Matthias Weidenhöfer

Berlin in the near future: A secret meeting takes place between a board member of the dominant internet company "Freemee" and members of the government. Camera drones film it unauthorized and document the events live on the Internet. The anonymous net activist group "Zero" is publicly committed to the media attack. Online journalist Cynthia Bonsant, widow and single mother, has been asked to do background research on "Zero" by the head of the online magazine "Daily". The group is classified as a terrorist organization, but according to their own statements they fight the excessive influence on the population through the so-called "Act App", which contoles the lives of users. When a friend of Cynthia's 17-year-old daughter Viola is shot dead in a hunt for a criminal, "Zero" contacts her and tries to recruit her for their own purposes. In the meantime, Cynthia has bad suspicions during her research, because soon a new version of the app will be released that will change everything.

A plastic surgeon publishes an ad searching for a slave. Even if he meant it in an ironic way and is really looking for a housemaid, a lot of SM-subs are showing up in front of his house the next day...

Four former classmates, Philipp, Leonie, Timo and Yasmin arrange reunion over the weekend in one of Philipp's properties. Philipp's wife and daughter are also present. The weekend ends in bloodbath however, with three people dead and the suspect in coma. Two years later Leonie's mother asks the former classmate of the alleged murderer, Doro Kagel, to reopen the case. She would never trust her daughter to do such an act, and even Doro starts having doubts that are only reinforced by the silence of the survivors.

In the third film of the successful series, Jan Fedder is back as a Pastor Book with body and soul. To look after human destinies in St. Pauli, he sees as his life's task, no matter what milieu they come from or what confession they belong. The fallen and stranded people challenge him this time especially.

1950年代後半のフランクフルト、検事長フリッツ・バウアーは、ナチスによる戦争犯罪の告発に奔走していたが、捜査は難航していた。ある日、ホロコーストに深く関わった親衛隊中佐アドルフ・アイヒマン潜伏に関する情報を入手。バウアーは、ナチス残党がいるドイツの捜査機関ではなく、イスラエルの諜報機関モサドに情報提供しアイヒマンを追い詰める。

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

It is not out of love that Ines gives her boyhood friend Moritz the vow, not even because he is rich. On the contrary. For the financial expert the dreamy loser type is interesting as a low-income earner. The fictitious marriage with him brings a lot of tax savings for Ines. On paper, everything is perfectly sophisticated, except for the last place after the comma. Unfortunately, a conscientious financial officer moves into the same apartment building. In order not to be unmasked as unscrupulous tax evaders, Ines and Moritz must play him the newly in love couple - with unimaginable consequences.

An insecure drama student is given the lead role in a play by her director, but the role she is supposed to play is at odds with her real personality. The fusion of her stage persona and her real life persona becomes a psychological tour de force for the young woman, changing her private life.

交通事故から生還後、見知らぬ他人に自分の名を騙られるという不可解な状況に陥った男が、身の危険をかいくぐりながらその謎の真相に迫る様をスリリングに描き出したアクション・サスペンス。

On his way to a construction site a young German businessman gets lost in the African no man’s land. Without connection and orientation he has to find a way back to »civilisation«. Three days filled with absurd events and encounters in an alien world lay ahead of him.