Cris Lyra

Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.

A long walk home sets the scene for young romance, a trip to the beach becomes an opportunity for quiet reflection and self-acceptance, a naïve mother uncovers the secret life of her daughter, and a sullen teenager sees a new side to her mother. Re-live the journey of young love through six coming-of-age stories exploring chance encounters and hidden longings.

São Paulo, in a dystopian future not so very far from the present. A virus is circulating, one that mainly attacks the brain and the ability to remember. A state that has forgotten a past marked by colonialism and dictatorship desperately awaits some indeterminate “Golden Phase.” Three young queer people drift through a city bled dry by the pandemic and rampant capitalism, remembering each another’s late lovers, sharing their experiences with HIV, getting makeup tips for masked faces and ultimately coming together with others forgotten by society for an antique revue in the salon of a singer named Mirta.

Alice dos Anjos is a smart girl who lives in the northeastern hinterland, and who, after running after a running black goat, is transported to a magical place, full of crazy characters. She finds herself, then, in the middle of a war against an influential colonel who wants to discard as traditional communities' land to build a hydroelectric plant. As Alice joins her friends to fight an oppression, she finds herself on a journey of self-knowledge and social awareness.

In the film adaptation of the show “Abominável”, created from texts by different dead authors, a body crossed by war and passion breaks free from a violin case.

In the film adaptation of the show “Abominável”, created from texts by different dead authors, a body crossed by war and passion breaks free from a violin case.

In the film adaptation of the show “Abominável”, created from texts by different dead authors, a body crossed by war and passion breaks free from a violin case.

Vange, a lonely biker, is enchanted by the relationship and freedom of four girls, with whom she spends a weekend where exchanges about lesbian experiences and culture are present, accompanied by a mutual affection that gradually establishes itself.

Based on letters from 20 lesbian and bisexual women written during the pandemic, a single quarantine letter is made up. An interrupted love story, a shattered country, a persistent living body.

Based on letters from 20 lesbian and bisexual women written during the pandemic, a single quarantine letter is made up. An interrupted love story, a shattered country, a persistent living body.

Based on letters from 20 lesbian and bisexual women written during the pandemic, a single quarantine letter is made up. An interrupted love story, a shattered country, a persistent living body.

Based on letters from 20 lesbian and bisexual women written during the pandemic, a single quarantine letter is made up. An interrupted love story, a shattered country, a persistent living body.

Heightened physical desire can be both liberating and treacherous, as two women observe each other from their towers.

The National Truth Commission, installed in 2011 to investigate crimes committed during a military dictatorship, brought to the public a still very obscure chapter of our history: the existence of an indigenous detention center in the city of Resplendor (MG), called Reformatório Krenak . First installed within the territory of the Krenak ethnic group, and later transferred to Carmésia, it imprisoned and tortured not only Krenak indigenous people, but several other ethnic groups such as the Pataxó, imposing restrictions on their ancestral practices under relentless surveillance by the military. The documentary shows how this concentration camp worked, and the consequences of this collective trauma for the affected indigenous peoples.

Since 2015, the Landless Workers Movement has been occupying an indebted sugarcane factory's land to press for its redistribution through land reform. Grandma, P.C. and their encamped fellows struggle to conquer a small share of land where they can settle down and live a self-sustainable life, growing agro-ecological crops in a newly knit peasant community they draw in their dreams.

A group of friends from São Paulo head for a secluded beach to celebrate New Year’s. Together they relax, sunbathe and make music. And they talk: about their sexuality, their bodies, their hair, their youth, their fears, certainties and uncertainties, as anyone does sometimes with good friends. Along the way, we learn a lot about contemporary Brazil.

A group of friends from São Paulo head for a secluded beach to celebrate New Year’s. Together they relax, sunbathe and make music. And they talk: about their sexuality, their bodies, their hair, their youth, their fears, certainties and uncertainties, as anyone does sometimes with good friends. Along the way, we learn a lot about contemporary Brazil.

A group of friends from São Paulo head for a secluded beach to celebrate New Year’s. Together they relax, sunbathe and make music. And they talk: about their sexuality, their bodies, their hair, their youth, their fears, certainties and uncertainties, as anyone does sometimes with good friends. Along the way, we learn a lot about contemporary Brazil.

Silvia is a middle-aged filmmaker in crisis with her life. The same night that she is surprised by the visit of the ex-wife, who left her a few years ago, meets another woman who fascinates her.

A Guarani girl begins to question her place in the world.

Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.

A teenager grows up in São Paulo.

In 2008, a young man broke into his ex-girlfriend's apartment, holding her and her friend hostage at gunpoint for five days. The so-called "crime of passion" was covered live and rabidly followed like a perverse telenovela. This film's pointed analysis of the Brazilian police and media's sensationalization of violence against women sadly explains the country's elevated rate of femicide.