Shiro Fukai

Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!

In this film in the long running series, Tange Sazen and his friends are asked to guard a dragon-shaped incense burner that holds the key to hidden treasures. This is the most exciting film in the series, and contains some of the best action sequences of Otomo's distinguished career. Sazen is the strongest swordsman of his time, and his sense of honor and justice are called upon more than once to set things right.

私は将軍の子だった……己が生れ故に捲き起る数奇な運命を辿りつつひたすら剣を磨く青年葵新吾の波乱万丈の人生を描き、橋蔵の魅力を充分にいかした時代劇大ロマン。

Best friends Gentaro and Sanpei become fateful enemies when Sanpei steals a secret document revealing the identity of the chosen successor to the Tokugawa Shogun. Gentaro of the Owari clan sets out to retrive the invaluable document.

When Katsukawa, a low ranking vassal, learns that his greedy superior, Tatewaki, has hatched a plan to expand his territory, he and his comrades decide to take matters into their own hands. Lots of action in this all-star production from Toei Films, the foremost studio during that era. As with so many of their films, this is highly entertaining, with lots of plot twists and exciting swordplay

This is the second installment of the trilogy based on Japan’s greatest novel “The Great Bodhisattva Pass”, following the life and times of bloodthirsty samurai, Tsukue Ryunosuke. Blinded in an explosion and further injured from a fall, the master swordsman is taken in by Otoyo, a woman who falls in love with him. Under Otoyo’s dedicated care, Ryunosuke’s physical and emotional wounds seem to heal. However, deep inside, the demons that drive him to kill yearn to resurface. Meanwhile he is being pursued by Utsugi Hyoma, a young samurai seeking to avenge his brother’s death at Tsukue’s hands. Hyoma is being aided along the way by the clever thief Shichibei.

時は八代将軍・徳川吉宗の世。隻眼隻手の怪剣士・丹下左膳は、ひょんなことから柳生藩主の弟・柳生源三郎が無くしてしまった“こけ猿の壺”を手に入れたことから、源三郎と意気投合。だが、この天下の名宝には、柳生家の秘宝の地図が隠されていた。それをめぐって幕府の陰謀が渦巻く中、やがて大争奪戦が巻き起こり･･･。

Japanese mystery film.

Young Lord Gentaro (Otomo Ryutaro) takes a journey to Edo in search of his future wife. Easier said than done, evil forces lurk in Edo and Gentaro must use his phenomenal sword skills to overcome the evil and find the love of his life. Another must have for fans of the great Otomo Ryutaro. And don't let the "silly" English title fool you, this is a great movie!

Romantic comedy.

Jiromaru (Kinnosuke Nakamura) investigates the dark "Ghost Ship" in search of his father. Meanwhile, Princess Yuki (Yumiko Hasegawa) and Chacha (Eiko Maruyama) are kidnapped by pirates, so after dedicating himself to rescuing them for the second time, he decides to accept his grandfather's challenge to become a navigator, just like his deceased father.

As Part I opens, Jubei (Denjiro Okochi), the best of sea skippers, is unable to overcome the stormy seas of Luzon. All hands on board the Kannonmaru were lost except for Shinkei, who alone made his way to land & eventually home to inform his grandson Jiromaru (Kinnosuke Nakamura) that his father Jubei met with disaster. Young Jiromaru tells his grandfather that he doesn't want to be a skipper like his father, but wants to go to Kyoto and become a samurai…

First part of the famous Dai-bosatsu toge trilogy, based on Kaizan Nakazato’s unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesnt hesitate to kill anyone, bad or good. Despite the authors explicit refusal, the series were later made into plays and movies several times.

In the mist of the warring age (Sengoku Era), the Kyushu based Hayato Clan is faced with a monumental battle to determine their survival.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances—especially child actor Motoharu Ueki—add to the emotional power.

An all-star cast highlights this Jidai-Geki classic. Set in the samurai era, this is the tale of period Yakuza. One of the real classics in this genre. In this dramatic portrayal of the real-life gambling boss Jirocho, a good-hearted and honest boss sets out to take revenge for a fellow boss. At the same time, the other local bosses, in a bid to increase their own power, plot to dispose of Jirocho. Starring Kataoka Chiezo in one of his signature roles, this is an excellent portrayal of a figure who is not well known outside of Japan. Co-starring Nakamura Kinnosuke, this exciting tale of period yakuza brings history to life.

Tomu Uchida's Gyakushu Gokumon Toride is a masterpiece which treats class struggle in the end of Samurai era(it's a fiction). The story is based on the legend of William Tell, changed at the end of age of Samurai.

During a time of war, Lord Ogata is betrayed by two of his closest vassals and killed by his enemy, Sarashina Danjo. Ten years later, Lord Ogata's only living heir, now a skilled ninja, uses sorcery to avenge the murders of his parents.

With one of the busiest film industries in the world, Japan was able to submit several films into competition at the 1957 Berlin Film Festival. One of the best of these was Arashi, directed by Hiroshi Inagaki of Rickshaw Man fame. Anticipating Hollywood's Table for Five by nearly a quarter of a century, the film concerns the efforts by a recently widowed high-school teacher to raise his four children alone. Chihu Ryu is terrific as the central character, while Izumi Yukimura is even better as Ryu's eldest daughter. For reasons unknown, Arashi is often omitted from "official" lists of Inagaki's films.

This 1956 adaptation of the novel with the same title puts more focus on the characters and their interactions than the previous version.

Adaptation of the novel by Kan Shimozawa.

The story of Japan’s greatest warrior, Miyamoto Musashi, after his historic duel with Sasaki Kojiro on Ganryu Island.

浅野内匠頭が江戸城内で吉良上野介に斬りつけた事件によって、お家断絶の処分を受けた浅野家。城代家老・大帥z内蔵助cw京ct遊里で放蕩三昧の日々を送りながらも、密かに仇討ちの計画を練っていた。だが、同志たちは大石に不信感を抱くようになり…。

Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too. The handwritten text on the bottom here announces the film will play at Hassen for 3 days.

The eighth film in the "master detective with seven faces" series. Bannachi patrols the town in his taxi when he sees a man heading into Shiodome Town. Next day the man is found brutally murdered and the mystery starts to unravel.

Private eye Bannai Tarao (Chiezo Kataoka) and his assistant Masako (Chizuru Kitagawa) investigate the mysterious murder of a baseball player who was killed in the middle of a game.

The story about the rise and fall of the famed mercenaries, Shinsengumi, who are hired by a crumbling feudal government.

Drama about a famous one-eyed, one-armed samurai swordsman of the middle of the Tokugawa period by the name of Tange Sazen. By chance, Tange gets an old pot in which the secret of the treasure of 1000000 ryos of gold is hidden. However, a bunch of different people hunt for the pot and Tange will have to apply his phenomenal fencing skills with the sword.

During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!

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1951 Japanese movie

“グランプリ女優”京マチ子の主演作。讃美歌の流れるクリスマスの夜、ゆきずりにも似た男に純潔を捧げた女が、哀しくもたどる背信と罪の世界。再びめぐってこない青春を泥沼に捨てて絶叫する、女の心にふと咲いた恋の切なさを描く。

Kindaichi challenges the mystery of an incident in which three sisters were killed one after the other according to an ancient tradition on an isolated island in the Seto Inland Sea. Kosuke Kindaichi received a will from his friend Kito, which said, "Go to Gokumon Island to save my three younger sisters," and Kosuke went to Gokumon Island. Upon arriving at the residence of Quito, there were three beautiful sisters, a crazy father, a cousin of Sanae, and Kosuke plunged into a strange atmosphere. The film adaptation of the masterpiece novel of the same name by Seishi Yokomizo. Kyozo Kataoka plays Detective Kosuke Kindaichi, and Ryutaro Otomo plays Inspector Isokawa, who can be called Kindaichi's best partner.

Jida-geki by Santaro Marune.

Fourth film of the Bannai Tarao series starring Chiezo Kataoka

The investigative unit of the Metropolitan Police Department organized a special investigative team to uncover a series of frequent gang robberies and car gangs... This is the first film in the Nippon G-Men series, of which four more films were later released.

元寇の役における博多湾での海戦を、オールスター・キャストで描いたスペクタクル時代劇。 台風シーンは、東宝特撮陣を招いて撮影された。 もはや神風にでも頼らなければ、日本は戦争に勝てないと思って製作されたような気もする、挙国一致の気概をあおる愛国映画である。

A self-absorbed young actor humiliates an elderly Noh performer, who then commits suicide. His act of cruelty compels his father to disown him, leading the once promising actor to a life on the streets. But his desire to win back the respect of his father and the affection of the dead actor's daughter pushes him toward a more noble existence. Naruse employed a delicately structured mise-en-scene in this family melodrama, which evokes the work of Josef von Sternberg.

The film recorded kindergarten teacher and children in Japan, 1942.

In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives the palace and lands from his clan, but does not punish Lord Kira. Lord Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the dishonor of their Lord. But their leader Kuranosuke Oishi asks the Shogun to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses his request and Oishi and forty-six ronin revenge their Lord.

Drama about a young nurse who falls in love with a disabled soldier, and based a true story.

A documentary on the living practices of farmers in rural japan during the 1940s.

A jidaigeki film on Banzuiin Chōbei produced in 1940 and directed by Yasuki Chiba.

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

“Widely acclaimed as the first full-scale historical film epic in Japan, Kumagai’s adaptation of Ogai Mori’s celebrated novel is an indictment of the bushido tradition of saving face through harakiri. The 19 vassals of Lord Hosokawa ask permission to commit harakiri with him, as a demonstration of their loyalty. Only Yaichiemon Abe is refused permission, forced instead into the vassalage of his lord’s successor. Humiliated and derided, Yaichiemon eventually commits harakiri without permission. His eldest son is then punished for Yaichiemon’s suicide, and when he resists, is sentenced to death. The entire Abe clan rebels upon the son’s execution, and the clan is annihilated.” --Alan Poul, Japan Society

Japanese film.

The Siege of Osaka

The sequel to the 1935 film Great Bodhisattva Pass