Himself
Through the lens of graphic design, “Design Canada” follows the transformation of a nation from a colonial outpost to a vibrant and multicultural society. What defines a national identity, is it an anthem? A flag? Is it a logo or icon? How do these elements shape who we are? In the 1960s and 1970s, these questions were answered by an innovative group of Canadian designers, who used design to unify the nation.
Self
The Making of an Avant-Garde presents the creation and existence of the IAUS in the architectural, cultural, and political climate of the time, from the anti-War riots, the Women's Movement to the Paris May '68 revolution and the crime ridden and the bankrupt New York City of the 70's, through rich and abundant footage. The Institute, founded in 1967 with close ties to The Museum of Modern Art, made New York the global center for architectural debate and redefined architectural discourse in the United States. A place of immense energy and effervescence, its founders and participants were young and hardly known at the time but would ultimately become some of the most influential figures in the field shaping architectural practice and theory for decades. The Institute became the most significant and energetic crossroad in the path of rethinking architecture and the city and it's influence is still felt today.
Himself
As artists and visual architects, husband and wife Massimo and Lella Vignelli have been producing unique and groundbreaking work as brand designers. This up-close documentary reveals their major influence in reshaping our visual environment.
Himself
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
