Lucas Family Foundation.

1917年、司祭に任ぜられたファーモイルは聖ヨハネ教会の助任司祭として就任した。しかし、リアリストの主任司祭と理想を追うファーモイルは対立し、自分の意見を発表するために本を著した。これがボストン大教区の枢機卿グレノン大司教に知れ、いなかの貧しい教区に転任させられが、ここで病身をおして教区の人たちに心を砕く神父に会い、謙遜の尊さを知る。グレノン大司教はファーモイルの成長を知り、再び自分の下に呼びもどし秘書とした。ボストンの家に帰ったファーモイルは妹モナが異常妊娠で苦しむのを目の当たりにするが聖職につく身では堕胎をすすめられず妹は亡くなる。

Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.

A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape. Restored by the Academy Film Archive and the Instituto Cubano del Arte e Industrias Cinematográficos in 2019.

Jury foreman Edward Weldon's questioning leads to the death sentence for Ethel Saxon. His daughter Stella claims to have killed her lover, the gangster Garboni, just as Saxon was to sit in the electric chair. Restoration by the Academy Film Archive and Blackhawk Films with funding from the estate of David Shepard from a 35mm nitrate duplicate negative and 35mm nitrate fine grain in the Lobster Films collection.

A tale of people unfolds under the night sky. These doomed couples and lost individuals begin journeys and attempt to find resolution in their lives. Love is observed from a distance, sadness is in the air. With little sympathy for the loss and destruction caused to the characters, the stories progress and become neatly woven into a minimalistic portrayal of modern life.

A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man. Restored by the Academy Film Archive and The Film Foundation, with funding provided by the Hobson/Lucas Family Foundation.

Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one man's gin-soaked, pill-popped view of what it was like to be coloured and gay in 1960s Unites States. Preserved by the Academy Film Archive in 2013.

A small Youtuber occasionally makes half ironic videos for few to see. A half narrative, half experimental view of the numb feeling of consuming endless amounts of content online instead of doing anything else, forever.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

An experimental short short featuring my wife Melissa. Shot in super 8 mm

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)

Andrew, a teacher, is attacked while leaving work in a failed mugging which results in him becoming critically injured. While he is bleeding out a Deity appears healing Andrew but this is at a cost.

"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.

A cowboy helps a pretty young woman find lost gold. Restored by the Academy Film Archive with additional funding from the National Endowment for the Arts.

The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.

This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.

Touching story of elderly couple David and Eva who go on one last journey across the USA when they discover Eva is dying, ending up with their granddaughter Jeannie in San Francisco. Restored in 2022 by the Academy Film Archive and The Film Foundation. Restoration funding provided by the Hobson/Lucas Family Foundation.