Marisa Ibarra

Ana, a former member of the Basque terrorist group ETA who lives in a small village near the Portuguese border working as a veterinarian and sharing her days with her partner Darío and their daughter Amalia, meets José, an attractive man who participated in the dirty anti-terrorist war against ETA criminals who took refuge in France.

Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.

After the death of her husband Bernarda Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house.

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.

The new coach of the basketball team of Lugo arrives from Uruguay. He really knows nothing about training a basketball team so he keeps the previous coach on and in the meantime tries to learn from videos and books, but his real reason for coming to Spain was to find out about an old lost love.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Somewhere in the spanish country, in the 60s. Paco and his wife Régula are very poor. They work as tenant farmers for a very wealthy landowner. They have 3 children. One is backward. The others can not got to school because the master "needs" their work. When Regula's brother is fired from where he has worked for 61 years, he settles down at their little place... An attack against the archaism of the spanish country of the 60s.

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

Cebrian, a blast furnace worker Asturian, being held at the Civil Guard barracks. There has to be accountable for the disasters in a day of party with two friends.

A couple of English tourists arrive at the island of Almanzora, off the Spanish Mediterranean coast, where they discover that there are no adults in a small fishing village, only some children who stare at them and smile mysteriously.

A group of researchers gathering material for a magazine article on endangered wildlife encounter vampiric leopard women in the heart of the African jungle.

Paco, a frustrated office worker, goes to the office of a psychologist, to whom he tells his most delirious sexual fantasies in the hope that he will apply a curative therapy. Unfortunately, the doctor will end up confessing that he can not help, because he lives with a doll that has become his companion sentimental.

Don Serafin has a complex: to all the beautiful women always seen with a beard. To remove the complex and try to cure him, his friends will lead to Biarritz. To do this, the friends decide to cross the border protagonists of the Pyrenees and dive into the orgy of nudity and "green film" that was developed in France.