Virginie Saint-Martin

Asja, a 40-year-old single woman living in Sarajevo, who meets Zoran, a 43-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

위기에 처한 농장을 살리기 위해 농장을 카바레로 탈바꿈하려는 농장주 다비드의 이야기를 그린 영화

낭만으로 빛나는 파리의 밤, 세느 강변에 ‘인어’의 노래가 울려 퍼진다. 더 이상 사랑은 없다고 믿는 남자 ‘가스파르’는 세상에 남은 마지막 인어 ‘룰라’를 만난다. 그리고, 그녀를 사랑하는 남자는 모두 죽게 된다는 사실을 알게 되는데… 사랑이 시작되는 도시 파리, 사랑하면 안되는 운명으로 만난 ‘인간’과 ‘인어’의 꿈같은 로맨스가 펼쳐진다!

마케도니아의 작은 마을 슈티프에서는 매년 1월 성직자가 나무 십자가를 강에 던지고 수백명의 남자들이 이를 따라 물속에 뛰어든다. 이를 찾는 남자에게는 행운과 번영이 약속된다. 이번에는 충동적으로 입수한 페트루냐가 다른 사람에 앞서 십자가를 거머쥔다. 그녀의 경쟁자들은 격노한다. 의식에 어찌 감히 여자가 끼어들 수 있다는 말인가? 한바탕 난장판이 벌어지지만 페트루냐는 꿈쩍도 하지 않는다. 그녀는 십자가를 쟁취했으며 절대 포기할 생각이 없다.

Everything goes for the best in Fanny's life without stories ... until she discovers that her beloved son, Arthur, nine, is the scapegoat of three boys at his school. Fanny will not leave her son alone in front of these little executioners: she will give these dirty kids the change of their room. Thunderstorms and playground traps, now it will be "an eye for an eye and a tooth for a tooth!"

전후 프랑크푸르트. 돈이 모이면 미국이민을 갈 작정으로 다비드와 그의 유대인 친구들은 자신들의 매력을 한껏 이용해 침구를 방문 판매한다. 유창한 말솜씨를 자랑하던 다비드는 미군 장교 사라에게 불려가 심문을 받게 되고, 제2차 세계 대전 중 나치 수용소에서의 행적이 차츰 드러난다. (2017년 제22회 부산국제영화제)

Forty-year-old Paul-André is a timid, rather introverted man. Rich but alone, he is deeply bored and ends up concluding that what he needs is a family. Violette, a forty-year-old full of energy, is threatened with eviction and is afraid she'll lose custody of her two children. Paul-André then proposes a totally above the board contract to rent the family in exchange for him paying off Violette's debts. For better and for worse..

빛도 소리도 없는 세상에 갇힌 마리는 누구에게도 마음을 열지 않는다. 수도원에 온 마리를 만난 순간 소녀의 따뜻한 영혼을 느낀 수녀 마가렛은 마리가 세상과 소통할 수 있도록 자신의 생을 바쳐 돕기로 결심한다. 마가렛은 마리가 가장 애착을 가지고 있는 물건을 이용해 수화를 만들고, 반항심으로 똘똘 뭉친 마리는 그런 마가렛의 헌신에 조금씩 마음을 열기 시작한다. 두 사람은 전쟁과도 같은 교육의 시간을 겪으며 서로를 조금씩 변화시키지만, 이별의 시간 또한 가까워오는데…

At the age of 12, Gabriel was sexually abused by Father Vincey, his headmaster. Fifteen years later, he is still traumatized. Constantly racked by this wrong that he has kept secret, Gabriel buys a gun and moves in near the boarding school where the priest is still headmaster...

A prison guard is attracted to a woman at his weekly tango class. They meet again when she visits her husband in the prison where he works and he is drawn into her complicated romantic life. Meanwhile the prisoners are learning the tango.

Ombline, a 20-year-old woman, is sent to prison for three years after committing a violent assault on a police officer. Just when she has lost all hope for the future, she discovers that she is pregnant. The law allows her to rear her newborn for the first 18 months of its life, after which time the child must be given up and placed into state care. Ombline has no intention of surrendering her beloved little boy and is prepared to do anything to convince the authorities that she is capable of rearing the child after she has left prison. As her maternal instincts assert themselves, the young woman finds she has a cause worth fighting for, and an opportunity to rebuild her shattered life…

Drawing some intriguing parallels between the work of the prostitute and that of the psychiatrist-both have clients, both charge for sessions, both take on roles that serve the needs, psychological or otherwise, of those they serve, Jeanne Labrune's drama stars Isabelle Huppert and Bouli Lanners as, respectively, Alice, a disaffected call girl and Xavier, a shrink with a crumbling domestic situation.

Listening in to a conversation between his doctor and parents, 10-year-old Oscar learns what nobody has the courage to tell him. He only has a few weeks to live. Furious, he refuses to speak to anyone except straight-talking Rose, the lady in pink he meets on the hospital stairs. As Christmas approaches, Rose uses her fantastical experiences as a professional wrestler, her imagination, wit and charm to allow Oscar to live life and love to the full, in the company of his friends Pop Corn, Einstein, Bacon and childhood sweetheart Peggy Blue. Written by American Film Market

Burdened by memories of their late father, three sisters struggle to escape the suffocating environment of the dying town of Veles. A contemporary story of urban decay, „Jas sum od Titov Veles“ employs a stark realism to depict the vivid landscape of post-Communist Macedonia.

Gilles' wife, Elise, who smiles when she thinks of him, cooks and scrubs and cheerfully makes love to him, suspects during her third pregnancy that he is having an affair with her coquettish younger sister, Victorine. Elise suffers, usually in silence. She listens to her husband rave; she asks her priest; she breaks picture frames; she weeps. She decides on a strategy to keep him. Will she succeed?

Jean-Pierre and his wife Blanche live a quiet but happy life in their small Belgian town. But their world is shattered when their young son goes missing. In the aftermath of the family tragedy, the couple's own relationship starts to deteriorate. As it gets worse, Blanche begins to lose touch with reality, believing that their son is still with them. Now Jean-Pierre must decide whether to let Blanche believe her fantasy, or bring her around to the horrible truth.

Thomas Thomas is agoraphobic, has a computer-generated girlfriend, and hasn't left his home in years. Can a prostitute convince him to leave cyberspace and his home for the real world?

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

A man and a woman meet to fulfill her sexual fantasy.

Max is a Sicilian living in Brussels who makes a living as a hairdresser. His flourishing business goes bankrupt when he gets hairdresser's eczema overnight. He loses his customers and his wife. What is more, he is in trouble with the law. At the police station, he encounters heavyweight Bobo who asks him for all his money. When Max refuses, Bobo gets the impression that he must be tough. In reality, he just wants to be left alone. In his good old days, Max never cared for anyone, so now there is no one he can turn to. Bobo, who spent all his life in foster homes and youth centers, seems to be the only one to care for him. Together they devise a plan to find some quick money. Bobo's idea is to rob a jewelry store.

A 30 minute documentary about Roger Dahm, who was voted the second most popular Luxembourger of 2010.

In Paris, Pierre and Anne have been living together for a couple of years and they have the eighteen months son Loulou, who stays with the nanny Laurence during the day while they work. Their best friends are the couple Victor and Claire, who also is not married but live together. Out of the blue, Pierre feels Anne estranged with him and sooner she discloses that she is in love with another man. Pierre seems to accept her affair but their relationship rapidly deteriorates, and Pierre becomes violent with her.

Short film.