Emmanuelle Béart

Paris, 1981. The winds of change are blowing on election night and the French storm the streets, elated. But Élisabeth struggles to share the general mood of optimism. Her marriage is coming to an end and she will now have to support her family. She is distraught, and her father and teenage children are worried that her tears simply will not dry. But what if listening to her emotions could help her to start filling the blank page of her future? What if she were to write a letter on a whim to the host of her favourite radio programme? Or invite a homeless girl into her house? What would happen if she were to make the kind of gestures that actually change lives?

Recently widowed fifty-something Margaux looks to start chapter two. Moving in with her sister, she re-enrolls at university for pursuits she’d never realized. However, Margaux begins to experience another kind of awakening, the compulsions of which begin to take over.

The story revolves around Joëlle and Kamel Mrabti, key members of staff for Montfermeil's new mayor, Emmanuelle Joly—but the couple is also in the process of divorcing. The whole staff is working together on the implementation of a wacky new policy that features the creation of the Montfermeil Intensive School of Languages, where seven of the 62 languages spoken in this town on the outskirts of Paris will be taught. The policy is a great success and effectively revitalises the town, but life is no less complicated for the mayor's staff. Joëlle and Kamel are at war with each other and are each in love with mysterious blind dates. Shadowy traitors in the administration are seeking to sabotage Ms Joly's good work. Suspicions fall on Kamel.

A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.

Recently divorced Carl and Julie are not on good terms. When their 19-year-old daughter goes missing in India, they must journey into the Himalayas in search for her.

It's a long hot summer for Charlie Boyd. He's sixteen, his hormones are raging and he's just found out his mother is having an affair with his father's best friend. One thing takes his mind off his problems, the mysterious woman down the street who has visitors day and night, and has just advertised for a gardener. But she is forgotten when a tragic family event tumbles Charlie into a world of pain, a pain so intense Charlie thinks no-one can help him. He's wrong. Someone can. Maggie, the beautiful French stranger. She's a professional, and she specialises in pain. Giving it, exploring it, sharing it, all for money. So Charlie falls in love, and despite herself so does she, drawn to this troubled boy who takes all the pain she can give and uses it to heal himself. And as Charlie heals, he turns that healing back onto her, his Mistress.

Two sisters, their families, and sometimes complicated lives.

Balibar, well-known as an actress and singer, left none of her talents unused in her directing debut. In this eclectic homage to Greek tragedy, Balibar and Léon are free of any convention. With a cameo by Barbet Schroeder.

A family drama. A deceased mother and a father with a new wife. Three sisters; the middle one has lost her lover by whom she is pregnant. During a family dinner an old secret emerges. A search for identity and primarily a story about human relationships.

A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

A doctor and his son fall in love for the same woman, who has lost her child.

Julia is suffering from a terminal illness. While in hospital she encounters Marine and, taking advantage of the young woman's precarious financial situation, makes her an offer. In exchange for a weekly 1000 euro payment, Marine will accompany Julia to her death. An exclusive and singular relationship forms between the two women.

The great restaurant reopens with new extravagent costumers and the same beloved manager.

A woman, a man, a summer in Paris. Passion, break ups, reconciliations. A love story in disarray...

1970s, six-and-a-half-year-old Sébastien is a sensitive, highly imaginative child. Despite the affection he feels for his father, a dreamy inventor, he notices his mother's loneliness and how there is a lack of love in her life. When they move the house, it won't be long before he sees in Philippe, his new neighbor, an ideal Prince Charming for his mother.

Robert, a fan of three French actresses is a bald-headed, potbellied man on the fifties, but fully devotes himself to them, and sometimes works for them without being recognized. But those star actresses find him a simple stalker fan and make fun of him, but later recognize he is sincere and genuine.

Six months after losing her only child in the Southeast Asia tsunami, Jeanne is convinced she sees him in a film about orphans living in the jungles.

Didier Travolta (Franck Dubosc) is a 40-year-old disco music fan who has no job, lives with his mother, and has a son he hasn't seen for a while. The mother of his son refuses to send him their son for the holidays unless he can offer him a real vacation, not just going to bars of the French port city of Le Havre. As the jobless Didier has no money, the only way he can see his son is by winning a dance contest organized by his friend Jackson (Gérard Depardieu), with the prize a vacation to Australia for two.

Manu arrives in Paris, in the early days of AIDS, at the beginning of the 1980s. He strikes up a friendship with Adrien, a wealthy doctor in his early fifties, who introduces him to Sarah and Mehdi, a young couple.

A story of a cabaret in Nice called "Le perroquet bleu" ("The blue parrot"). The innkeeper, Gabriel, dies at the beginning of the movie and leave his business to his godchildren : Nino and Marianne, whom father had been taken under Gabriel's wing when he was fifteen years old. After the reading of the will, the fate of "The Blue Parrot" is in their hands.

Vincent's life is on hold until he finds his wife's killer. Alice, his neighbor, is convinced she can make him happy. She decides to invent a culprit, so that Vincent can find revenge and leave the past behind. But there is no ideal culprit and no perfect crime.

Three sisters share a connection to a violent incident from their childhood reunite to for the chance to come to terms with their past.

Lucette and Edouard: Two lovers passionate about sex, money and life. He is a spoiled but penniless child who wants it all while she is a celebrated figure of la vie parisienne who knows what she wants and what she is worth. Edouard is marrying a young, pretty and rich heiress. He comes to confess this to Lucette and to make their parting official, but he doesn’t want to leave her. He struggles with all his might to hide his betrayal but her opportunities to learn of it are countless and unpredictable.

Exile and possibly death are in the cards for the Queen of France in this edgy cloak-and-dagger adventure based on Alexandre Dumas' unrivaled tale of THE THREE MUSKETEERS and their reckless romantic friend D'Artagnan. Supernatural powers and dark mystical forces add an exciting twist to this classic tale.

Three disparate people meet in a bizarre skiing accident: an alcoholic doctor who has just been left by his wife, a beautiful but directionless woman, and the bumbling Algerian man who caused the accident. They become fond of each other, and of liquor.

"La La Wood" follows the legacy of Jiminy Glick, first introduced on "The Martin Short Show," who went on to get (non)-critical acclaim for his talk show "Primetime Glick," where Mr. Glick interviewed countless celebrities (which usually ended in verbally--sometimes physically--insulting/assaulting them). Now comes "La La Wood"--Jiminy Glick's home. This is his story (sort of).

Paris doctor Catherine starts to think her husband, Bernard, is having an affair when she hears an unfamiliar woman's message on his voice mail. Hoping to learn more about his extramarital activities, Catherine heads to a strip club, where she hires call girl Nathalie to have a fling with Gerard. As the affair progresses, Nathalie gives Catherine regular status reports, and the relationship between the women evolves from business to personal.

巨匠ジャック・リヴェット監督が、カンヌでパルムドールを獲得した「美しき諍い女」に続き、再びエマニュエル・ベアールをヒロインに迎えて撮り上げた愛の物語。中年の時計技師とミステリアスな美女との不思議な愛の軌跡を官能的に描く。共演は「鉄の男」のイエジー・ラジヴィオヴィッチ。 　一匹の猫と静かな生活を送っていた時計技師の中年男ジュリアン。彼はある日、１年前に知り合った美しい女性マリーと再会、互いに惹かれ合うものを感じる。一方でジュリアンは、マダムＸが取り扱っている中国産シルクの偽造証明書を入手し、彼女から金をゆすり取る計画を進めていた。ある時、ジュリアンは突然マリーから夕食へ招待され、その夜彼女の部屋ではじめて一夜を共にする。しかし翌朝ベッドにマリーの姿はなく、帰宅したジュリアンは自分の部屋が荒らされているのに呆然とする。とっさにマダムＸとマリーの共謀を疑うジュリアンだったが…。

Fleeing the June 1940 arrival of Hitler's army in Paris, a young war widow and her two children are rescued from dive-bombing German fighters by a cocky, reckless teenager. He finds them refuge in an abandoned house, but despite the fact that the family quickly comes to be depending much on his cunning and survival abilities, their cohabitation proves uneasy.

Alternately hilarious and horrifying, Overnight chronicles one man's misadventures of making a Hollywood movie. It starts out as a rags to riches story as Troy Duffy, a Boston-bred bartender, sells his first screenplay for The Boondock Saints.

女優と家庭との両立で悩むロザンナは、引退したデブラ・ウィンガーに、辞めた理由を聞くための旅に出る。その途中、さまざまな女優たちに出会って……。ハリウッドの裏側を描いたドキュメンタリー。

フランスを代表する新旧８人の大女優たちが歌って踊る、絢爛豪華にしてとびきり楽しいミュージカル仕立てのミステリー。監督は早くも風格さえ感じさせ始めたフランスでもっとも期待を集める若手監督、「焼け石に水」「まぼろし」の鬼才フランソワ・オゾン。主が殺され、互いに疑心暗鬼になる８人の女性たちの姿をユーモアと毒気をちりばめた才気溢れる演出で描く。2002年ベルリン国際映画祭では、本作で夢のような競演を果たした女優陣全員に銀熊賞（最優秀芸術貢献賞）が授与され話題を振りまいた。 　1950年代のフランス。クリスマスを祝うため、雪に閉ざされた大邸宅に家族が集うこととなった。その日の朝、メイドのルイーズが、一家の主マルセルの部屋へ遅い朝食を持っていくと、彼はナイフで背中を刺され死んでいた。外から何者かが侵入した形跡はない。電話線は切られ、雪で外部との連絡を完全に絶たれた８人の女たち。祝祭気分は一転、彼女たちは疑心暗鬼を募らせていく。やがて、互いの詮索が始まる。そして、次々と彼女たち一人ひとりの思惑や秘密が暴露されていく…。

Nathalie and Louise are friends from childhood. While studying drama at University Louise becomes hopelessly obsessed with her friend. Jealous of the male friends she has she breaks up the friendship, followed by a suicide attempt. Later, Louise marries, but finds time to see the, by now quite accomplished actress, Nathalie. They fight through the years, La Repetition following them as their friendship comes together and breaks up frequently, while never actually reaching anything that can be called a climax.

Chantel is happy: her son's away at school playing soccer, she and her husband get along, her neighbor Agnès is her best friend, and her job at a government office is easy. When her husband is laid off and she wonders for how long, her office pal Jackie recommends Alban, a psychic (and compulsive gambler), who promptly tells Chantel of a curse on her that will take three sessions (and 10,000 FF) to dispel. Through happenstance, she meets Alban's half-brother; thinking she is following the psychic predictions, she tries to start an affair with him. She also undergoes Alban's exorcism, and soon, terrible things indeed start to happen. Is there any way out of her misery?

In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife. He and his lover keep their love strong as the world changes around them.

Christmas, family, and infidelity. Yvette's husband has died, and her grown daughters join her at the grave: Sonia, wealthy, bourgeois, and generous; Louba, living with their dad Stanislas, singing at a Russian restaurant, penniless, the mistress for the past 12 years of a man who will never leave his wife; Milla, the youngest, acerbic, lonesome. Christmas was when they learned their parents were divorcing 25 years ago. Over the next few days, yuletide depression, Louba's pregnancy, Sonia's crumbling marriage, Stanislas's overtures to Yvette, and Milla's attraction to the man who's her father's rent-free lodger lead each one to re-examine self, family, and hopes. Is renewal possible?

The story of Billy, Will, Jules, Daphne and Dodie, a group of people who prove that there are no secrets between friends. It all comes out in the end.

Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.

Three women live together in an old rectory on the seashore. Alda lends her body to a string of carnal relationships but never commits her feelings. Olga, the elder sister, has opted for a reclusive life as the soul of the household. Her daughter, Sigga, is a young adolescent. The house harbors a finely balanced marriage between desire and memory—until Olga’s destiny tips the scales.

Spain in the mid-seventeenth century. A series of bloody wars has ravaged the nation. Don Juan the nobleman and his valet, Sganarelle, roam the countryside on horseback, on the run and lost.

秘密諜報員イーサン・ハントの仲間は次々に傷つき、自らも負傷した。にもかかわらず、ハントは二重スパイの汚名を着せられる。追跡者から逃がれ、厳重な警備のCIAの金庫室に忍び込み、疾走する列車の屋根にしがみつき、ハントは独力で事件の謎を解明しようとする。やがて驚くべき真相が明らかに…。

A old red riding hood, badly crippled after killing a monster many years ago, comes up with a sinister plan to dance again.

Nelly leaves her lazy, unemployed husband to work for retired judge Mr Arnaud, forty years her senior, after he offers to clear her bills for her. While she types his memoirs the two develop a close friendship, but Arnaud becomes jealous when Nelly begins dating his good-looking young publisher.

Wed just as war breaks out, Jeanne hardly gets to know her military husband, Louis, before the debacle of 1940. While waiting for his return from a POW camp, Jeanne journeys through countless affairs with Louis' comrades- in-arms. Hoping to forget these wartime betrayls, Louis takes his wife and the infant twins he didn't father to Berlin, where she falls for Matthais, a sensitive German industrialist. When the Indochinese war sends Louis to Vietnam, Matthais follows Jeanne back to France. A subsequent move to Damascus where Louis is posted as military attache, fails to break their bond.

An irritable and stressed-out hotel manager begins to develop paranoid delusions about his wife's infidelity.

When a woman fed-up with life in general commits suicide, what's left ? In the same vein, a lover, a mother, a friend, a few buddies, all orphans, all well-to-do, but mainly lost at sea without a ship. The lover : Paul, a lone wolf who tries to escape from his memories through drink or by chasing women as though they were the cure to everything. The best friend : Lucie, coming and going, suitcase in hand , as though she were carrying a corpse or a time bomb, ready to flee at the drop of a hat with her suitcase of course. The mother : Marthe. Between shovel and incinerator, she counts her dead, cat and husband included. And then, there is Lucien, madly running after Lucie, screeching guitar in hand. And the others, always running.

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view

Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

A good-looking but naive lad leaves his mountain village to try and make his way in Paris. He thinks maybe he will try acting but things don't go too well for him. Eventually he is forced to sell himself to men and though he meets an attractive girl she is herself a prostitute with a vicious pimp.

バルザックの『知られざる傑作』を原作に撮った、ジャック・リヴェット監督作品。孤高の画家フレンホーフェルは、自らの最高傑作“美しき諍い女”を描こうと妻をモデルにするが完成直前に破棄してしまう。そして１０年後。彼の前に、若いモデル、マリアンヌが現れた事から彼は再び“美しき諍い女”の仕上げにとりかかるが……。４時間にも及ぶ上映時間の作品でありながら、全くその長さを感じさせない傑作。セリフの全くない、デッサンを描くシーンでの鉛筆の音だけが響きわたる画家と女との緊張感溢れる場面、そして女（＝人間）の本性をキャンバスに描き込むという本作のテーマが露になる衝撃的なラスト・シーンと、その奥深い哲学的思想には思わず感服してしまう。この作品は、ビデオ化になる際に映画公開時のオリジナル・バージョンの４時間版と、１３１分のショート・バージョンの２タイプが発売されたが、何と言ってもオリジナル４時間版をお勧めする。

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

Is there still a chance for Marie, an unwed young mother and a former drugs addicted prostitute, who is sent to a reformatory school?

Yan is a successful artist. One day he is waiting for his date Florence to turn up at his apartment. As the doorbell rings, he finds another young woman in underwear on his doorstep: his neighbor Eva! She tells him she locked herself out of her apartment and insists that he helps her. Whilst Yan is trying to enter Eva's apartment via their adjoining balcony, his phone rings. It is Florence, and she is not impressed when a female voice answers the phone. At this point, Eva's rabidly jealous boyfriend Boris returns home. Seeing Yan in his apartment, he deduces that Eva has been having an affair behind his back. Florence then turns up and Yan tries in vain to explain the situation. By chance, Florence's husband suddenly puts in an appearance. After that, it all starts to get a bit complicated.

Aspiring composer Jim Sanders is engaged to spoiled rich girl Patty. But the morning after his bachelor party, Jim wakes up to discover a beautiful, broken-winged angel in his pool. When everyone finds out about his heavenly houseguest, Jim must cope with a dangerously jealous fiancée, an exploitive future father-in-law and a group of buddies with an outrageous business plan!

In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

A lawyer hires a call girl after learning his wife has invited her lover to move in; the husband and wife separate and the two new couples live side-by-side without issue - until an ex-boyfriend shows up and things start to go wrong.

A young girl accuses her parents of being murderers. Hurriedly committed to an asylum, she attracts the attention of a psychologist who is determined to get to the bottom of the story. At her own risk.

French film based on the story Der Findling by german author Heinrich von Kleist.

キャロリンたちがある島にたどり着く。少女たちは美しい妻と暮らしている魅力的な中年男に心を奪われ……。写真家であるデヴィッド・ハミルトンが監督を務め、性に目覚める少女たちの肢体をみごとに映し出していく。

The hero of this bleak science-fiction story is a married man who, along with his wife, survives the mysterious destruction of the world. After his wife dies, he makes plans to seek out whatever remnants of civilization exist. However, the arrival of a group of children and their older mentor changes his plans.

A crook on the run hooks up with a criminal gang to commit a kidnapping. However, things don't go quite as planned.