Aleksandr Sheyn Jr.

Captain Fedor Volkonogov works in law enforcement. He is on the good books of the management, and his colleagues respect him. But one day, his life abruptly changes: he is declared a criminal. The Captain manages to run away before he is arrested. Suddenly he turns into an outcast, whom his former colleagues search across the whole city. At night Volkonogov is visited by a messenger from the other world, who warns him that after death he will go hell and be tormented forever. But he has an opportunity to change his fate and get to paradise if he repents, and at least one person forgives him. The Captain embarks on his way to find forgiveness. But he cannot even fathom what tests are awaiting him on this way.

Three unlucky managers are trying to stop their boss and prevent him from stealing company money.

A look at the story through the prism of the present. Artists in front of the audience reincarnate in the heroes of the film (the poet Vladimir Mayakovsky; the women he loved and left him; the friends who admired him and backed away from him; the ruthless “Knights of the Revolution” who proclaimed him his banner) and lead the viewer “to” Mayakovsky, forcing him to live his love, creative, and human drama as his own.

A look at the story through the prism of the present. Artists in front of the audience reincarnate in the heroes of the film (the poet Vladimir Mayakovsky; the women he loved and left him; the friends who admired him and backed away from him; the ruthless “Knights of the Revolution” who proclaimed him his banner) and lead the viewer “to” Mayakovsky, forcing him to live his love, creative, and human drama as his own.

A look at the story through the prism of the present. Artists in front of the audience reincarnate in the heroes of the film (the poet Vladimir Mayakovsky; the women he loved and left him; the friends who admired him and backed away from him; the ruthless “Knights of the Revolution” who proclaimed him his banner) and lead the viewer “to” Mayakovsky, forcing him to live his love, creative, and human drama as his own.

The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.

The main characters of the film are Zinedine Zidane and Marco Materazzi, participants in the most scandalous episode in the history of football. During extra time of the final match of the 2006 World Cup, pitting France against Italy, the French leader, superstar Zidane, for some unknown reason took a running start and head-butted Materazzi in the chest. Zidane was sent off the field and, as a result, the French lost the match on penalties. This head-butt and the unexpected loss were now bound together in the minds of sports fans forever. But the burning question - why did it happen? – has never been properly answered. After thoroughly studying the lives of the participants in this match, the filmmakers reveal an amazing story: The 2006 World Cup appears to us in the form of a play “directed by the Creator”.

The main characters of the film are Zinedine Zidane and Marco Materazzi, participants in the most scandalous episode in the history of football. During extra time of the final match of the 2006 World Cup, pitting France against Italy, the French leader, superstar Zidane, for some unknown reason took a running start and head-butted Materazzi in the chest. Zidane was sent off the field and, as a result, the French lost the match on penalties. This head-butt and the unexpected loss were now bound together in the minds of sports fans forever. But the burning question - why did it happen? – has never been properly answered. After thoroughly studying the lives of the participants in this match, the filmmakers reveal an amazing story: The 2006 World Cup appears to us in the form of a play “directed by the Creator”.

The second installment of Anton Vidokle’s trilogy on Russian cosmism, The Communist Revolution Was Caused By The Sun, looks at the poetic dimension of the solar cosmology of Soviet biophysicist Alexander Chizhevsky. Shot in Kazakhstan, where Chizhevsky was imprisoned and later exiled, the film introduces Сhizhevsky’s research into the impact of solar emissions on human sociology, psychology, politics, and economics in the form of wars, revolutions, epidemics, and other upheavals. It aligns the life of post-Soviet rural residents and the futurological projects of Russian cosmism to emphasize that the goal of the early Soviet breakthroughs aimed at the conquest of outer space was not so much technical acceleration, but the common cause of humankind in their struggle against the limitations of earthly life.

Three different persons, three different lives are connected in a mysterious way. 15 year old teenager suffering of misunderstanding, his glamorous and arrogant stepmother and the young untalented but full of optimism actress. Their destinies aren’t predetermined and their lives are very fragile.

Timur Novikov: Zero Object positions the late artist Timur Novikov as protagonist in this exploration of underground art from St Petersburg. As well as providing a historical overview of the 1980s-1990s, the film features iconic figures in St Petersburg’s underground scene: cult rocker Victor Tsoi, and artists Georgy Guryanov, Vladislav Mamyshev-Monroe and Sergey ‘Africa’ Bugaev, among others. From beginning to end, it’s a manifesto for personal and artistic freedom in a forbidding political climate.

This film presents a contemporary view on modern Russian upper-class youth. The film genre is a social drama. The main five characters of the movie are financially secured and socially successful - producing, managing and hosting a popular TV show. They are beautiful, happy and satisfied with their lives. They are good friends to each other and the others. The glass world they surrounded themselves by is full of love and smiles... Until one day something happens to the leading character and suddenly they all face the real world. The glass shatters. Their lives are changed forever. They will never be the same

Lisa, a beautiful young Russian woman, is married to Victor, a Portuguese. Fernanda, the Spanish ex-wife of Victor, taking advantage of the coming wave of illegal immigrants in Portugal, wants to do business with false passports. Since then, and to Lisa's desperation, her home becomes a halfway house for immigrants of various nationalities and different races, all in search of a better future. Among them is Andrei, a young Ukrainian orthopedist who is wanted by the Russian mafia. Andrei falls in love with Lisa, who sees in him the opportunity to get out of that life. But things are not simple.

Tanya works as a taxi driver 101 kilometers from Moscow. Tanya, although the fifth for the dispatchers of her taxi fleet, but by nature - is always the first. Kraet workers who badly washed her car, she brings up her children and sells vodka in large batches, at night, after working in a taxi.

Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.

Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.

2157年の深宇宙、マクシムは、自由調査団の宇宙船パイロットを務めていたが思わぬ隕石事故に遭う。未知の惑星に不時着するも宇宙船は大破してしまう。やがて彼は、その惑星が軍事独裁政権「匿名の父たち」に支配され、政府の設置した防衛塔が放つ特殊光線によって国民がマインドコントロールされていることを知る。そんな現状を目の当たりにし、マクシムは自らの命を投げ打つ覚悟で政府に戦いを挑む。

WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach?

They saw each other only once. At a wedding with lots of alcohol. Their eyes met and that was it. They didn't understand rationally what happened to them but they felt that they cannot keep living and breathing without each other. Cosmic magnetism with irresistible intensity pulled them together. They no longer belonged to themselves, their families and friends and that's how a tragedy evolves.

They saw each other only once. At a wedding with lots of alcohol. Their eyes met and that was it. They didn't understand rationally what happened to them but they felt that they cannot keep living and breathing without each other. Cosmic magnetism with irresistible intensity pulled them together. They no longer belonged to themselves, their families and friends and that's how a tragedy evolves.

Russian army recruits complete training and take their posting in late 1980s Afghanistan, where the insurgents are slowly gaining the upper hand.

A young and handsome prison guard falls in love with a beautiful lady-prisoner. She makes him hooked on sex and manipulates him into becoming a gang member. He kills and steals under her control.