Boris Abaza

14-year-old Lucie is a resourceful teenager who takes care of her loving yet unreliable father, William, who has multiple sclerosis. Whilst William hangs out in his wardrobe and devises pranks and jokes to make his daughter smile, Lucie tries her best at school while juggling a job in a sandwich shop and all the chores at home. Her vividly imaginative mind and the novel she is writing are her only distractions. But when a social worker is appointed to visit them, Lucie and William elaborate a complex plan to make social services believe they live a perfectly normal life.

Adrien, an attractive dancer whose career was shattered by a motorbike accident, wastes his youth in the laziness of the French Riviera, where he is looked after by Martha, a former movie star. Adrien’s life is turned upside down when he meets Margot, a captivating beauty who lives for the thrill of scams and romantic entanglements. Together, they fantasise about a better life and set up a diabolical scheme, an emotional masquerade.

From the first minutes after his inauguration, the newly elected president wants to translate his promises and his campaign project into action. "Change is now", "Change life", "Together everything becomes possible": all campaign slogans promising a break with the past, a change. The first few months were decisive: it was a matter of making a mark, asserting one's style, imposing one's authority and taking the first measures, those that would make a mark on public opinion and set the first lines of the political narrative in history. From 1959 to 2017, the eight successive presidents have acted without delay. Thanks to the many witnesses and actors of these first hundred days, the film retraces the stakes and decisive moments that marked the beginning of each mandate.

Poor Bastards is a sketch film, written by twelve authors. Mirror or projection, poor bastards have fun with everyday facts and do not tell a story, but stories. Through these short and bitter stories, are revealed all the cracks of the human race, which, in a movement of globalization and neoliberalism more and more assertive, can lead the ordinary man to be a monster of cowardice, cruelty, indifference or hypocrisy. Poor bastards from an odd angle, transcribe reality provocatively or not, always with the same ambition: to react.

1940年、連合軍の兵士40万人が、ドイツ軍によってドーバー海峡に面したフランス北端の港町ダンケルクに追い詰められる。ドイツ軍の猛攻にさらされる中、トミーら若い兵士たちは生き延びようとさまざまな策を講じる。一方のイギリスでは民間船も動員した救出作戦が始動し、民間船の船長ミスター・ドーソンは息子らと一緒にダンケルクへ向かうことを決意。さらにイギリス空軍パイロットのファリアが、数的に不利ながらも出撃する。

南仏でミシュラン１つ星を誇るフレンチレストランのオーナー、マダム・マロリーは最高のサービスと味を提供することに人生をかけている。そんな彼女の店の向かいにインドから新天地を求めてヨーロッパにやってきたカダム一家が、インド料理店を開業する。強烈なスパイスの匂いと大音量で流れるインド音楽に迷惑顔のマダム・マロリー。さらに市場での食材の奪い合いが巻き起こり、２つの店は一触即発の険悪なムードになってしまう。その解決の鍵を握るのは、インド人一家の次男で天才料理人のハッサンだった。

恋人サラ（メアリー=ルイーズ・パーカー）と一緒に生活し、諜報（ちょうほう）活動から縁遠い毎日を過ごしていた元CIAのフランク（ブルース・ウィリス）。しかし、かつての仲間マーヴィン（ジョン・マルコヴィッチ）が関わった小型核爆弾をめぐる冷戦時代の極秘計画が原因となったトラブルが持ち上がる。解決の手掛かりを追い求め、フランクはサラ、マーヴィンと共にヨーロッパへと足を運ぶが……。

For Walid, a taxi driver in Damascus, the only place he can steal a private kiss with his love, Suhair, is in his car. When Suhair is invited by her friend to visit Tehran, she and Walid together board a train from the Syrian capital to Tehran. As they follow the stunning scenery captured beautifully on film, Walid and Suhair finally have an opportunity to get to know each other outside of his taxi…

She lives her own little world. Will it explode and disappear forever?

Samuel Pierret is a nurse who saves the wrong guy – a thief whose henchmen take Samuel's pregnant wife hostage to force him to spring their boss from the hospital. A race through the subways and streets of Paris ensues, and the body count rises. Can Samuel evade the cops and the criminal underground and deliver his beloved to safety?

ある嵐の夜、イタリアの漁船が洋上に漂う意識不明の若い男を発見する。引き上げられたその男の背中には弾痕があり、皮下にはマイクロカプセルが埋め込まれ、それにはスイスの銀行の口座番号が印されていた。男はなんとか息を吹き返すが、記憶を失っており、自分の名前も分からない状態だった。数週間後、彼は身元の唯一の手掛かりであるスイスの銀行に向かう。その貸金庫にはジェイソン・ボーン名義を含め6ヵ国のパスポートや大金、そして拳銃が入っていた。やがて暗殺者たちに狙われ始めた彼は、偶然出会ったマリーの協力を得てパリへと向かうのだった。