Hamako's mother
Seijuro Fujihana, head master of the Fujihana dance school, is a proud and lonely artist. And because of his character, his group lacks the prosperity of others. He wishes his daughter Kasumi, gifted like himself, to take over and develop the Fujihana, but she wishes to marry Hiroshi, head of a jazz band which her father opposes. Kisaburo, Seijuro's No.1 disciple, wants to marry Kasumi and take over the Fujihana with the backing of the chairman of the supporters' association.
刑務所を出所した村木は、賭場で少女と出会う。ある夜、彼は屋台でその少女と再会した。彼女の名は冴子。冴子はもっと大きな勝負があるところへ連れて行ってほしいとせがんだ。二人は大きな賭場へ行くが、村木はそこで、葉という男を見つけた。殺しと麻薬だけに生きているという葉は、賭けをしている冴子のことを見つめていた。
Miyoko Kamio
On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A bevy of lawyers and associates scheme to procure the money for themselves, enlisting the aid of impostors and blackmail.
A promising dancer asks her professor to write a libretto for a Nō play. He then introduces her to a student of classical literature, but also a classical theatre student in the hope that the latter will marry Senya..
「家族会議」の山ロ松三郎製作の春青メロドラマ。「沖縄健児隊」の沢村勉のオリジナル・シナリオから「処女雪」の原研吉が監督した。撮影は「朝霧(1953)」の森田俊保、音楽は「勢揃い 大江戸六人衆」の加藤光男。出演者は大船映画初出演の「花の生涯」の草苗光子、「蛮から社員」の三島耕、「家族会議」の月丘夢路、「青春三羽烏」の三橋達也などである。
Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.
Geisha
An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.
敗戦後の大阪。結核で息子を失った大和田和子のもとに、夫の訃報がもたらされる。和子は会社社長の栗山の秘書となった。和子の妹の夏子はダンサーをしながら和子を捜しており、二人は偶然心斎橋で再会。夏子は和子のアパートで暮らすことになった。和子は栗山に身を任せていたが、ある日、栗山と夏子の関係に気づく。和子は男に復讐するため、アパートを出て売春婦になった。和子を捜すため心斎橋近辺を歩いていた夏子は、売春婦と間違われ警察に検挙されてしまう。
芙美は瀬川の独り息子と出征直前、叔父・喜一に無理に結婚をさせられた。夫は子供が出来たことも知らずに出征し戦死をした。瀬川夫妻は、芙美が貧しいことを理由に子供のみを引き取り、芙美を強制的に別居させてしまう…。
Sakiko
Waiting woman
Japanese propaganda film about the Normanton Incident.
Setsuyo
The sweet but naive denizens of a charming port town are hoodwinked by a couple of con men at the outset of World War II. But the hustlers’ plan backfires when they come down with severe cases of conscience. Keisuke Kinoshita’s directorial debut is a breezy, warmhearted, and often very funny crowd-pleaser that’s a testament to the filmmaker’s faith in people.
Hana wa itsuwarazu (1941) is the second directorial work by Shochiku's Oba Hideo. Oba had previously worked as an assistant director to Shimizu Hiroshi and penned films for Shimazu Yasujiro. In this early effort, he is not stylistically very far from either, but then again all Shochiku directors resemble each other to a point. The film is an everyday romance for younger audiences, full of clean, ideal human beings.
Hideko Tsutsumi
Adaptation of Kishida Kunio's novel. Set against the backdrop of a power struggle within a hospital, depicts the love lives of the director's daughter, the administrative director, a doctor, and a nurse.
Naomi Tazawa (Hiroko Kawasaki), who works at Isetan Department Store, was told by an executive at a film company (Ken Uehara), that he was going to make a film about her. She was scouted to become an actress, but she held strong. Around that time, her adoptive father dies, and at the time of his death, she learns that her real father was a man of high rank.
A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.
During college military training exercises, the bond between two friends and athletic rivals is tested when one of them becomes involved with a woman who may be a prostitute.
