Fusako Maki

Seijuro Fujihana, head master of the Fujihana dance school, is a proud and lonely artist. And because of his character, his group lacks the prosperity of others. He wishes his daughter Kasumi, gifted like himself, to take over and develop the Fujihana, but she wishes to marry Hiroshi, head of a jazz band which her father opposes. Kisaburo, Seijuro's No.1 disciple, wants to marry Kasumi and take over the Fujihana with the backing of the chairman of the supporters' association.

Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young upper-class woman who is out seeking thrills, and whose presence adds spice to the staid masculine underworld rituals. Muraki becomes her mentor while simultaneously coping with the shifts of power that have affected the gangs while he was interred. When he notices a rogue, drug-addicted young punk hanging around the gambling dens, he realizes that Saeko's insatiable lust for intense pleasures may be leading her to self-destruction.

On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A bevy of lawyers and associates scheme to procure the money for themselves, enlisting the aid of impostors and blackmail.

A promising dancer asks her professor to write a libretto for a Nō play. He then introduces her to a student of classical literature, but also a classical theatre student in the hope that the latter will marry Senya..

Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.

An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.

Fusako, a drug dealer's young mistress in postwar Japan, loses her tenuous grasp on life upon learning about her lover's affair.

Waiting woman

Japanese propaganda film about the Normanton Incident.

The sweet but naive denizens of a charming port town are hoodwinked by a couple of con men at the outset of World War II. But the hustlers’ plan backfires when they come down with severe cases of conscience. Keisuke Kinoshita’s directorial debut is a breezy, warmhearted, and often very funny crowd-pleaser that’s a testament to the filmmaker’s faith in people.

Hana wa itsuwarazu (1941) is the second directorial work by Shochiku's Oba Hideo. Oba had previously worked as an assistant director to Shimizu Hiroshi and penned films for Shimazu Yasujiro. In this early effort, he is not stylistically very far from either, but then again all Shochiku directors resemble each other to a point. The film is an everyday romance for younger audiences, full of clean, ideal human beings.

Adaptation of Kishida Kunio's novel. Set against the backdrop of a power struggle within a hospital, depicts the love lives of the director's daughter, the administrative director, a doctor, and a nurse.

Naomi Tazawa (Hiroko Kawasaki), who works at Isetan Department Store, was told by an executive at a film company (Ken Uehara), that he was going to make a film about her. She was scouted to become an actress, but she held strong. Around that time, her adoptive father dies, and at the time of his death, she learns that her real father was a man of high rank.

A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.

During college military training exercises, the bond between two friends and athletic rivals is tested when one of them becomes involved with a woman who may be a prostitute.