Virginie Saint-Martin

Asja, a 40-year-old single woman living in Sarajevo, who meets Zoran, a 43-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

David, a young farmer from Cantal, has just had an idea: to save his farm from bankruptcy, he is going to set up a cabaret on the farm. The show will be on stage and on the plate, with good local products. He is sure, it can only work. His relatives, his mother and especially his grandfather, are more skeptical.

A man rescues a mermaid in Paris and slowly falls in love with her.

男性しか参加できない伝統儀式に紛れ込んで“幸せの十字架”を手にしたために糾弾されたヒロインが、女性というだけで様々な不利益を受けてきた理不尽な世の中に不満を爆発させ、幸せを求めて孤独な闘いを繰り広げるさまをユーモアを織り交ぜて描いた社会派ドラマ。主演はゾリツァ・ヌシェヴァ。監督はマケドニア出身の女性監督テオナ・ストゥルガル・ミテフスカ。 　北マケドニアの小さな街に暮らすペトルーニャは32歳の...

Everything goes for the best in Fanny's life without stories ... until she discovers that her beloved son, Arthur, nine, is the scapegoat of three boys at his school. Fanny will not leave her son alone in front of these little executioners: she will give these dirty kids the change of their room. Thunderstorms and playground traps, now it will be "an eye for an eye and a tooth for a tooth!"

David Berman and his friends, all Holocaust survivors, have only one purpose: to go to America as soon as possible. For this they need money. Close to his aim, David is not only deprived of his savings but also overtaken by his shady past.

Forty-year-old Paul-André is a timid, rather introverted man. Rich but alone, he is deeply bored and ends up concluding that what he needs is a family. Violette, a forty-year-old full of energy, is threatened with eviction and is afraid she'll lose custody of her two children. Paul-André then proposes a totally above the board contract to rent the family in exchange for him paying off Violette's debts. For better and for worse..

Marie Heurtin is born both blind and deaf. Sister Marguerette wins her trust and teaches her how to express herself.

At the age of 12, Gabriel was sexually abused by Father Vincey, his headmaster. Fifteen years later, he is still traumatized. Constantly racked by this wrong that he has kept secret, Gabriel buys a gun and moves in near the boarding school where the priest is still headmaster...

A prison guard is attracted to a woman at his weekly tango class. They meet again when she visits her husband in the prison where he works and he is drawn into her complicated romantic life. Meanwhile the prisoners are learning the tango.

Ombline, a 20-year-old woman, is sent to prison for three years after committing a violent assault on a police officer. Just when she has lost all hope for the future, she discovers that she is pregnant. The law allows her to rear her newborn for the first 18 months of its life, after which time the child must be given up and placed into state care. Ombline has no intention of surrendering her beloved little boy and is prepared to do anything to convince the authorities that she is capable of rearing the child after she has left prison. As her maternal instincts assert themselves, the young woman finds she has a cause worth fighting for, and an opportunity to rebuild her shattered life…

Drawing some intriguing parallels between the work of the prostitute and that of the psychiatrist-both have clients, both charge for sessions, both take on roles that serve the needs, psychological or otherwise, of those they serve, Jeanne Labrune's drama stars Isabelle Huppert and Bouli Lanners as, respectively, Alice, a disaffected call girl and Xavier, a shrink with a crumbling domestic situation.

白血病を患い小児病棟に入院する10歳の少年、オスカー。周りの大人たちが余命を悟られないようにと怖々接する中、偶然出会ったデリバリーピザの女主人ローズが見せた遠慮ない態度は、かえってオスカーの心を掴んだ。そんなある日、オスカーはついに自分が余命わずかであることを知ってしまう。誰とも口を利いてくれないオスカーに困り果てた病院長は、彼が唯一心を開いていたローズに話し相手になってほしいと懇願する。戸惑いつつも依頼を引き受けたローズは、短い余命に落ち込むオスカーを励まそうと、ある提案をする。それは、１日を10年と考えて日々を過ごし、その10年間の人生を毎日神様宛の手紙にしたためるというものだった。

Burdened by memories of their late father, three sisters struggle to escape the suffocating environment of the dying town of Veles. A contemporary story of urban decay, „Jas sum od Titov Veles“ employs a stark realism to depict the vivid landscape of post-Communist Macedonia.

Gilles' wife, Elise, who smiles when she thinks of him, cooks and scrubs and cheerfully makes love to him, suspects during her third pregnancy that he is having an affair with her coquettish younger sister, Victorine. Elise suffers, usually in silence. She listens to her husband rave; she asks her priest; she breaks picture frames; she weeps. She decides on a strategy to keep him. Will she succeed?

Jean-Pierre and his wife Blanche live a quiet but happy life in their small Belgian town. But their world is shattered when their young son goes missing. In the aftermath of the family tragedy, the couple's own relationship starts to deteriorate. As it gets worse, Blanche begins to lose touch with reality, believing that their son is still with them. Now Jean-Pierre must decide whether to let Blanche believe her fantasy, or bring her around to the horrible truth.

Thomas Thomas is agoraphobic, has a computer-generated girlfriend, and hasn't left his home in years. Can a prostitute convince him to leave cyberspace and his home for the real world?

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

A man and a woman meet to fulfill her sexual fantasy.

Max is a Sicilian living in Brussels who makes a living as a hairdresser. His flourishing business goes bankrupt when he gets hairdresser's eczema overnight. He loses his customers and his wife. What is more, he is in trouble with the law. At the police station, he encounters heavyweight Bobo who asks him for all his money. When Max refuses, Bobo gets the impression that he must be tough. In reality, he just wants to be left alone. In his good old days, Max never cared for anyone, so now there is no one he can turn to. Bobo, who spent all his life in foster homes and youth centers, seems to be the only one to care for him. Together they devise a plan to find some quick money. Bobo's idea is to rob a jewelry store.

A 30 minute documentary about Roger Dahm, who was voted the second most popular Luxembourger of 2010.

In Paris, Pierre and Anne have been living together for a couple of years and they have the eighteen months son Loulou, who stays with the nanny Laurence during the day while they work. Their best friends are the couple Victor and Claire, who also is not married but live together. Out of the blue, Pierre feels Anne estranged with him and sooner she discloses that she is in love with another man. Pierre seems to accept her affair but their relationship rapidly deteriorates, and Pierre becomes violent with her.

Short film.