Andreas Sinanos

参加作品

Kerr
Director of Photography
Can witnesses a murder in a small town. The police don't allow him to leave after his testimony. On the other hand, a quarantine is declared due to rabid dogs. The whole town turns into purgatory with no exit is almost at the edge of insanity.
Flashdrive
Cinematography
Derviş Zaim turns his camera into a tragedy in Syria this time and reminds once again the value of telling stories. Flash memory is from a true story; It is inspired by a Syrian military officer secretly taking out 11,000 photographs documenting the regime's violence against civilians and opponents. Losing his ability to speak as a result of an attack, Ahmet starts working in a unit where people who died in conflicts are photographed and recorded. He wants to announce what he sees to the world, and to give voice to stories stuck in war. He has to choose between protecting himself and his wife or fulfilling his responsibility to humanity.
Commitment Aslı
Cinematography
Asli, a young mother who is trying to find a nanny to get back to work, finally meets young Gulnihal. Gulnihal is also a mother. With Gulnihal coming into her life, Asli faces her secrets which she has been avoiding herself.
Who Killed Lady Winsley?
Director of Photography
When Lady Winsley, the famous American novelist, is discovered dead on the remote Turkish island of Büyükada, the great detective Fergün is sent from Istanbul to solve the murder case. With the help of Azra, the beautiful local hotel tenant, he must confront stubborn members of the island community to untangle well-guarded family secrets and discover who the murderer is.
Kilikis: The Town of Owls
Director of Photography
The Town of Owls is an isolated residential community situated in the High Atlas Mountains. It is inhabited by families and guards of a secret political prison camp, which remained out of history for a long time until the early 1990s. Guards spend their long days back and forth between the secret prison and the village, through a suspension bridge built upon a deep valley that connects the village with the fortress prison.
Sideway
Director of Photography
The residents of a small town set between a stormy sea and an ominous forest are becoming insane. They are convinced that successive signs appearing in the town are indications of doomsday.
Still Burning
Director of Photography
Still Burning tells the unexpected reunion in Paris in June 1998 of André, a Lebanese filmmaker living and working in France, and Walid, the very close friend he has not seen for years. In their youth, in Beirut, during the civil war, they were both possessed by the same artistic vocation: Cinema, but also by the same woman: Amira. Their reunion, all night long, will not fail to awaken their old repressed demons for better or for worse.
I Am Not Him
Director of Photography
Nihat, an introverted employee in a hospital cafeteria, is confused by Ayşe, a mysterious woman who just started working there as a dishwasher. Her obvious seductive approaches embarrass Nihat and make him nervous at the same time. Despite the rumors about her husband having been sentenced to many years in jail, Nihat reluctantly accepts Ayşe’s invitation to dinner at her house. This is the beginning of a strange and dangerous liaison. When Nihat discovers a picture of the woman’s husband and realizes that he looks astoundingly like him, the relation becomes even more toxic.
The Dust of Time
Director of Photography
A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada and the USA. The main character is Eleni, who is claimed and claims the absoluteness of love. At the same time the film is a long journey into the vast history and the events of the last fifty years that left their mark on the 20th century. The characters in the film move as though in a dream. The dust of time confuses memories. A searches for them and experiences them in the present.
それぞれのシネマ
Director of Photography
A collective film of 33 shorts directed by different directors about their feeling about cinema.
The Weeping Meadow
Director of Photography
Two Greek refugees fall in love, but their relationship is devastated by dictatorship and war.
Anna's Summer
Director of Photography
A widow reminisces on her life after returning to her family home in Greece.
永遠と一日
Director of Photography
An ailing Greek man attempts to take a young, illegal Albanian immigrant home.
Ulysses' Gaze
Director of Photography
"A," a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist?
Girl With the Suitcases
Director of Photography
Michael falls in love with an American woman while borrowing his cousin's apartment, but the discovery of the contents of her suitcases gets them involved with the police, among other troubles.
Borderline
Cinematography
Centres on two brothers, Stelios and Yannis. The impulsive Stelios skips their small town, deserts from the army, and is thought dead, until Yannis, now a city cop, recognizes his name on the papers of an illegal immigrant seaman. He begins a search for his lost brother, a search that takes him across many borders: between past and present, between Greece and its neighbouring countries, between one identity and another.
Up, Down and Sideways
Director of Photography
A prosperous widow with a gay son fallls for a young gym instructor in Athens.
Avetik
Director of Photography
Hovering between the realms of poetry and history, this stunningly photographed, elegiac work – shot mostly in long takes – mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. In sensuous, lyric styling, Askarian employs dreamlike images to reflect the history of his homeland, tranquil childhood memories, images inspired by erotic medieval poetry, and autobiographical shades of his own exile in Germany.
The Suspended Step of the Stork
Director of Photography
A reporter notices an old man in a border town who may be an important Greek politician who disappeared mysteriously years ago.
The Crossing
Director of Photography
Two young people from the country, who have completed their military service, are trying to return home by hitchhiking. During their journey, they accidentally get involved in a fight in which one of them is killed. A strong and free-spirited truck driver woman comes to help of the young survivor. While the couple is on their way, the police are looking for the young man.
Rom
Director of Photography
In his film, Menelaos Karamaghiolis attempts to trace the evolution of the gypsy race in Europe, particularly in Greece, through four different points of view. These are expressed in the narrations of four people: the Teacher, the Photographer, Tamara, the old gypsy lady and the young girl Aima.
Happy Homecoming, Comrades
Director of Photography
Eighteen hundred Greek political refugees and their children return to Greece after 35 years of exile in the village of Beloiannisz, built near Budapest in 1950.
At Colonus
Cinematography
The history of the ancient neighborhood of Colonus in Athens, by a novelist and script writer who lives in modern-day Kolonos.
Νέλλυς
Cinematography
The Great Love Songs
Himself
A documentary about Greek music. Τhe Great Love Songs is series of ten poems by, among others, Sappho, Elytis, Myrtiotissa, Sarantari, and cavafy, put to music by Manos Hadjidakis. In the film, the camera lens illustrates the emotions stirred by the erotic atmosphere of the music. We follow the camera as it wanders through Athens; the nostalgic Athens of yesteryear; the big modern-day city; the Athens of lovers; the Athens of tourists. Our journey through the city is intercut with footage from the studio recordings of the songs, while there also scenes featuring the film crew. The film is a game between image and sound.