Il giovane corsaro - Pasolini da Bologna (2022)
장르 : 다큐멘터리
상영시간 : 1시간 38분
연출 : Emilio Marrese
각본 : Fernando Pellerano, Emilio Marrese, Camilla Consorti
시놉시스
A young student prepares his degree thesis on Pasolini and Bologna by investigating the relationship of the great intellectual with the city of his childhood and his studies. Following in the footsteps left by Pasolini in Bologna, the protagonist will tell, for the first time in the form of a documentary and with a rock narrative rhythm, the emotional, visceral but also controversial bond of Pasolini with Bologna until his final days, also characterized by severe criticisms of the “consumerist and communist” city, a symbolic terrain of the adverse social and economic metamorphosis from paleoindustrial to neo-capitalist society.
심령 프로그램의 리포터를 맡게 된 아이돌 팀 멤버인 아비루 유, 이와사 마유코, 이리키 마리가 음양사와 동행하여 심령 현상으로 고민하는 카네다 미호의 집을 찾아갔다가 실제로 심령 현상을 겪다가 사이비 종교 컬트와 엮이면서 벌어지는 이야기
After receiving a large sum of money on his bank account by mistake, a small-town thirtysomething dissatisfied with his life sees the opportunity of turning back the clock to when things were good, reliving the carefree life of an university student in a big city. Here, he falls in love with a girl and gets her pregnant. There's just one problem: he already has a wife and a daughter back home!
1975: poet, intellectual, and filmmaker Pier Paolo Pasolini is bludgeoned to death and run over with his own car in the outskirts of Rome. Charged with murder, 17-year-old hustler Pino Pelosi pleads self-defense -- after all, Pasolini was a well-known pederast. However, many inconsistencies start to undermine his version of events, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also murdered for another reason?
Bologna, 1976. The paths of two aimless young friends intertwine with those of Radio Alice, a pirate radio politically aligned with the leftist student movement.
15-year-old Andrea lives in a world of his own, where an innocent friendship with a pretty girl becomes a full-blown romance. He invites her to a motor show in nearby Bologna, but she fails to show up at the bus station. Instead, Andrea is joined by his older sister Stefania–who's planning a runaway with her boyfriend Angelo.
A young student prepares his degree thesis on Pasolini and Bologna by investigating the relationship of the great intellectual with the city of his childhood and his studies. Following in the footsteps left by Pasolini in Bologna, the protagonist will tell, for the first time in the form of a documentary and with a rock narrative rhythm, the emotional, visceral but also controversial bond of Pasolini with Bologna until his final days, also characterized by severe criticisms of the “consumerist and communist” city, a symbolic terrain of the adverse social and economic metamorphosis from paleoindustrial to neo-capitalist society.
Confidential report on designer Dino Gavina's showroom created by Carlo Scarpa between 1961 and 1963. Restoration details and stills from a 1985 film by Ellis Donda.
Ashley was dying to make a horror movie. Too bad she didn't live long enough to see it. The horror movie was never finished, but now you can witness the horrifying killing spree that was captured on the behind-the-scenes footage.
Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villages. This hope will end in a new disappointment: Africa is a reservoir of irremediable contradictions that will explode in the massacres of yesterday and today. It is an Africa that starts from the outskirts of Rome, but thousands of non-EU citizens flock to the sub-proletariat of the villages.
Every year, tens of thousands don the Red Suit for families, parties and parades, but only a handful of men have reclaimed the connection to childhood magic by turning the portrayal of Santa into a full-time career. They Wore the Red Suit is a documentary featuring the rare individuals who have devoted their lives to keeping that magic alive in the world by actually being Santa Claus 365 days a year.
The documentary illustrates the history of the birth and development of the porticoes module in Bologna, starting from the Middle Ages. After a brief historical investigation on the origin of the arcades and on the revolution that affected urban architecture following their introduction, we analyze the social impact that these had, and still have, on the lives of Bolognese citizens. The porch, among other things, is presented as an architectural solution capable of facilitating meeting and communication.
Following the trip Pasolini made in 1959 along the entire coast of Italy as a reporter for the magazine Sucesso, they where located different places as possible scenarios for his death. Understanding cataloging as a tool that allows us to organize knowledge for recovery, this catalog offers the viewer the possibility of redemption of the rebellious individual or the questioning of our acceptance of the critical difference.
In 2008, a real-life mystery began to unfold when a real estate company (name withheld by request) discovered video footage shot in one of its vacant properties. The tapes were acquired by local documentary filmmakers Jarrod Rogan and Haman Movafagh, who began piecing together a series of bizarre instances recorded by a man living in the house. Apparently waiting for his wife and daughter to join him from out of state, the man began documenting strange activity that kept him from sleeping for days on end. The eerie recordings have become the subject of much controversy among paranormal investigators, and are finally being released to the general public. This first documentary from Son of Jason Films challenges audiences to explain what happened in the house on Briar Lane.
A trip to the Valley of Salazar, in the Navarrese Pyrenees. People united for the love of the earth. A story full of hope. People transformed by an encounter.
In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.
Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson--almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.
For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.
하늘로 내동댕이! 무서워? 그래도 웃기지? 화장실! 더러워? 그래도 웃기지? 얻어 터져서! 아파? 아프다고? 그래도 웃기지? 거봐~!! 이미 웃고 있잖아~!! 불가능이란 없다! 하늘을 나는 제트 스키! 하늘을 나는 새가 부러웠던 인류의 소망을 이루고자 그들이 나섰다. 최고 속력으로 물살을 가로지르는 제트스키. 수영장에서 제트스키가 도움닫기 한 순간 점프대 위를 힘껏 날아오르는 한 남자가 있다! 비교불가! 하늘을 나는 짜릿함 쾌감을 맛보시라! 거대한 싸대기? 최고의 하이파이브! 늘 지나던 장소, 익숙한 그 곳에 거대한 손이 나타났다! 모퉁이를 돌면 하이파이브가 기다리고 있다. 서류를 챙겨가던 사람도, 동료들에게 줄 수프를 가져가던 사람도 하이파이브를 피해갈 수 없다. 그들이 거대한 손을 당기는 순간 기절할 것이니…. 피할 방법은? 물론 없다! 그냥 즐겨라! 상상초월! 하늘로 솟구치는 화장실! 응가가 튀어오르는 화장실이 있다면?! 이제는 화장실을 날려버리는 도전에 나섰다. 그것도 화장실 변기에 사람이 앉은 채로. 언제 날아갈지 모르는 불안한 그 순간, 화장실이 하늘로 솟구친다. 물론 배설물도 역류한다. 눈 앞에 펼쳐지는 갈색 이물질(!)의 향연! 스크린으로 악취가 느껴질 것만 같은 리얼한 비주얼 쇼크를 경험하고 싶다면 강력 추천! 즐거운 폭발! 행복한 지금! 무방비 상태에서 지금 당신이 있는 공간이 파괴된다. 피할 길이 없다. 그냥 궁금해서, 재미있을 것 같아서 폭파를 감행한 그들! 빵~ 빵~ 터져도 좋아~! 무섭냐고? 재밌잖아~!