Cinderella (1922)

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.

Night in an old mill is dramatically depicted in this Oscar-winning short in which the frightened occupants, including birds, timid mice, owls, and other creatures try to stay safe and dry as a storm approaches. As the thunderstorm worsens, the mill wheel begins to turn and the whole mill threatens to blow apart until at last the storm subsides.

A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.

Santa's little helpers must hurry to finish the toys before Christmas Day.

After being evicted from their old house by Tom's owner for causing major damage, cat and mouse Tom and Jerry enter a race entitled the "Fabulous Super Race" to win a mansion.

Ebenezer Scrooge is far too greedy to understand that Christmas is a time for kindness and generosity. But with the guidance of some new found friends, Scrooge learns to embrace the spirit of the season. A retelling of the classic Dickens tale with Disney's classic characters.

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

いつものように追いかけっこをしていたトムとジェリーは、間違って火星行きのロケットに乗り込んでしまい、地球を飛び出してしまう。宇宙船の乗船員ビフ＆バズは臆病者で、火星に着いたと思ったらすぐに地球にとんぼ返り。なんとトムとジェリーは火星に取り残され、火星人に見つかってしまう。ピンチに追い込まれた2匹は、火星人の女の子ピープの助けで何とか逃げ出すが…。

Ella lives in a magical world in which each child, at the moment of their birth, is given a virtuous "gift" from a fairy godmother. Ella's so-called gift, however, is obedience. This birthright proves itself to be quite the curse once Ella finds herself in the hands of several unscrupulous characters whom she quite literally cannot disobey. Determined to gain control of her life and decisions, Ella sets off on a journey to find her fairy godmother who she hopes will lift the curse. The path, however, isn't easy -- Ella must outwit a slew of unpleasant obstacles including ogres, giants, wicked stepsisters, elves and Prince Charmont's evil uncle, who wants to take over the crown and rule the kingdom.

エルサとアナの仲良し姉妹は、幼いころに起きた事件以来、ずっとはなればなれでした。今日は、そんな二人が久しぶりに一緒に迎えたクリスマス。ところが、アレンデール中どの家にもあるクリスマスのならわしが、長い間はなれて育った姉妹には、何もなかったのです。さびしそうな二人のために立ち上がったのはオラフでした。

魔女に呪いをかけられたために子供のいない夫婦は、魔女から「子を授かりたければ、四つのアイテムを森から持ち帰るのだ」と命令される。夫婦は赤いずきん、黄色い髪、白い牛、黄金の靴を手に入れるべく森へと出発する。

行方不明の父親を捜している少女ロビンと出会ったトムとジェリー。ロビンを助けることに決めたトムとジェリーでしたが、意地悪なフィグおばさんと弁護士のリックブートに捕まり、悪いお医者さんアップルチークの待つペット刑務所に入れられてしまいます。新しい友達パグシーやフランキーと協力し、刑務所を脱獄したトムとジェリーは果たして…。さあ、トムとジェリーとロビンの大冒険が始まります!

悪名高き大海賊の手下になり、船に乗って航海に出たトム。ある日、トムは船に打ち上げられた謎の瓶を見つけるが、その中には宝の地図とジェリーが一緒に入っていた。2匹は魅惑の宝を手に入れるべく、協力してサルや大ダコ、海賊たちに立ち向かう。

トムとジェリーと一緒に住んでいる魔女の女の子。おばが悪い魔女であったため、街の人達にあまりよく思われていない。 その悪い魔女が盗ませたドラゴンの卵を助けて生まれた赤ちゃんが、最初に見たのがトムだったため、トムのことを「ママ」と思いこんでしまう。 ドラゴンの子供をさらった悪い魔女を相手に、お母さんドラゴンと一緒にトムとジェリーが大活躍。

Three fairy tale princesses find themselves engaged to the same guy, Prince Charming.

貿易商を営む父親が再婚し、継母とその連れ子である姉妹ドリゼラとアナスタシアと暮らすことになったエラ（リリー・ジェームズ）。だが、父親が不慮の事故で命を落とし、それを機に継母と義理の姉妹からつらく当たられ、召使いのように扱われる毎日を送る。勇気と優しさが魔法の力になるという亡き母の教えを胸にひどい仕打ちに耐えてきたエラだったが、ついにこらえきれずに家を飛び出してしまう。森へと馬を走らせた彼女は、城で働いているという青年キット（リチャード・マッデン）と出会い、心惹（ひ）かれるが……。

美しい娘ベルは進歩的な考え方が原因で閉鎖的な村人たちとなじめないことに悩んでいたが、ある日、彼女は野獣と遭遇する。彼は魔女の呪いによって変身させられた王子で魔女が残したバラの花びらがすべて散ってしまう前に誰かと相思相愛の仲にならなければ元の姿に戻れない。ベルは野獣の恐ろしい外見にたじろぎながらも心惹かれていく。

生まれたばかりのオーロラ姫は悪い魔女マレフィセントによって、16歳の誕生日までに死ぬと呪いをかけられてしまう。3人の妖精、フォーナ、フローラ、メリーウェザーは彼女を森に隠し、そこで姫を育てる。16歳の誕生日、妖精たちは姫を城に連れて帰るが、そこをマレフィセントに見つかり、姫は永遠の眠りへ。妖精たちは魔の城に捕まった姫の婚約者フィリップ王子を救出。王子はマレフィセントを倒し、姫も生き返る。

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger

アナの誕生日の朝。エルサはこの日を完璧な一日にすべく、クリストフたちとともにとびきりのサプライズを準備していた。城中に張りめぐらされた赤い糸をたどっていくと、あちこちにアナへのプレゼントが隠されているという仕掛けだ。誕生日の特別なドレスに身を包み、エルサとアナは糸をたどり始める。だがエルサはどうやら風邪をひいたらしく、くしゃみが止まらない。心配するアナをよそに、ひとり張り切るエルサだった。

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.

A man with a huge hooked nose enters the Fleischer studios to have his bust sculpted. Meanwhile, across the studio, Max is animating Koko. When he's called over to consult on the too-accurate bust, Koko gets mischievous and creates his own drawings. He then escapes and crawls inside the clay bust, eventually wriggling off like an inchworm. He gets into a fight with the man being modelled, both of them flinging wads of clay.

A gang terrorizes Mexico City's high society on 1915. Murder, kidnaping and robbery are their trademarks. One police inspector (Cabrera) follows the gang crimes and eventually send them to the jail.

A short, early travel documentary about Nogent. The film starts with images of trains, buses, and railway tracks, which are juxtaposed to shots of deserted Paris streets, empty factories, and typewriters packed in slipcovers. It is a natural landscape organized by industrial infrastructure and populated by the urban crowds who are swimming, rowing, canoeing, sailing, fishing, or biking.

The film relates the painful ending of a love story binding an over-30-year-old woman and a North African, and the beginning and end of a relationship she also has with an “established” journalist. The stories illustrate the absolute claim of a woman who can understand love only in terms of life and death, an attitude that generally makes love appear dramatic, but at least burning and flickering, like the flame that glows in her heart.

Jiraiya is some sort of super-ninja with superpowers. He can fly, he can avoid detection by turning himself into a toad, and he has some sort of ability to vanish.

A short film without any direct action designed more as an experiment, with disjointed comic scenes with no common thread.

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

A slum girl is forced to steal for a living. After she swipes a rich society's matron's necklace, she hides out at the home of a man who turns out to be the socialite's former fiance.

Free adaptation of Shakespeare′s drama: The Danish queen masquerades her daughter as a boy. Thus, the girl lives her whole life as Prince Hamlet.

When a young girl finds a beautiful dead lily in the woods, she asks her grandfather to tell her about it. The lily stands in splendour beside a stream, admired by the creatures of the woods. But an army of beetles, bent on conquering new territories, wants to cross the stream - and the lily is blocking their way. An unashamed allegory of the German rape of Belgium.

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

The gang wages war using old vegetables as munitions. Later, they ruin a movie in progress when they double-expose the film.

An American boy turns out to be the long-lost heir of a British fortune. He is sent to live with the cold and unsentimental lord who oversees the trust.

A man must choose between his mother and his wife as the rivalry ratchets up throughout New Year's Eve. Like Pick's previous films, New Year's Eve does not use intertitles.

Two cavemen, The Duke and Stonejaw Steve, call on Miss Araminta Rockface. The hated rivals fight, and Steve wins when he throws The Duke into a pot of boiling water. A title card introduces a third rival, "our unassuming hero, Theophilus Ivoryhead." Miss Rockface invites the three men into her father's drawing room/cave, apologizing for not offering tea, since it has not been discovered yet. The Duke and Steve fight again, and everyone rushes out of the cave. Mr. Rockface notices his pot of food is empty; earlier, Wild Willie the Missing Link had eaten it. Mr. Rockface tells the three suitors they will have to procure their own dinner. Steve locates a desert quail and shoots an arrow at it, but the arrow misses the quail and happily (for Steve) hits The Duke's behind. Meanwhile, Wild Willie is still hungry and goes hunting for snakes. He finds a dinosaur's tail instead...

Two kinds of starfish, the brittle and the feather. The brittle star moves its arms alone, without the aid of suckers. Underneath is a single opening. Stalks move food close to the mouth and move waste away. We see vents, used in reproduction and breathing. We watch the hatched young expelled into the water. The camera shows us brittle stars' intricate patters. We observe feather stars in clusters, like ferns. One turns over slowly; arms have branches with stalks for breathing and gathering microscopic food. Reproductive organs are inside branches. We see eggs develop at 1,400 nature's speed. Larvae emerge, 0.1 mm long. They grow. A feather star takes a walk.

Grierson set out to make "propaganda," and this film--with it's voice-over proclaiming the great value of the British industrial worker, without a hint of ambiguity or doubt--fits that category well. The authoritatarian narrator feels out-of-date and unsophisticated, but the footage is well shot and interesting, and the transparency of the propaganda aspect is almost a reflief at a time when so many films have hidden agendas.

In Russian, "Svyato" means "happy". But it is also a nickname for Svyatoslav, the son of director Kossakovsky, who for two years covered mirrors from Svyato. For the first time in his life, Svyato is going to watch himself on a mirror.

A film about love and gender. This documentary is set in the New Marilyn night club in Tokyo, Japan - where the hosts are transgender men. They can only make their living as hosts in a nightclub with other wannabes like them. The young women who come there often have relationships with them but the underlying fear is whether such a relationship can withstand the pressures on a girl to get married and have children. All three boys deal with this in different ways. These three hosts, the Shinjuku Boys, take us into their lives.