Yuya Ishii

Yuya Ishii

出生 : 1983-06-21, Saitama Prefecture, Japan

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Yuya Ishii
Yuya Ishii

参加作品

月
Writer
深い森の奥にある重度障害者施設。ここで新しく働くことになった堂島洋子(宮沢りえ)は“書けなくなった”元・有名作家だ。彼女を「師匠」と呼ぶ夫の昌平(オダギリジョー)と、ふたりで慎ましい暮らしを営んでいる。洋子は他の職員による入所者への心ない扱いや暴力を目の当たりにするが、それを訴えても聞き入れてはもらえない。そんな世の理不尽に誰よりも憤っているのは、さとくんだった。彼の中で増幅する正義感や使命感が、やがて怒りを伴う形で徐々に頭をもたげていく――。
月
Director
深い森の奥にある重度障害者施設。ここで新しく働くことになった堂島洋子(宮沢りえ)は“書けなくなった”元・有名作家だ。彼女を「師匠」と呼ぶ夫の昌平(オダギリジョー)と、ふたりで慎ましい暮らしを営んでいる。洋子は他の職員による入所者への心ない扱いや暴力を目の当たりにするが、それを訴えても聞き入れてはもらえない。そんな世の理不尽に誰よりも憤っているのは、さとくんだった。彼の中で増幅する正義感や使命感が、やがて怒りを伴う形で徐々に頭をもたげていく――。
アジアの天使
Screenplay
Aoki is a failing novelist, and Sol is a failing pop singer. Encountering each other in South Korea, speaking different languages, they and their families somehow end up in a truck heading off into the Korean countryside.
アジアの天使
Director
Aoki is a failing novelist, and Sol is a failing pop singer. Encountering each other in South Korea, speaking different languages, they and their families somehow end up in a truck heading off into the Korean countryside.
茜色に焼かれる
Screenplay
「舟を編む」「生きちゃった」の石井裕也監督が尾野真千子を主演に迎え、世の中の理不尽に打ちのめされながらも歯を食いしばって生き抜こうとする一人の母親の姿をエネルギッシュに描いたヒューマン・ドラマ。共演は和田庵、片山友希、オダギリジョー、永瀬正敏。  7年前に交通事故で夫を亡くした田中良子は、夫への賠償金の受け取りを拒否して、女手一つで中学生の息子・純平を育てていた。しかも施設に入っている義父の...
茜色に焼かれる
Director
「舟を編む」「生きちゃった」の石井裕也監督が尾野真千子を主演に迎え、世の中の理不尽に打ちのめされながらも歯を食いしばって生き抜こうとする一人の母親の姿をエネルギッシュに描いたヒューマン・ドラマ。共演は和田庵、片山友希、オダギリジョー、永瀬正敏。  7年前に交通事故で夫を亡くした田中良子は、夫への賠償金の受け取りを拒否して、女手一つで中学生の息子・純平を育てていた。しかも施設に入っている義父の...
生きちゃった
Writer
Atsuhisa Yamada is an ordinary man, with a wife and a 5-year-old daughter. He is close to his childhood friend Takeda. One day, Atsuhisa Yamada leaves his office during work hours and goes back home early. There, he witnesses his wife and an unknown man having sex, but Atsuhisa Yamada is unable to express his feelings like anger, frustration, and depression. His relationship with his wife and his friend Takeda becomes distorted.
生きちゃった
Director
Atsuhisa Yamada is an ordinary man, with a wife and a 5-year-old daughter. He is close to his childhood friend Takeda. One day, Atsuhisa Yamada leaves his office during work hours and goes back home early. There, he witnesses his wife and an unknown man having sex, but Atsuhisa Yamada is unable to express his feelings like anger, frustration, and depression. His relationship with his wife and his friend Takeda becomes distorted.
乱反射
Director
A young couple is devastated when their son is killed by a falling tree during a windstorm. As the distraught father begins to look for answers into his son’s death, what appears to be a tragic accident turns out to have been the result of multiple blunders by multiple people.
乱反射
Writer
A young couple is devastated when their son is killed by a falling tree during a windstorm. As the distraught father begins to look for answers into his son’s death, what appears to be a tragic accident turns out to have been the result of multiple blunders by multiple people.
町田くんの世界
Screenplay
人が大好きな純粋な心を持つ高校生が、人が嫌いと言い放つひねくれた女子生徒と出会う。気になる彼女と接するうちに、初めての"わからない感情"が芽生えてゆく。
町田くんの世界
Director
人が大好きな純粋な心を持つ高校生が、人が嫌いと言い放つひねくれた女子生徒と出会う。気になる彼女と接するうちに、初めての"わからない感情"が芽生えてゆく。
Uta Monogatari: Cinema Fighters Project
Director
Six Stories based on Six Songs.
夜空はいつでも最高密度の青色だ
Writer
2017年東京。看護師の美香 は病院に勤める傍ら夜はガールズバーで働き、漠然とした不安や孤独の中で日々過ごしていた。一方、工事現場での日雇い仕事に従事する慎二 は、常に死の気配を感じながらも何とか希望を見いだそうとしていた。排他的な都会で生きづらさを抱えつつも、懸命に生きるすべを模索する二人が出会い……。
夜空はいつでも最高密度の青色だ
Director
2017年東京。看護師の美香 は病院に勤める傍ら夜はガールズバーで働き、漠然とした不安や孤独の中で日々過ごしていた。一方、工事現場での日雇い仕事に従事する慎二 は、常に死の気配を感じながらも何とか希望を見いだそうとしていた。排他的な都会で生きづらさを抱えつつも、懸命に生きるすべを模索する二人が出会い……。
バンクーバーの朝日
Director
20世紀初頭、多くの日本人が胸をふくらませ新天地カナダを目指し海を越えていった。しかし彼らに対する風当たりは厳しく、差別や辛い肉体労働、貧困を耐え忍んでいた。そんな中、日系二世が中心となりバンクーバーを拠点にした野球チーム『バンクーバー朝日』が結成される。フェアプレー精神を貫き巧みな戦術を用いてひたむきに戦う彼らは、やがて日系移民の希望となり、白人社会からも賞賛を得、激動の時代を照らす光となっていく……。
ぼくたちの家族
Screenplay
重度の物忘れにより病院で検査を受けた玲子は、末期の脳腫瘍で余命1週間と宣告される。そして認知症のような状態になった玲子は、それまで話すことのなかった家族への本音をぶちまけ、長男・浩介、次男・俊平、夫・克明はうろたえてしまう。やがて経済破綻や家庭内不信など、ごく普通の家族に隠されていた問題が明るみに出てくる。
ぼくたちの家族
Director
重度の物忘れにより病院で検査を受けた玲子は、末期の脳腫瘍で余命1週間と宣告される。そして認知症のような状態になった玲子は、それまで話すことのなかった家族への本音をぶちまけ、長男・浩介、次男・俊平、夫・克明はうろたえてしまう。やがて経済破綻や家庭内不信など、ごく普通の家族に隠されていた問題が明るみに出てくる。
舟を編む
Director
1995年。とある出版社の営業部に勤めていた真面目で風変わりな青年・馬締は、その独特の言葉のセンスを買われて辞書編集部に異動し、定年間近のベテラン編集者・荒木の指導の下、新しい辞書の編纂作業に取り組むことに。一つ一つの言葉にぴたりと合う絶妙の定義をひねり出す一方で、馬締は、下宿先で出会って一目惚れした美しい女性の香具矢に、自分の胸の内をなかなか伝えることができず、苦悩と焦燥の色を深めていく。
ハラがコレなんで
Writer
妊娠9か月の原光子。子どもの父親はアメリカ人の元カレの可能性が高いが行方知れず。お金もなく行くあてもないが、昔住んでいた長屋に行ってみることに。そこには貧乏で優し過ぎるがゆえに、パッとしない住人たちが昔と変わらず住んでいた。人のことなど構っていられないはずの光子だったが、彼らのために一肌脱ごうと決意する。
ハラがコレなんで
Director
妊娠9か月の原光子。子どもの父親はアメリカ人の元カレの可能性が高いが行方知れず。お金もなく行くあてもないが、昔住んでいた長屋に行ってみることに。そこには貧乏で優し過ぎるがゆえに、パッとしない住人たちが昔と変わらず住んでいた。人のことなど構っていられないはずの光子だったが、彼らのために一肌脱ごうと決意する。
あぜ道のダンディ
Screenplay
Miyata lost his wife early on and single-handedly raised their two children. One day he notices a change in his physical condition, and decides that it must be stomach cancer.
あぜ道のダンディ
Director
Miyata lost his wife early on and single-handedly raised their two children. One day he notices a change in his physical condition, and decides that it must be stomach cancer.
川の底からこんにちは
Screenplay
上京して5年、仕事も恋愛もうまくいかず妥協した日々を送る佐和子は、父親が病で倒れたことから帰郷。一人娘のため父が営むしじみ加工工場の後を継ぐことになるが、従業員のおばさんたちには相手にされず、会社の経営も倒産寸前に追い込まれていた。その上、一緒に工場の後継ぎになりたいと付いてきた恋人にまで浮気されてしまう。
川の底からこんにちは
Director
上京して5年、仕事も恋愛もうまくいかず妥協した日々を送る佐和子は、父親が病で倒れたことから帰郷。一人娘のため父が営むしじみ加工工場の後を継ぐことになるが、従業員のおばさんたちには相手にされず、会社の経営も倒産寸前に追い込まれていた。その上、一緒に工場の後継ぎになりたいと付いてきた恋人にまで浮気されてしまう。
Sachiko and her Homely Angels
Writer
A girl dreams of angels.
Sachiko and her Homely Angels
Director
A girl dreams of angels.
君と歩こう
Editor
A 17-year-old country boy named Norio decides his only option is to follow his late parents’ example and commit suicide. After failing even at that, his 34-year-old English teacher Akemi convinces him that he should instead move to Tokyo with her and become a lawyer on her dime. Unfortunately, Akemi doesn’t have quite as much money as she leads Norio to believe, and has to secretly get a job at a karaoke bar under the guise of “going to the salon”. Meanwhile, she continuously prods her somewhat dimwitted student to work harder toward her manufactured goal of him becoming a lawyer. Although Norio is falling in love with Akemi, he’s not all that interested in studying, and matters only get worse when he discovers his benefactor’s secret source of income.
君と歩こう
Screenplay
A 17-year-old country boy named Norio decides his only option is to follow his late parents’ example and commit suicide. After failing even at that, his 34-year-old English teacher Akemi convinces him that he should instead move to Tokyo with her and become a lawyer on her dime. Unfortunately, Akemi doesn’t have quite as much money as she leads Norio to believe, and has to secretly get a job at a karaoke bar under the guise of “going to the salon”. Meanwhile, she continuously prods her somewhat dimwitted student to work harder toward her manufactured goal of him becoming a lawyer. Although Norio is falling in love with Akemi, he’s not all that interested in studying, and matters only get worse when he discovers his benefactor’s secret source of income.
君と歩こう
Director
A 17-year-old country boy named Norio decides his only option is to follow his late parents’ example and commit suicide. After failing even at that, his 34-year-old English teacher Akemi convinces him that he should instead move to Tokyo with her and become a lawyer on her dime. Unfortunately, Akemi doesn’t have quite as much money as she leads Norio to believe, and has to secretly get a job at a karaoke bar under the guise of “going to the salon”. Meanwhile, she continuously prods her somewhat dimwitted student to work harder toward her manufactured goal of him becoming a lawyer. Although Norio is falling in love with Akemi, he’s not all that interested in studying, and matters only get worse when he discovers his benefactor’s secret source of income.
Song of 198x
Writer
Short film about youth in the 80s.
Song of 198x
Director
Short film about youth in the 80s.
Bakemono moyou
A young man in a green Martian costume allows himself to be dragged hither and thither by a bossy housewife. In this way the film swerves between deceptively ordinary realism and a fantastic absurdism. The housewife Junko (Otori Rei) has started to behave increasingly strangely since the death of her son. Her husband can't put up with it any more and goes off with a female colleague. The man in the green suit, Katsura Tombo (Oda Yonosuke), is a bread salesman but he forgets his work. His strange costume is supposed to lure new customers, but he seems to have forgotten that. He is more or less kidnapped by Junko and falls in love with her. Junko however has other intentions with the rather naive salesman. The failed Martian drives her around in his aunt's van, but his helpfulness doesn't get rewarded.
Bakemono moyou
Director
A young man in a green Martian costume allows himself to be dragged hither and thither by a bossy housewife. In this way the film swerves between deceptively ordinary realism and a fantastic absurdism. The housewife Junko (Otori Rei) has started to behave increasingly strangely since the death of her son. Her husband can't put up with it any more and goes off with a female colleague. The man in the green suit, Katsura Tombo (Oda Yonosuke), is a bread salesman but he forgets his work. His strange costume is supposed to lure new customers, but he seems to have forgotten that. He is more or less kidnapped by Junko and falls in love with her. Junko however has other intentions with the rather naive salesman. The failed Martian drives her around in his aunt's van, but his helpfulness doesn't get rewarded.
剥き出しにっぽん
Editor
Taro, who recently graduated from high school, doesn't know what he wants to do. He rents a house and plot of land in the country-side determined to make a living in agriculture. His expectation is great as the girl he likes, Yoko, will also go with him, but his father, recently laid off by his company's down-sizing, is also tagging along and so begins the the trio's strange life in the country. Set at a solitary house in the middle of the desolate, country-side, the relaxed tempo and off-hand humor are impressive despite the themes of parent-progeny conflict and reconciliation that unfold in the film.
剥き出しにっぽん
Writer
Taro, who recently graduated from high school, doesn't know what he wants to do. He rents a house and plot of land in the country-side determined to make a living in agriculture. His expectation is great as the girl he likes, Yoko, will also go with him, but his father, recently laid off by his company's down-sizing, is also tagging along and so begins the the trio's strange life in the country. Set at a solitary house in the middle of the desolate, country-side, the relaxed tempo and off-hand humor are impressive despite the themes of parent-progeny conflict and reconciliation that unfold in the film.
剥き出しにっぽん
Director
Taro, who recently graduated from high school, doesn't know what he wants to do. He rents a house and plot of land in the country-side determined to make a living in agriculture. His expectation is great as the girl he likes, Yoko, will also go with him, but his father, recently laid off by his company's down-sizing, is also tagging along and so begins the the trio's strange life in the country. Set at a solitary house in the middle of the desolate, country-side, the relaxed tempo and off-hand humor are impressive despite the themes of parent-progeny conflict and reconciliation that unfold in the film.
ガール・スパークス
Writer
Saeko is a normal schoolgirl who just happen to witness two rockets collide in the sky one day. Finally, this is something out of the ordinary. She attends school, but it is dull. Life is boring. The teacher has other things on his mind. Her father stinks. Her father's factory is going broke. Perhaps she can save it. That would be something different.
ガール・スパークス
Director
Saeko is a normal schoolgirl who just happen to witness two rockets collide in the sky one day. Finally, this is something out of the ordinary. She attends school, but it is dull. Life is boring. The teacher has other things on his mind. Her father stinks. Her father's factory is going broke. Perhaps she can save it. That would be something different.