Robby Müller

出生 : 1940-04-04, Willemstad, Curaçao, Netherlands Antilles

死亡 : 2018-07-03

略歴

Robby Müller (4 April 1940 - 4 July 2018) was a Dutch cinematographer. Known both for his use of natural light and minimalist imagery, as well as expressionistic use of colors, Müller first gained recognition for his contributions to West German Cinema through his acclaimed collaborations with Wim Wenders. Müller's first work as a cinematographer was also Wim Wenders' first as director, Alabama: 2000 Light Years. They went on making many more films together such as Summer in the City, The Goalie's Anxiety at the Penalty Kick, The Scarlet Letter, Alice in the Cities, Wrong Move, Kings of the Road, The American Friend, Wings of Desire, Until the End of the World and Paris, Texas. Throughout the course of his career, he also worked closely with directors Jim Jarmusch (Down by Law, Mystery Train, Dead Man, Ghost Dog: The Way of the Samurai), Lars Von Trier (Breaking the Waves, Dancer in the Dark), Peter Bogdanovich (Saint Jack, They All Laughed), Barbet Schroeder (Barfly, Tricheurs) and Hans W. Geissendörfer (Jonathan, The Glass Cell, Carlos, The Wild Duck, Der Fall Lena Christ, Die Eltern). Müller's other work has been on both mainstream productions and independent films, including the hazy, yellow-tinted cinematography of William Friedkin's To Live and Die in LA, Alex Cox's Repo Man, Michael Winterbottom's 24 Hour Party People, Andrzej Wajda's Korczak, Jerry Schatzberg's Honeysuckle Rose, Peter Handke's The Left Handed Woman, Sally Potter's The Tango Lesson, Dom Rotheroe's My Brother Tom and Steve McQueen's Carib’s Leap. Paul Thomas Anderson referred to Müller as "The master of night exteriors. Like a chef with a secret sauce. I can't quite figure it out." Barry Sonnenfeld recalls the first thing he and the Coen Brothers bonded over was Müller's The American Friend cinematography, which convinced the brothers that Sonnenfeld had good enough taste to shoot their first film (Blood Simple). Müller died on 3 July 2018, aged 78, having suffered from vascular dementia for several years.

参加作品

Wim Wenders, Desperado
Self (archive footage)
"Wings Of Desire" and "Buena Vista Social Club", "Paris, Texas" and "The State Of Things": Wim Wenders is considered one of the pioneers of New German Cinema and one of the most important and influential representatives of contemporary cinema. With never before shown archive material and extraordinary encounters with companions and contemporary witnesses such as Francis Ford Coppola, Willem Dafoe, Andie MacDowell, Hanns Zischler, Patti Smith and Werner Herzog, this documentary provides unique insights into the life and work of one of the most multifaceted artists of our times. Renowned documentary filmmaker Eric Friedler ("It Must Schwing. The Blue Note Story") and his co-director Andreas Frege were given the exclusive opportunity to portray Wenders for this film. From Dusseldorf to Paris, and all the way to the desert of Texas, the film traces iconic locations and decisive moments in Wenders' work as director, producer, photographer and author.
Living the Light: Robby Muller
Director of Photography
For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.
Living the Light: Robby Muller
Self
For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.
Ashes
Director of Photography
Ashes (2002-2015) a double video projection, tells the story of a young Caribbean man known by this name. In 2002 while shooting Caribs' Leap in Grenada, McQueen met and filmed a young man called Ashes, but the footage was not used. Many years later he learned that Ashes had been killed. McQueen decided to create a tribute to him, combining old and new footage. On one side of the screen, Ashes is full of life, his boat moving towards a seemingly unending horizon. The other side shows his tomb being constructed and the etching of a memorial plaque for his grave. Over the soundtrack, two local men tell the story of Ashes's untimely death.
One Who Set Forth: Wim Wenders' Early Years
Self
The early films of Wim Wenders are now regarded as landmarks of European film. Alice in the Cities, Wrong Move and Kings of the Road became foundations of the German New Wave and cemented the reputation of their director. In One Who Set Forth: Wim Wenders' Early Years Marcel Wehn explores the background to these films. Through personal recollection and rare home movie footage, it documents the director's early life, from experiments with his first camera, via his deviation from a career in medicine in favour of art and film, through to international recognition for the Road Trilogy. Central to these were themes that became cornerstones of all his work: national identity, the importance of personal relationships and the allure of the road. With contributions from the director and the many collaborators who helped define his vision, One Who Set Forth is a compelling account of Wim Wenders' life and work.
From Dogma to Dogville: Don't Try This at Home
himself
A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.
Visions of Europe
Director of Photography
Twenty-five films from twenty-five European countries by twenty-five European directors.
Counterfeit World: Making 'To Live and Die in L.A.'
Himself (archive footage)
The magic and creation behind the making of William Friedkin's classic action film To Live and Die in L.A. (1985). It follows cast, crew and the director several years after the film sharing their experiences while working on the project, also including footage from the shooting, and they discuss in detail the conception of the most spectacular scenes filmed there and also the great debate about the different endings developed for the film.
コーヒー&シガレッツ
Director of Photography
アルフレッド・モリーナが、ロスにやってきたスティーブ・クーガンに面会を切望。「今度休暇旅行にどう? 2人だけで」「自宅の電話番号を教えてくれよ」と迫るアルフレッドに、真意をつかめないスティーブは……。(『いとこ?』より)<ジム・ジャームッシュ監督が18年に渡って撮りためたコーヒーとタバコをテーマにした短編映画集。11本のショート・フィルムに登場するのは、ケイト・ブランシェット、ビル・マーレイ、スティーブ・ブシェミ、ロベルト・ベニーニなど総勢24名。第3話目の『カリフォルニアのどこかで』はカンヌ映画祭短編部門のパルム・ドールを受賞している。監督ならではセンスのいい音楽とユーモアを最後まで楽しめる作品。>
24アワー・パーティー・ピープル
Director of Photography
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
My Brother Tom
Director of Photography
A teenage girl, Jessica, befriends a teenage boy called Tom, who is bullied by a local gang. She is abused by Jack, who is both her neighbour and school teacher, and Tom is sexually abused by his father. Together they bond in the woods, creating a private reality that no-one else can enter.
ダンサー・イン・ザ・ダーク
Director of Photography
1960年代のアメリカの片田舎。チェコから移民してきた女性セルマは幼い息子ジーンを育てながら工場で働く。遺伝性の病気で視力を失いつつある彼女は、ジーンにだけは同じ運命をたどってほしくないと、手術費用を必死でためている。ところがある日、彼女はその大事な貯金を隣人の警官ビルに盗まれてしまう。しかも奪われた現金を取り戻そうとした彼女は思いがけずビルを殺した容疑で捕まり、刑務所に入れられてしまう。
ブエナ・ビスタ・ソシアル・クラブ
Director of Photography
ライ・クーダーとキューバの老ミュージシャン達(ブエナ・ビスタ・ソシアル・クラブ)との演奏を中心に、彼らの来歴、キューバの日常を描いたキューバ音楽ドキュメンタリー映画。
ゴースト・ドッグ
Director of Photography
江戸時代の武士の心得を書いた書物『葉隠れ』。この本を愛読し武士道の世界に憧れる孤独な暗殺者ゴースト・ドッグ。彼は以前命を助けられたマフィアを主と敬っていたが、「ファミリー内部の人間を消せ」という指令の現場にたまたまボスの娘が居合わせたことがきっかけで、ボスの体面のために命を狙われる羽目になる。
Shattered Image
Director of Photography
Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman recovering from rape and an apparent attempted suicide. In one reality, she is a killer destroyer of men. In another she is the new wife on a Jamaican honeymoon with her husband (William Baldwin), who is trying to help her recover. Which is real is the question as the story unfolds.
The Tango Lesson
Director of Photography
On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.
奇跡の海
Director of Photography
70年代初頭、スコットランドの寒村の女性ベスは油田で働く男と結婚するが、彼は事故で全身麻痺となってしまう。夫に「別に愛人を作りその様子を話して欲しい」と頼まれたベスは……。ラース・フォン・トリアー監督作。
Dead Man
Director of Photography
A fatally wounded white man is found by an outcast Native American who prepares him for the afterlife.
愛のめぐりあい
Director of Photography
北イタリアの小さな村で出張の途中出会った魅力的な女教師に恋焦がれる青年の物語「ありえない恋の物語」、自らの父親を殺したという女性と一夜を過ごした男を描いた「女と犯罪」、2組の男女の恋の行方を綴った「私を探さないで」、ある女性に一目惚れした青年のエピソード「死んだ瞬間」の4話からなるオムニバス。
Last Call
Director of Photography
Old entertainer gets a last chance to play a serious role.
When Pigs Fly
Director of Photography
The ghosts of a middle-aged woman and a precocious little girl help an unwed jazz musician and a bar dancer reverse their bad fortune.
恋に落ちたら…
Director of Photography
臆病な刑事ウェインが深夜のスーパーで強盗現場に遭遇し、人質の命を救う。ところが助けた男はマフィアのボス。ウェインの元に世話役としてボスの娼婦がやって来る……。ロバート・デ・ニーロ主演のロマンティック・コメディ。
The Ditvoorst Domains
Self
Documentary about the Dutch film director Adriaan Ditvoorst.
Until the End of the World
Director of Photography
In 1999, Claire's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way she runs into another fugitive from the law — Dr. Sam Farber, an American who is being chased by the CIA. They want to confiscate a device his father invented which allows anyone to record their dreams and visions. On the run they travel the globe from Berlin to Lisbon to Moscow to Tokyo, ending up in Australia at his father's research facility, where they hope to play back the recordings Farber captured for his blind mother.
Korczak
Director of Photography
The story of Polish pedagogue Janusz Korczak and his dedication to protecting Jewish orphans during the war.
Motion and Emotion: The Films of Wim Wenders
Self
Though very polite and British, this feature-length documentary about German filmmaker Wim Wenders offers the most penetrating insights and the best overall critique of his work that I have encountered anywhere. Paul Joyce, who directed it, has also made documentaries about Nicolas Roeg, David Cronenberg, Nagisa Oshima, and Dennis Hopper, and he knows the conventional format well enough to get the most out of it. There are good clips and interesting commentaries from the interviewed subjects, who include Wenders himself, cinematographer Robby Muller, filmmaker Sam Fuller, novelist Patricia Highsmith, musician Ry Cooder, actors Harry Dean Stanton, Peter Falk, and Hanns Zischler, and critic Kraft Wetzel, who is especially provocative. A must-see for Wenders fans, highly recommended for everyone else. –Jonathan Rosenbaum, 1989
Motion and Emotion: The Road to 'Paris, Texas'
Self
Documentary about the making of Wim Wenders' 1984 film, with interviews conducted in 1989.
Notebook on Cities and Clothes
Director of Photography
Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.
ミステリー・トレイン
Director of Photography
物語は「ファー・フロム・ヨコハマ」「ア・ゴースト」「ロスト・イン・スペース」と名づけられた3話からなるオムニバスで、それぞれの話の人物たちが、互いに知らないまま、別々に同じ夜汽車を見、エルビスの〈ブルー・ムーン〉を聞き、そして翌朝1発の銃声を耳にする、ワン・ナイト・ストーリー。
Coffee and Cigarettes II
Director of Photography
A brother and sister, sitting in a coffee bar, bicker mildly about whose idea it was to come to Memphis and which kind of cigarette is fresher. Danny, their waiter, comes by offering refills; after determining they are twins, he guesses which is the evil one. Without a pause, he sits down and offers his theory about Elvis's twin. He drones on. The good twin finally speaks up, giving her own opinion. The waiter is unfazed. After his boss finally calls him back to work, the twins are free to resume their bickering amidst the coffee and cigarettes.
The Little Devil
Director of Photography
Father Maurice, a priest living in a residential college for priests in Rome, is called out one day to "exorcise" the devil from someone. The devil turns out to be in the form of a fun-loving man called Giuditta. What Father Maurice doesn't know is that this type of devil will turn his life around.
バーフライ
Director of Photography
Downtrodden writer Henry and distressed goddess Wanda aren't exactly husband and wife: they're wedded to their bar stools. But, they like each other's company—and Barfly captures their giddy, gin-soaked attempts to make a go of life on the skids.
The Believers
Director of Photography
Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.
ダウン・バイ・ロー
Director of Photography
ニューオーリンズで暮らす落ち目のDJザックは、ある男から車を預かるが、それが原因となり無実の罪で逮捕される。刑務所の同じ房にいるジャックというチンピラとは、全くウマが合わない。しかし後から収監された陽気でやかましいイタリア人、ロベルトが脱獄を提案。
The Longshot
Director of Photography
Four losers borrow money from gangsters to bet on a "sure thing", but lose. The gangsters go after them to get their money.
To Live and Die in L.A.
Director of Photography
A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.
Finnegan Begin Again
Director of Photography
A schoolteacher in her early 40s, involved in a dead-end love affair with a married mortician, drifts into a relationship with an aging newspaperman.
Body Rock
Director of Photography
Chilly is just a guy from the streets with a talent for break-dancing. When his wicked moves catch the eye of an industry pro, Chilly finds his dreams of fame and fortune coming true, for better or for worse.
パリ、テキサス
Director of Photography
テキサス州の町パリをめざす男。彼は失踪した妻を探し求めていた。男は、4年間置き去りにしていた幼い息子との間にも親子の情を取り戻す。そして、やがて巡り会った妻に、彼は愛するがゆえの苦悩を打ち明ける……。
レポマン
Director of Photography
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
Cheaters
Director of Photography
Swaying between pleasure and despair, Elric throws himself into his pathological passion for the casino. Meeting Suzie could have saved him, but the young woman also sinks into gambling hell. The couple then start getting involved in the fearsome world of professional cheaters.
Cheaters
Ingénieur
Swaying between pleasure and despair, Elric throws himself into his pathological passion for the casino. Meeting Suzie could have saved him, but the young woman also sinks into gambling hell. The couple then start getting involved in the fearsome world of professional cheaters.
Un dimanche de flics
Director of Photography
Two policemen, Franck and Rupert, intervene in a Parisian heliport where drugs are exchanged for a large sum of money. They decide to keep the loot and find themselves fighting with the mafia.
Les îles
Director of Photography
Class Enemy
Director of Photography
Berlin-Kreuzberg in the early 1980s. The film is essentially a one-set piece, taking place in a beat-up, graffiti-decorated schoolroom where six teen-age delinquents argue and fight as they await the latest in what has been a series of terrified teachers.
A Hot Summer Night
Director of Photography
A husband, half of an entertainment duo, the Nellicos, tells his wife, who is the other half of the duo, that he has another woman. But they cannot discuss this as he tells her only just before they are due to perform in front of a large audience. (BFI)
They All Laughed
Director of Photography
New York's Odyssey Detective Agency is hired by two different clients to follow two women suspected of infidelity. Ladies' man John Russo trails Angela Niotes, the elegant wife of a wealthy Italian industrialist, while Charles Rutledge and Arthur Brodsky follow Dolores Martin, the beautiful young wife of a jealous husband. Their respective cases are complicated when John falls for Angela, and Charles falls for Dolores.
Honeysuckle Rose
Director of Photography
Buck Bonham is a country singer on the road caught in a romantic triangle with Dyan Cannon and Amy Irving, the daughter of one of his longtime musical sidekick.
Hello Fellow Man
Cinematography
TV-adaptation of the performance by the Dutch theatre group 'Het Werkteater'. Three ladies of high society invite homeless people, homeless people and junks to spend a pleasant evening with them, in order to promote communication and integration.
Saint Jack
Robby (uncredited)
Jack Flowers is an American hustler trying to make his fortune in 1970s Singapore in small time pimping. His dreams of building a fortune by running a brothel himself and returning to the States is materialized when he is offered the opportunity by the CIA to run a brothel for the R&R activities of U.S. soldiers on leave in Singapore.
Saint Jack
Director of Photography
Jack Flowers is an American hustler trying to make his fortune in 1970s Singapore in small time pimping. His dreams of building a fortune by running a brothel himself and returning to the States is materialized when he is offered the opportunity by the CIA to run a brothel for the R&R activities of U.S. soldiers on leave in Singapore.
In for Treatment
Cinematography
An unsuspecting flower farmer visits the hospital to discuss some test results, only to find himself admitted without explanation for an indefinite period of further examination and observation.
Mysteries
Director of Photography
In the winter of 1891 a stranger arrives in a small coastal town on the Isle of Man. His presence soon disturbs the lives of the local inhabitants, especially the beautiful daughter of the parson.
The Glass Cell
Director of Photography
A man is wrongfully imprisoned for five years. Once out, he hears about his wife's supposed adventures outside of their marriage and becomes increasingly jealous.
The Left-Handed Woman
Director of Photography
Mourning for a lost relationship can be every bit as devastating as mourning for someone who has died. In this drama based on the director's own novel, a couple with an unhappy marriage agree to a trial separation. They try to patch things up, and at the same time other relationships begin to develop for them.
アメリカの友人
Director of Photography
ヴィム・ヴェンダース、31歳の時に撮った長編第7作。白血病で死の不安に生きているハンブルグの額縁職人ヨナタン。彼を殺人にはめ込み、完全犯罪を進めながら危険な友情にはまりこんでいくトム・リプレー。死んだ筈の画家の贋作を書いているポガッシュ。物語は、サスペンスに富む発端の画の競売シーンから、この3人の絡んだストーリーを小気味よいテンポで進めていく。
Die Wildente
Director of Photography
Consul Werle holds a reception in honour of the homecoming of his son Gregers. At the reception, Gregers meets his childhood friend, Hjalmar Ekdal, who is married to Gina, a former maid of the Werle family. Hjalmar is unaware that Werle had an affair with Gina and that their 14-year-old daughter Hedwig is not his child. Gregers moves in with the Ekdals with the intention of allowing unsuspecting Hjalmar and his family to share in the "happiness of truth". Hedwig is entirely devoted to a wild duck, which lives on a pond outside their house. When Hjalmar learns the truth about his daughter, he wants to leave his family. Gregers advises Hedwig to kill the wild duck so that her father, impressed by this sacrifice, will return home. On the following day, Hedwig's birthday, she doesn't shoot the duck, but shoots herself instead.
Kings of the Road
Camera Operator
Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander - a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt - travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.
Kings of the Road
Director of Photography
Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander - a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt - travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.
The Goalie's Anxiety at the Penalty Kick
Director of Photography
Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre.
Wrong Move
Camera Operator
Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.
Wrong Move
Director of Photography
Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.
都会のアリス
Director of Photography
German journalist Philip Winter has a case of writer’s block when trying to write an article about the United States. He decides to return to Germany, and while trying to book a flight, encounters a German woman and her nine year old daughter Alice doing the same. The three become friends (almost out of necessity) and while the mother asks Winter to mind Alice temporarily, it quickly becomes apparent that Alice will be his responsibility for longer than he expected.
Die Eltern
Director of Photography
Ann, a ten-year-old girl, becomes the sole heir of millions from her grandmother. Ann's parents, who are short of money and have lost all hope of a bright future try to manipulate Ann's imagination in such a way that she loses her mind.
Die Reise nach Wien
Director of Photography
Two women during WW2 living in a Hunsrück village embark on a trip to Vienna.
The Scarlet Letter
Director of Photography
In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older stranger arrives, recognized by Hester but unknown to others as her missing husband. He poses as Chillingworth, a doctor, watching Hester and searching out the identity of her lover. His eye soon rests on Dimmesdale, a young overwrought pastor. Enmity grows between the two men; Chillingworth applies psychological pressure, and the pastor begins to crack. A ship stops in Salem, and Hester sees it as a providential refuge for her daughter, herself, and her lover. But will Dimmesdale flee with her?
CAN:The Free Concert
Director of Photography
The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.
Carlos
Director of Photography
In the Southwest of 1915 Carlos backs an intended uprising of the common countymen against his father Phillip, a despotic landowner who exploits the rural poors in his silver mines. But Carlos' indecision and his love for his young and beautiful stepmother leads into a failure.
Summer in the City
Director of Photography
Released from prison a man wanders through a new reality
Eine Rose für Jane
Director of Photography
Pakbo
Director of Photography
Documentary drama about the Swiss journalist Otto Pünter, who maintained an anti-fascist information office in the 1930s and 1940s.
Jonathan
Director of Photography
A group of vampires terrorizes a small village on the German North Sea Coast. The young Jonathan joins a group of fellow students and locals, who plan an uprising against the vampires.
Der Fall Lena Christ
Director of Photography
Alabama: 2000 Işık Yılı
Director of Photography
"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders
Love and So Forth
Assistant Camera
Munich, 1968: a period of liberation, student revolts, state repression. Amidst the restlessness, chemistry student Robbie meets the Irish cello player Nancy. They feel compelled to pursue a passion in spite of their careers. But does romantic love have a place in such convoluted, contesting times?
To Grab the Ring
Assistant Director of Photography
This film takes a decidedly satirical look at the inner workings of the gangster underworld. Alfred Lowell is a washed-up actor sent to London to take care of some mob business. Alfred's mind is not on his job, as he prefers to probe his past for the reasons why he has failed as a thespian. He entertains thoughts of suicide, but his involvement in the gang prevents him from ending his life.
The Road Trilogy
Cinematography
Wim Wender's The Road Trilogy consists of the films Alice in the Cities (1974), Wrong Move (1975) and Kings of the Road (1976).