Jacques Cottin

While the Nazis occupied most of France, Jacques (Vincent Perez) has been active in the liberation underground. Now that the Allies have freed a significant portion of their country from German control, he and his buddy Michel (Matthieu Roze) can join the Free French army and fight with them to help bring about the downfall of the German empire. Both of them are quite young men, and their first love turns out to be the same woman, a lovely nurse named Christiane (Geraldine Pailhas). Michel woos her first, and she becomes pregnant by him. However, she is much more interested in Jacques, even though she is considering marrying an American solely for practical reasons.

The bungling inspector Cruchot finds himself trying to save the residents of St. Tropez from some oil-drinking humanoid aliens. The only way to tell the aliens from the real people, besides their constant thirst for oil-products, is that they sound like empty garbage cans when you touch them. Chaos is ahead.

The relationship between a middle-aged French widow (Simone Signoret) and a young drifter (Alain Delon) takes a turn when her young niece pays a visit.

Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of petty thieves (led by an old acquaintance) to rob a bank. A reluctant captain provides Max intelligence and Max starts spending evenings with Lilly, a prostitute who's the girlfriend of the group's leader. He poses as a rich banker with money to burn and encourages Lilly to think about her future. He hints at a payroll that comes through his bank. The plot works, the petty thieves think they're ready for a big score, and the cops are in place. What could go wrong with Max's cold plan? Who's entrapped?

Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of petty thieves (led by an old acquaintance) to rob a bank. A reluctant captain provides Max intelligence and Max starts spending evenings with Lilly, a prostitute who's the girlfriend of the group's leader. He poses as a rich banker with money to burn and encourages Lilly to think about her future. He hints at a payroll that comes through his bank. The plot works, the petty thieves think they're ready for a big score, and the cops are in place. What could go wrong with Max's cold plan? Who's entrapped?

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

The mind of Pierre Bérard, a successful middle-aged architect, is torn between his unstable present with Hélène, his younger lover, and his happy memories of the past with Catherine, his ex-wife; but his true destiny awaits him at a crossroads on his way to Rennes…

The Saint-Tropez police launch a major offensive against dangerous drivers. Marechal Cruchot (Louis de Funès) relishes the assignment, which he pursues with a manic zeal. Cruchot is after an offending driver, who turns out to be Josépha (Claude Gensac), the widow of a highly regarded police colonel. When they meet, Cruchot falls instantly in love....

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

プラスティック工場のオーナー社長（J＝P・ゾラ）の超モダンな邸宅をその息子（A・ベクール）は全く気に入っておらず、度々、伯父さんの住む下町を訪ねる。両親は息子を取られたようで面白くなく、独身の伯父さんに嫁を押しつけるべくパーティを催すが、これを無意識に彼がぶち壊しにしてしまうのは言わずもがな。社長は兄に社会性を備えさせようと自分の工場に雇うが、ここでも失敗ばかりの彼は奇妙なパイプを大量生産してしまう。呆れた社長はこの暢気な兄貴を地方支店に転任させることにしたが、これにも飄然と応じて伯父さんは懐かしの町を去って行くのだった……。

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

A group of travelers, including a monk, stay in a lonely inn in the mountains. The host confesses the monk his habit of serving poisoned soup to the guests, to rob their possessions and to bury them in the backyard.

Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.

Jacques Tati plays a French postman adamant to prove he can be just as fast as American postmen at delivering mail.