Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.
Visual Futurist Syd Mead ("Blade Runner," "Aliens," "Tron") reflects upon the nature of creativity and how it drives the future. Photographed in stunning High Definition, this featurette provides insight into the fascinating mind of one of the most influential artists of modern cinema.
This feature-length documentary, made especially for the 2003 Aliens (1986) DVD release, is incredibly informative with all its interviews with both the cast and crew, as well as behind the scenes footage filmed during the making of the film. Every possible element towards what went into making the movie is included here and gives fans an overload of information to fill their brains with.
This is the rare UK Channel 4 documentary about Blade Runner, giving insights into it's history with interviews of Ridley Scott, the writers and nearly all the cast. Interviews with production staff, including Ridley, give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K. Dick and the origins of Do Androids Dream of Electric Sheep? Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the LA 2019 streets, which look very different from Ridley's dark version.