Michel Reilhac

Michel Reilhac

略歴

Michel Reilhac, based in Amsterdam, has been Head of Submarine Channel since January 2017. Director of VR (Virtual Reality) films and the narrative architect of interactive storytelling, his last film, in VR, Viens!, made its world premiere at the Sundance Film Festival in January 2016. He is also a pioneer in transmedia storytelling formats and immersive, participatory and interactive experiences. Furthermore, he is Director of Studies at the Venice Biennale College-Cinema and is frequently invited to lecture and speak at international events (i.e. Cannes Film Festival, SXSW Austin, Tribeca Film Festival, Pixel Lab, Dixit, FEMIS, etc.). From 2002 to 2012, Michel was Head of Film Acquisitions at Arte France and Executive Director of Arte France Cinéma.

プロフィール写真

Michel Reilhac
Michel Reilhac

参加作品

Salvo
Salvo
Co-Producer
Salvo, a ruthless Sicilian Mafia hit man, changes his priorities after being involved in a bloody ambush.
ブランカニエベス
ブランカニエベス
Producer
人気闘牛士の娘カルメンシータは生後間もなく母を亡くし、その後父が再婚。ところが継母は非常に意地が悪く、カルメンシータは継母にひどい目に遭わされながら育った。ある日、継母によって危うく殺されかけた彼女は「こびと闘牛士団」の小人たちによって助けられ、ブランカニエベス（白雪姫）という名で一座と一緒に見世物巡業の旅へと出発する。やがてカルメンシータは、女性闘牛士として才能を開花させていく。
Americano
Americano
Co-Producer
A real estate agent from Paris arrives in Los Angeles to settle his late mother's estate, but a found photograph sends him on an impromptu journey to Mexico to find a woman named Lola.
リトル・ランボーズ
リトル・ランボーズ
Associate Producer
1982年のイギリス。父親のいない11歳の気弱な少年、ウィル・プラウドフットは娯楽を禁じられる[2]規律の厳しい教会の影響下で育てられ、テレビや映画などの娯楽を一切禁じられていた。ウィルの唯一の娯楽は空想し、ノートなどに落書きをすることだった。そんな彼はある日、学校一の悪童であるリー・カーターと知り合う。彼もまた父親がおらず、さらに母親も家を空けがちだったために必然的に自立しなければならず、子供らしい遊びができなかった。性格は正反対だが似たような状況下にある二人はすぐに意気投合し、そしてある時カーターの家で映画『ランボー』を観ることになる。ウィルは生まれて初めて観た映画に感激し、ランボーに憧れを抱くようになる。そしてウィルはカーターが自主制作しようとしていた映画に「ランボーの息子」として主演することを提案し、二人は撮影を始める。
Ghosts
Ghosts
Commissioning Editor
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...
アメリカ、家族のいる風景
アメリカ、家族のいる風景
Associate Producer
Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there...
The Intruder
The Intruder
Producer
An emotionally cold man leaves the safety of his Alpine home to seek a heart transplant and an estranged son.
The Good Old Naughty Days
The Good Old Naughty Days
Producer
A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel Reilhac, show that "the modern porn industry did not invent anything – everything had already been filmed by our great-grandparents."
The Good Old Naughty Days
The Good Old Naughty Days
Title Graphics
A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel Reilhac, show that "the modern porn industry did not invent anything – everything had already been filmed by our great-grandparents."
The Good Old Naughty Days
The Good Old Naughty Days
Idea
A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel Reilhac, show that "the modern porn industry did not invent anything – everything had already been filmed by our great-grandparents."
The Good Old Naughty Days
The Good Old Naughty Days
Director
A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel Reilhac, show that "the modern porn industry did not invent anything – everything had already been filmed by our great-grandparents."