Il giovane corsaro - Pasolini da Bologna (2022)

Three female idols appear on a television show to investigate an exorcism. An exorcist with psychic powers named Unsui claims that the show’s subjects, the Kaneda family, are cursed by a demon that’s too powerful for him to banish on his own, so he calls in a fellow exorcist to help. Soon, a reckless ghost hunter enters the fray as the three idols witness a series of terrifying events.

After receiving a large sum of money on his bank account by mistake, a small-town thirtysomething dissatisfied with his life sees the opportunity of turning back the clock to when things were good, reliving the carefree life of an university student in a big city. Here, he falls in love with a girl and gets her pregnant. There's just one problem: he already has a wife and a daughter back home!

1975: poet, intellectual, and filmmaker Pier Paolo Pasolini is bludgeoned to death and run over with his own car in the outskirts of Rome. Charged with murder, 17-year-old hustler Pino Pelosi pleads self-defense -- after all, Pasolini was a well-known pederast. However, many inconsistencies start to undermine his version of events, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also murdered for another reason?

Bologna, 1976. The paths of two aimless young friends intertwine with those of Radio Alice, a pirate radio politically aligned with the leftist student movement.

15-year-old Andrea lives in a world of his own, where an innocent friendship with a pretty girl becomes a full-blown romance. He invites her to a motor show in nearby Bologna, but she fails to show up at the bus station. Instead, Andrea is joined by his older sister Stefania–who's planning a runaway with her boyfriend Angelo.

A young student prepares his degree thesis on Pasolini and Bologna by investigating the relationship of the great intellectual with the city of his childhood and his studies. Following in the footsteps left by Pasolini in Bo­logna, the protagonist will tell, for the first time in the form of a documentary and with a rock narrative rhythm, the emotional, visceral but also controversial bond of Pasolini with Bologna until his final days, also characterized by severe criticisms of the “consumerist and communist” city, a symbolic terrain of the adverse social and economic metamorphosis from paleo­industrial to neo-capitalist society.

Confidential report on designer Dino Gavina's showroom created by Carlo Scarpa between 1961 and 1963. Restoration details and stills from a 1985 film by Ellis Donda.

Ashley was dying to make a horror movie. Too bad she didn't live long enough to see it. The horror movie was never finished, but now you can witness the horrifying killing spree that was captured on the behind-the-scenes footage.

Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villages. This hope will end in a new disappointment: Africa is a reservoir of irremediable contradictions that will explode in the massacres of yesterday and today. It is an Africa that starts from the outskirts of Rome, but thousands of non-EU citizens flock to the sub-proletariat of the villages.

Every year, tens of thousands don the Red Suit for families, parties and parades, but only a handful of men have reclaimed the connection to childhood magic by turning the portrayal of Santa into a full-time career. They Wore the Red Suit is a documentary featuring the rare individuals who have devoted their lives to keeping that magic alive in the world by actually being Santa Claus 365 days a year.

The documentary illustrates the history of the birth and development of the porticoes module in Bologna, starting from the Middle Ages. After a brief historical investigation on the origin of the arcades and on the revolution that affected urban architecture following their introduction, we analyze the social impact that these had, and still have, on the lives of Bolognese citizens. The porch, among other things, is presented as an architectural solution capable of facilitating meeting and communication.

Following the trip Pasolini made in 1959 along the entire coast of Italy as a reporter for the magazine Sucesso, they where located different places as possible scenarios for his death. Understanding cataloging as a tool that allows us to organize knowledge for recovery, this catalog offers the viewer the possibility of redemption of the rebellious individual or the questioning of our acceptance of the critical difference.

In 2008, a real-life mystery began to unfold when a real estate company (name withheld by request) discovered video footage shot in one of its vacant properties. The tapes were acquired by local documentary filmmakers Jarrod Rogan and Haman Movafagh, who began piecing together a series of bizarre instances recorded by a man living in the house. Apparently waiting for his wife and daughter to join him from out of state, the man began documenting strange activity that kept him from sleeping for days on end. The eerie recordings have become the subject of much controversy among paranormal investigators, and are finally being released to the general public. This first documentary from Son of Jason Films challenges audiences to explain what happened in the house on Briar Lane.

A trip to the Valley of Salazar, in the Navarrese Pyrenees. People united for the love of the earth. A story full of hope. People transformed by an encounter.

In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.

Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson--almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.

For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.

Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."