ウーマン・トーキング 私たちの選択 (2022)
Do nothing. Stay and fight. Leave.
ジャンル : ドラマ
上映時間 : 1時間 44分
演出 : Sarah Polley
脚本 : Sarah Polley
シノプシス
2010年。キリスト教の一派、メノナイトに属する信徒たちが人里離れた場所でコミュニティを営んでいた。そんなある日、女性たちはある恐るべき事実を知る。コミュニティの男たちが女性に薬を盛り、意識を失っている間にレイプするという非道な振る舞いを何年にもわたって続けていたのだと。女性たちは屋根裏部屋で今後どうすべきかを話し合うことにしたが、議論は信仰や赦しの問題にまで及んでいく。
Soon after newlyweds Olga and Michel set foot on the grounds of a notorious women's prison, they're arrested by topless guards and ushered behind bars where the warden quickly dismisses Michel but demands that Olga do a little time.
Five former high school friends reunite for an evening of fun, remembrance and sadness in this Altmanesque portrait of female friendship. A look at how youthful idealism turns into adult pragmatism, and how one can fight such changes, from the director of Free Radicals.
Bagman, a killer with a paper bag on the head, kills anybody who pronounces his name three times. When a gang of gangsters meets a girl who escaped the killer, they call Bagman and a violent battle ensues.
A governess, caring for two children at a remote estate, becomes convinced that the grounds are haunted and the children are under an evil influence.
Nina is an unemployed actress who has just taken a lethal overdose of tranquilizers. Stumbling though the streets of Paris in a deathly haze, Nina collapses into unconsciousness. Fortunately for Nina, lonely Algerian Sami happened to jog by at just the right time. But as soon as Sami previously appeared, he vanishes back into the blackness of night, leaving the recovered Nina with no one to thank for saving her life. Determined to let her guardian angel know just how thankful she truly is, Nina discovers that Sami was once a promising long-distance runner whose dreams of Olympic stardom had been dashed, and who now scrapes by as a transvestite prostitute. Realizing that they've both hit rock bottom, Nina and Sami make a pledge to support one another to the point where they can both get clean and pursue their dreams before it's too late.
Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.
The complicated travails of several generations of Italian women provide the basis for this drama that is based on a novel by Susanna Tamaro. It begins with the peaceful death of Olga, the elderly family matriarch. Marta, her granddaughter returns from the US to attend the funeral and once in Olga's villa in Trieste, begins reading her grandmother's diary. Olga's story unfolds via flashback. As a young woman, Oldga had to marry Antonio a man she didn't love. Later she became passionately involved with a handsome doctor at the local spa. He impregnates her and shortly thereafter dies in a terrible car wreck. The result of their love is Illaria, who grows up to be terribly neurotic. She bears Marta and then she too dies in an automobile accident, leaving Marta to be raised by Olga.
A woman tracks down the three men who raped her, helped by an Apache. Traveling through the Old West to her new home, young schoolteacher Alice McAndrew is abducted by five outlaws headed by robber Pudge Elliott. The thugs rape Alice before leaving her for dead, but she is rescued by Chatto, an Apache chief. He restores her health and aids her in her bloodthirsty quest for revenge. With her sanity wavering, will Alice be able to find the men who tortured her?
After a string of abusive relationships, Wanda abandons her family and seeks solace in the company of a petty criminal.
When an abused teenage girl murders her alcoholic mother, the mother's vengeful spirit returns to haunt her. Even in death, the mother is hell bent on denying her daughter her freedom.
Rural Mississippi in the 1940s: Lucas Beauchamp, a local black man with a reputation of not kowtowing to whites, is found standing over the body of a dead white man, holding a pistol that has recently been fired. Quickly arrested for murder and jailed, Beauchamp insists he's innocent and asks the town's most prominent lawyer, Gavin Stevens, to defend him, but Stevens refuses. When a local boy whom Beauchamp has helped in the past and who believes him to be innocent hears talk of a mob taking Beauchamp out of jail and lynching him, he pleads with Stevens to defend Beauchamp at trial and prove his innocence.
A wanderer returns home only to find political turmoil, disease and romantic difficulties.
After telling her fiancé, Dana, that her entire family is dead, Manhattanite Alex whisks off to her childhood home in South Carolina to serve as bridesmaid at her high-maintenance, estranged sister Jeannie's wedding. As she tries not to steal Jeannie's thunder by telling her family that a) she's engaged, and b) the man she's going to marry is a Jewish African American, things get a little mixed up.
メイソンは、母オリヴィアと姉サマンサとテキサス州の小さな町で生活していた。彼が6歳のとき、母は子供たちの反対を押し切って祖母が住むヒューストンへの引っ越しを決める。さらに彼らの転居先に、離婚してアラスカに行っていた父が1年半ぶりに突然現れる。
A day in the life of two film-school students trying to find love and another house-mate.
Viva Zapatero! is a 2005 documentary by Sabina Guzzanti telling her side of the story regarding the conflict with Silvio Berlusconi over a late-night TV political satire show broadcast on RAI-3. The show, RAIot (a play on the name of the Italian state public TV: RAI, and the English word riot), lampooned prime minister Berlusconi. Since it wasn't considered a satirical show, but a political one, it was cancelled after the first episode.
The story begins while Tommy Martin and his mother, Martha Martin say goodbye to Henry and Reuben Johnson. After having stopped by the Mennonite farm, where Tommy and Martha stay with the William and Annie Decker, the Johnsons are headed back to their hometown of Goshen. The balance of the film is concerned with both trying to get the necessary train fare and with Tommy clearing his name over a misunderstanding.
During the armed uprisings of the sixties left in Venezuela, a young guerrilla should give birth in secret. To her surprise, her daughter is the first to be born MOTHER'S DAY and photos appear in the press. Since then, both have to flee. Costumes, fake names are hiding places and everyday life GIRL, narrator of this story. Together with his cousin TEO, reinvent the adventures of their guerrilla parents, building a fantastic maze of superheroes and strategies around armed subversion, in which you never know where reality begins, or madness. But the children's game can not hide the death, torture, accusations and betrayals that live inside the guerrillas.
A young boy grapples with first love and his ambitions as a drummer during an eventful summer holiday.
A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lappish wilderness.
舞台は1980年のイギリス南岸の静かなリゾート地。本作はそこに生きる人々の絆と“映画と映画館という魔法”を力強く、感動的に描く、珠玉のヒューマン・ラブストーリー。
In a dystopian Switzerland that has fallen under the fascist rule of an evil cheese tyrant, Heidi lives the pure and simple life in the Swiss Alps. Grandfather Alpöhi does his best to protect Heidi, but her yearning for freedom soon gets her into trouble with the dictator’s henchmen. The innocent girl transforms herself into a kick-ass female fighting force who sets out to liberate the country from the insane cheese fascists.
Marcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie and their pet lint, Alan. Once part of a sprawling community of shells, they now live alone as the sole survivors of a mysterious tragedy. But when a documentary filmmaker discovers them amongst the clutter of his Airbnb, the short film he posts online brings Marcel millions of passionate fans, as well as unprecedented dangers and a new hope at finding his long-lost family.
A renowned Mexican journalist and documentary filmmaker living in Los Angeles, after being named the recipient of a prestigious international award, is compelled to return to his native country, unaware that this simple trip will push him to an existential limit.
ニューヨーク・タイムズ紙の記者ミーガン・トゥーイー(キャリー・マリガン)とジョディ・カンター(ゾーイ・カザン)は、映画プロデューサーのハーヴェイ・ワインスタインが数十年にわたり、権力を笠に着た性的暴行を重ねていたという情報を得る。取材を進めるうちに、彼がこれまで何度も記事をもみ消してきたことが分かる。被害女性たちは多額の示談金で口を封じられ、報復を恐れて声を上げることができずにいた。問題の本質は業界の隠ぺい構造にあると気付いた記者たちは、さまざまな妨害行為に遭いながらも真実を求めて奔走する。
40代のチャーリーはボーイフレンドのアランを亡くして以来、過食と引きこもり生活を続けたせいで健康を損なってしまう。アランの妹で看護師のリズに助けてもらいながら、オンライン授業の講師として生計を立てているが、心不全の症状が悪化しても病院へ行くことを拒否し続けていた。自身の死期が近いことを悟った彼は、8年前にアランと暮らすために家庭を捨ててから疎遠になっていた娘エリーに会いに行くが、彼女は学校生活や家庭に多くの問題を抱えていた。
A US soldier suffers a traumatic brain injury while fighting in Afghanistan and struggles to adjust to life back home in New Orleans. When she meets local mechanic James, the pair begin to forge an unexpected bond.
オリヴィエ・アサイヤス監督が贈る異色の心理ミステリー。兄を亡くした喪失感の中で、不可解な出来事に直面するヒロインを描く。
オリヴィエ・アサイヤス監督が『アクトレス～女たちの舞台～』に続いてクリスティン・スチュアートを起用し、カンヌ国際映画祭監督賞を受賞した心理ミステリー。『トワイライト』シリーズでブレイク後、本格派女優として活躍するクリスティンが、セレブの私生活を覗くうちに思わぬ事件を招く買い物代行業の女性を繊細かつミステリアスに演じる。予想外の展開を見せる物語は勿論、映画を彩るハイブランドファッションも見逃せない。
Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.
A terminally ill man and his teenage daughter embark on a road trip from California to New Orleans for his 20th college reunion. While there, he secretly hopes she can reunite with the mother who left them long ago.
おもちゃ会社の優れた研究者であるジェマ（アリソン・ウィリアムズ）は、子供にとって最高の友達であり、親にとって最大の協力者となるようにプログラムした、まるで人間のようなAI人形＜M3GAN（ミーガン）＞を開発している。ある日、交通事故で両親を亡くし孤児となった姪のケイディ（ヴァイオレット・マッグロウ）を引き取ることになったジェマは、ミーガンに対し「あらゆる出来事からケイディを守るように」と指示し、力を借りる事にするが、その決断は想像を絶する事態を招くことになる―。
A successful lawyer, with a new wife and infant, agrees to care for his teenage son from a previous marriage after his ex-wife becomes concerned about the boy's wayward behavior.
1920年代のハリウッドは、すべての夢が叶う場所。サイレント映画の大スター、ジャック（ブラッド・ピット）は毎晩開かれる映画業界の豪華なパーティの主役だ。会場では大スターを夢見る、新人女優ネリー（マーゴット・ロビー）と、映画製作を夢見る青年マニー（ディエゴ・カルバ）が、運命的な出会いを果たし、心を通わせる。恐れ知らずで奔放なネリーは、特別な輝きで周囲を魅了し、スターへの道を駆け上がっていく。マニーもまた、ジャックの助手として映画界での一歩を踏み出す。しかし時は、サイレント映画からトーキーへと移り変わる激動の時代。映画界の革命は、大きな波となり、それぞれの運命を巻き込んでいく。果たして3人の夢が迎える結末は…？
1997年。パリでパパラッチの追跡を振り切ろうとした車が事故を起こし、車に乗っていたダイアナ元皇太子妃は命を落としてしまう。英国民の関心は、生前からたびたびダイアナとの不仲説が取り沙汰されていたエリザベス女王に向くが、チャールズ皇太子と離婚して民間人に戻っていたダイアナの死に対し、女王など王室の人々は静観を決め、大衆の不信感が募る。そこで首相に選ばれたばかりのトニー・ブレアが事態収拾に臨むが……。
When Patricia arrives at a country hotel in Cornwall, she encounters her ex husband Idris, who manages the place with his girlfriend Louise. Things are immediately awkward and the former couple reconnect over a long, messy night where they revisit the past while remaining open to new beginnings.
From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon arrives on the scene, he begins to suspect the dead man’s wife Seo-rae. But as he digs deeper into the investigation, he finds himself trapped in a web of deception and desire.
A married woman with an unwanted pregnancy lives in a time in America where she can't get a legal abortion and works with a group of suburban women to find help.
本土が内戦に揺れる1923年、アイルランドの孤島・イニシェリン島。島民全員が知り合いである平和な島で、パードリック(コリン・ファレル)は長年の友人であるはずのコルム(ブレンダン・グリーソン)から突然絶縁されてしまう。理由も分からず動揺を隠せないパードリックは、妹のシボーンや隣人ドミニクの助けも借りて何とかしようとするも、コルムから「これ以上自分に関わると自分の指を切り落とす」と言い渡される。やがて島には、死を知らせると伝承される精霊が降り立つ。
生まれつき、人を喰べてしまう衝動をもった 18 歳のマレンは初めて、同じ秘密を抱えるリーという若者と出会う。人を喰べることに葛藤を抱えるマレンとリーは次第に惹かれ合うが、同族は喰わないと語る謎の男の存在が、二人を危険な逃避行へと加速させていく。
Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn't.
