This Is Our Scene Too! (2016)

パットがボーカルを務めるバンドは、車のガソリン代にも事欠く、売れないパンクバンド。彼らが極貧ツアーの中、ようやく出演することができたライブハウスは、なんとネオナチの根城だった。パットとバンドメンバーは、そこで殺人の現場を目撃してしまい、ネオナチ軍団から命を狙われる事態となってしまう。圧倒的に不利な状況で、グリーンルーム（英語で「楽屋」の意味）に閉じこもったパットたちは、アイデアと反骨精神を武器に極悪非道なネオナチ軍団に立ち向かう。

1979年夏、カリフォルニア州西海岸の古ぼけた家で、シングルマザーの母親ドロシアとともに暮らす15歳の少年ジェイミー。家には、2人のほかに、20代半ばの女性写真家アビーと、元ヒッピーの便利屋のウィリアムが間借りしていた。息子が反抗期を迎え、自分だけでは手に負えなくなってきたのを懸念したドロシアは、アビーと、近所に住む17歳の不思議少女ジュリーに、ジェイミーのサポートをぜひよろしく、と頼み込む。

Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.

What happens when a generation's ultimate anti-authoritarians — punk rockers — become society's ultimate authorities — dad's? With a large chorus of Punk Rock's leading men — Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against's Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band's anthem, 'Fuck Authority', to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.

Cry Baby, a strong and sensitive girl, is sent off to a disturbing sleepaway school that’s hidden underneath a grandiose façade. Luckily, she has a sweet and unapologetic best friend who sticks up for her when she gets bullied by the other students whose brains are under control by the Principal and his wicked staff. With the help of the magical friends they meet along the way, as well as an Angelic Spirit Guide, they are able to gain the strength they need to fight off the school’s belligerent patriarchal conditioning.

A documentary about the history and reformation of Toronto punk band Death from Above 1979.

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

オーストラリアのジャーナリストと英国大使館員の恋を主軸に、現地のカメラマンの眼を通してインドネシアの政治的混乱を描く政治ドラマの傑作。出演はメル・ギブソン、シガニー・ウィーヴァー。

January 1978. After their success in England, the punk rock band Sex Pistols venture out on their tour of the southern United States. Temperamental bassist Sid Vicious is forced by his band mates to travel without his troubled girlfriend, Nancy Spungen, who will meet him in New York. When the band breaks up and Sid begins his solo career in a hostile city, the turbulent couple definitely falls into the depths of drug addiction.

An archive celebration of studio performances from the British bands that broke through courtesy of punk between 1975 and 1982. Starting with Dr Feelgood and Eddie and the Hot Rods and culminating in Gang of Four, with performances from Top of the Pops, The Old Grey Whistle Test, Something Else and other shows by The Sex Pistols, The Clash, The Buzzcocks, The Damned, Joy Division, Siouxsie and the Banshees and many more. Hey ho, let's go!

A documentary on the music, performers, attitude and distinctive look that made up punk rock.

This sexy, teen-comedy is about a freshman, Matthew, at college who meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl amongst a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

From the beginning, LA punk band the Circle Jerks were rooted in controversy. Formed by ex members of Black Flag and Red Cross (now Redd Kross) in late 1979, the band came to encapsulate the image, sound and energy of California Hardcore Punk. Filmmaker David Markey (1991: The Year Punk Broke, The Slog Movie) mixes in-depth interviews, rare live footage and historical perspective to illustrate the story of one of the most influential bands in the American underground. My Career as a Jerk follows the band from their early days and classic debut to navigating the independent label and touring scene of the 80s to the addictions, fights and injuries that forced their break up. Of course the story doesn't quite end there.

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

1978年のテヘランに住む9歳の少女マルジは、両親や祖母とともに何不自由なく暮らしていた。そんなある日、革命が始まり、新イスラム共和国が誕生。反政府主義者として投獄されていたアヌーシュおじさんも解放され、マルジは彼からさまざまなことを教えてもらうが、その後アヌーシュは新政府に逮捕されてしまう。＜マルジャン・サトラピの半自伝的バンド・デシネ『ペルセポリス』を原作に長編アニメとして製作した作品。第60回カンヌ国際映画祭審査員賞を受賞。第80回アカデミー賞外国語映画賞のフランス代表作品であり、長編アニメ映画賞にノミネートされた。＞

パンクバンド“ブラスト”のヴォーカリスト・大崎ナナと、恋人・章司を追いかけて東京へ向かおうとしていた小松奈々。同い年、同じ名前のふたりが出会ったのは、上りの新幹線の中だった。クールなナナとキュートな奈々、見た目や性格は違うけどすっかり意気投合したふたりは、河を望む古いマンションの一室で共同生活を始めた。数日後、ギタリストのノブとドラマーのヤスが、新曲を携え上京して来た。新メンバーにベースのシンを加え、活動を再開するブラスト。ナナは、歌に賭ける気持ちを燃やす。一方、奈々はつれない章司に不満を募らせていた。実は、章司は思い込みの激しい奈々に疲れ、同じバイト先で知り合った大学の同級生でもある幸子に心変わりしていたのだ。彼は、奈々の目の前で幸子を選ぶ。傷心の奈々に、人気バンド“TRAPNEST”のライヴ・チケットが届いた。そのギタリストであるレンが、かつてブラストのメンバーでナナの恋人だったことを知った彼女は、ナナを誘ってライヴに出かける。レンが引き抜かれバンドを脱退した時に、愛し合いながらも別れた筈のナナとレン。しかしライヴ当日、再会を果たしたふたりは愛を再燃させるのであった。それから暫くして、奈々がバイトをクビになった。落ち込む彼女に、ナナが用意してくれたプレゼント。彼女は、奈々の大ファンであるTRAPNESTのヴォーカリスト、タクミを部屋に招いてくれたのだ。――20歳を過ぎ、甘えてばかりいられない現実の中で、とびきり甘い夢を見せてくれたナナ。それは、奈々にとってとても幸福な初恋みたいな時間だった。

An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.

In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his "Merantau" a century's old rites-of-passage to be carried out by the community's young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.

This DVD, a unique collection of the visual works of Elvis Costello, boasts a grand total of 27 videos and includes material rarely seen since the original release of the singles they supported. From his first Radar Records single in 1978, "I Don't Want To Go To (Chelsea)," to his final video for Warner Bros., "13 Steps Lead Down" (from 1994's Brutal Youth), this is a must purchase for all serious Elvis Costello enthusiasts and fans alike.