Nobuyuki Kikuchi

Little Towa lives with his parents Satsuki and Yuichi in a coastal town on Nagashima. Yuichi is a fisherman, Satsuki runs a restaurant. What Towa doesn’t know is that he is adopted. As a baby, he was abandoned in an internet café, completely emaciated. While his new parents are secretly fighting for custody of him and want to protect him from his past, the family’s happiness begins to falter. Satsuki and Yuichi aren’t the only ones who are worried about Towa’s future.

X years after the “Shima pshoo” incident, aging Tarugani and Papajo are best friends who live in Patai Village, where those who failed to die continue to exist. When the two find themselves framed as thieves who stole an illegal substance from the local store, they set out on the road, chased by three dripping wet mysterious women.

Those who want to die seek refuge in a mysterious café in this feverishly strange Japanese debut.

父親から受け継いだ小さな金物屋を懸命に切り盛りし、マイホームを手に入れ、妻の伸子と共に長男・保と次男・稔を育て上げた葛城清。理想の家族と生活を築いたと考えていた彼だったが、21歳になった稔が8人を殺傷する無差別殺人事件を起こして死刑囚になってしまう。自分の育て方に間違いがあったのかと清が自問自答する中、伸子は精神的に病んでしまい、保は勤めていた広告代理店を解雇される。やがて、稔と獄中結婚したという女・星野が現れる。

80代の元大学教授のタカシは、デートクラブを通して亡き妻に似た明子を自宅に呼ぶ。しかし、明子は駅で彼女を待っていたはずの祖母のことを気にしていた。翌朝、明子を大学へ送ったタカシを婚約者ノリアキは彼女の祖父と間違えてしまう。こうして三人が出会ったことにより、物語は予期せぬ方向へと進んでいき…。

An exploration of the act of eating, both as an interaction among people and between people and nature.

男子生徒とつるんでばかりの高校3年生の比留間は、優等生の友野とセックスをしたいと考えていた。そんなある日、友野と担任教師の吉田のイチャつく姿を目撃してしまう。恋人と順調にいっている仲間たちを横目に、比留間は友野と吉田の関係を持ち出し脅そうとする。

ピアノの才能に恵まれた少女うた（成海璃子）は、神童として周囲の期待を背負いながらも自らの才能をもてあましていた。母親との関係や制約の多い窮屈な日常に嫌気がさしていたある日、落ちこぼれ音大受験生ワオ（松山ケンイチ）と出会う。彼と一緒に過ごすうちに音楽の真の喜び、人の心の温かさに目覚めてゆく。

Kenji Shiraishi is involved in the trafficking of illegal immigrants from China to Japan. One such case leaves an immigrant child to be an orphan. Instead of selling him along with others that arrived, Kenji flees with the boy to look after him and make an attempt at everyday life. The people after the boy, unexpected encounters with long-lost family members, and his vengeful nature are standing in the way of his future.

A documentary that records the daily life of a mother with a limited life expectancy and a grandmother, directed by the daughter, Haruyo Kato.

A.D. 2015: A virus has been spreading in many cities worldwide. It is a suicidal disease and the virus is infected by pictures. People, once infected, come down with the disease, which leads to death. They have no way of fighting against this infection filled with fear and despair. The media calls the disease the "Lemming Syndrome".

湖畔の別荘に集まった3組の家族と塾の講師は、中学受験を控えた子供のために勉強合宿を行っていた。参加者の一組の並木俊介と美菜子は別居中だったが、受験のために、仲の良い夫婦を演じていた。そこへ俊介の愛人が現れ殺害される。

Private detective Mike takes on an assignment to return a girl, who is set to marry into a prestigious family, from a mysterious commune in the forest.

Kawase tries to come to terms with her late father, whom she never knew when growing up, and contemplates getting a tattoo like his.

In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression. This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.

「Helpless」の青山真治監督が、バスジャック事件で心に傷を負った人々の再生への旅を描いた人間ドラマ。2000年・第53回カンヌ国際映画祭で国際批評家連盟賞とエキュメニック賞を受賞した。九州の地方都市でバスジャック事件が発生し、多くの乗客が殺害された。生き残ったのは運転手の沢井と、中学生の直樹と小学生の梢の兄妹だけで、3人は心に深い傷を負う。2年後、家族を置いて消息を絶っていた沢井が町に戻ってくる。時を同じくして周辺で連続殺人事件が発生し、沢井に疑いの目が向けられる。そんな中、兄妹が2人だけで暮らしていることを知った沢井は、彼らの自宅を訪ね一緒に暮らし始める。さらに兄妹の従兄・秋彦も加わり、4人は沢井の運転するバスで旅に出るが……。沢井を役所広司、直樹と梢を実際の兄妹である宮崎将と宮崎あおいが演じた。2022年3月に青山真治監督が他界したことを受け、同年5月に追悼上映としてデジタル・マスター完全版を劇場公開。

Tetsuro is living with his young girlfriend Aki in a pleasant house in Tokyo. They both spend a lot of time at their jobs. However their routine is upset when Tetsuro brings his 8 year old son Shun to live with them, while his ex-wife recovers from a car accident.

Documentary, 16mm

Minako, a Tokyo housewife, is depressed that everyone has an active life outside the home except her. Taking her inspiration from TV reports of a hitch-hiking chainsaw murderer, Minako decides to spice up her life by finding a young lover and running off with him by faking her kidnapping. While her family frets and worries, Minako has a wonderful time. Eventually, though, she decides it's time to go back to her family. Her lover, however, isn't ready for the fun to end, and Minako's fake kidnapping soon becomes all too real.

Before the Chernobyl disaster, Nadja's village was home to 300 peasant families. After evacuation, only 6 households remain and access to the village is shut off. The remaining villagers continue to raise livestock, cultivate crops, and continue with their lives regardless of contamination.

The movie compiles footage taken by Ogawa Production for a period of more than ten years after the collective moved to Magino village. Unique to this film are fictional reenactments of the history of the village in the sections titled "The Tale of Horikiri Goddess" and "The Origins of Itsutsudomoe Shrine". Ogawa combines all the techniques that were developed in his previous films to simultaneously express multiple layers of time—the temporality of rice growing and of human life, personal life histories, the history of the village, the time of the Gods, and new time created through theatrical reenactment—bring them into a unified whole. The faces of the Magino villagers appear in numerous roles transcending time and space—sometimes as individuals, sometimes as people who carry the history of the village in their memories, sometimes as storytellers reciting myths, and even as members of the crowd in the fictional sequences.

The third film in Ogawa Productions’ Narita/Sanrizuka series of documentaries about the resistance by farmers and activists to the construction of the Narita Airport.

It's the mid 60s. Tokyo needs a new airport. There isn't anywhere in Tokyo to put it, so the government decides on displacing some adjacent villages. The peasants of these villages are not having it. What results is a remarkable act of protest and civil disobedience.