1/2 of a Telephone Conversation (1973)

미국의 서부 리노, 이혼을 위해 법원으로 가려던 로즐린과 그녀의 집주인 이사벨은 정비소의 엔지니어 구이도를 만나 차를 얻어 타고 시내로 나온다. 이혼수속을 마치고 바에 들린 로즐린은 그곳에서 구이도와 그의 친구 게이를 만난다. 카우보이의 남성다운 매력이 넘치는 게이는 로즐린의 마음을 사로잡고 두 사람은 사랑에 빠진다. 그러나 너무도 여리고 감정적이기만 한 로즐린과 거칠면서도 냉정한 게이는 의견충돌로 잦은 다툼을 벌이기도 한다. 한편 게이는 구이도로부터 산에 야생마가 아직도 남아있다는 말을 듣고 산으로 가기로 결심한다. 게이는 함께 일을 할 사람을 구하기 위해 로데오 경기장으로 향하고 젊은 카우보이 펄스를 만난다. 젊고 충동적인 펄스는 로데오 경기에서 부상당한 자신을 보살펴준 로즐린에게 연민을 느낀다. 또한 대회에서 돌아오던 길, 그녀를 항상 지켜만 보던 구이도도 로즐린에게 사랑을 고백한다. 로즐린에 대한 세 남자의 감정이 얽혀가지만 결국 네 사람은 야생마를 사냥하러 산으로 향하는데… 마릴린 먼로의 남편이었던 아서 밀러가 각본을 쓴 작품. 먼로 외에도, 클라크 게이블, 몽고메리 클리프트 등 기라성 같은 헐리우드 스타들이 함께 주연한 작품이다. 상처받은 이혼녀 로즐린이 별 볼일 없는 두 명의 카우보이와 여행에 나선다는 이야기로, 현대인들의 고독과 무거운 삶을 제대로 그렸다며 비평계의 찬사를 받았다. 이 영화는 클라크 게이블의 마지막 작품이기도 하다.

An odd traveler named Nice Eyes walks the streets and deserts of Utah as his mind, body and soul deteriorate into a far more primitive state.

에드거 앨런 포의 단편소설 "붉은 죽음의 가면"을 로저 코먼이 영화화했다

A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal. Photochemical preservation by the Academy Film Archive in 2012.

Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.

A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape. Restored by the Academy Film Archive and the Instituto Cubano del Arte e Industrias Cinematográficos in 2019.

Jury foreman Edward Weldon's questioning leads to the death sentence for Ethel Saxon. His daughter Stella claims to have killed her lover, the gangster Garboni, just as Saxon was to sit in the electric chair. Restoration by the Academy Film Archive and Blackhawk Films with funding from the estate of David Shepard from a 35mm nitrate duplicate negative and 35mm nitrate fine grain in the Lobster Films collection.

A tale of people unfolds under the night sky. These doomed couples and lost individuals begin journeys and attempt to find resolution in their lives. Love is observed from a distance, sadness is in the air. With little sympathy for the loss and destruction caused to the characters, the stories progress and become neatly woven into a minimalistic portrayal of modern life.

A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man. Restored by the Academy Film Archive and The Film Foundation, with funding provided by the Hobson/Lucas Family Foundation.

제이슨 홀리데이(1924~1988)는 흑인 동성애자라는 자신의 정체성을 숨기지 않은 채 나이트클럽 등에서 공연을 펼치며 인기와 논란을 동시에 얻은 인물이다. 셜리 클락은 자신의 집에서 제이슨 홀리데이와 긴 인터뷰를 진행하며 그가 어떤 인생을 살아왔는지 생생하게 기록한다. 또한 제이슨 역시 자신의 캐릭터가 하나의 특정한 이미지로 고정되는 것을 경계하며 대담하고 솔직한 이야기를 들려준다.

A small Youtuber occasionally makes half ironic videos for few to see. A half narrative, half experimental view of the numb feeling of consuming endless amounts of content online instead of doing anything else, forever.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

An experimental short short featuring my wife Melissa. Shot in super 8 mm

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)

Andrew, a teacher, is attacked while leaving work in a failed mugging which results in him becoming critically injured. While he is bleeding out a Deity appears healing Andrew but this is at a cost.

"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.

A cowboy helps a pretty young woman find lost gold. Restored by the Academy Film Archive with additional funding from the National Endowment for the Arts.

The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.

This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.

Touching story of elderly couple David and Eva who go on one last journey across the USA when they discover Eva is dying, ending up with their granddaughter Jeannie in San Francisco. Restored in 2022 by the Academy Film Archive and The Film Foundation. Restoration funding provided by the Hobson/Lucas Family Foundation.