Andreas Sinanos

Can witnesses a murder in a small town. The police don't allow him to leave after his testimony. On the other hand, a quarantine is declared due to rabid dogs. The whole town turns into purgatory with no exit is almost at the edge of insanity.

Derviş Zaim turns his camera into a tragedy in Syria this time and reminds once again the value of telling stories. Flash memory is from a true story; It is inspired by a Syrian military officer secretly taking out 11,000 photographs documenting the regime's violence against civilians and opponents. Losing his ability to speak as a result of an attack, Ahmet starts working in a unit where people who died in conflicts are photographed and recorded. He wants to announce what he sees to the world, and to give voice to stories stuck in war. He has to choose between protecting himself and his wife or fulfilling his responsibility to humanity.

Asli, a young mother who is trying to find a nanny to get back to work, finally meets young Gulnihal. Gulnihal is also a mother. With Gulnihal coming into her life, Asli faces her secrets which she has been avoiding herself.

When Lady Winsley, the famous American novelist, is discovered dead on the remote Turkish island of Büyükada, the great detective Fergün is sent from Istanbul to solve the murder case. With the help of Azra, the beautiful local hotel tenant, he must confront stubborn members of the island community to untangle well-guarded family secrets and discover who the murderer is.

The Town of Owls is an isolated residential community situated in the High Atlas Mountains. It is inhabited by families and guards of a secret political prison camp, which remained out of history for a long time until the early 1990s. Guards spend their long days back and forth between the secret prison and the village, through a suspension bridge built upon a deep valley that connects the village with the fortress prison.

The residents of a small town set between a stormy sea and an ominous forest are becoming insane. They are convinced that successive signs appearing in the town are indications of doomsday.

Still Burning tells the unexpected reunion in Paris in June 1998 of André, a Lebanese filmmaker living and working in France, and Walid, the very close friend he has not seen for years. In their youth, in Beirut, during the civil war, they were both possessed by the same artistic vocation: Cinema, but also by the same woman: Amira. Their reunion, all night long, will not fail to awaken their old repressed demons for better or for worse.

Nihat, an introverted employee in a hospital cafeteria, is confused by Ayşe, a mysterious woman who just started working there as a dishwasher. Her obvious seductive approaches embarrass Nihat and make him nervous at the same time. Despite the rumors about her husband having been sentenced to many years in jail, Nihat reluctantly accepts Ayşe’s invitation to dinner at her house. This is the beginning of a strange and dangerous liaison. When Nihat discovers a picture of the woman’s husband and realizes that he looks astoundingly like him, the relation becomes even more toxic.

그리스계 미국인인 영화감독 A는 자신의 가족사를 영화로 만든다. 그의 가족사는 또한 20세기 후반의 50년을 아우르는 역사이기도 하다. 전세계에 걸친 엘레니의 여행을 따라가는 형식의 이 영화는 혼란스러운 기억에 관한 보고서이며 그 기억이 어떻게 현재에 나타나는지 보여주고 있다.

칸영화제 60주년을 기념하여 조직위원장 질 자콥이 직접 제작과 편집을 맡고, ‘영화관(館)’ 하면 떠오르는 느낌을 주제로 역대 황금종려상 수상 감독 35명이 3분짜리 스케치 33편을 찍어 완성된 영화. 거장들의 개성 넘치는 작품 속에 그들만의 영화관(觀)이 엿보인다.

Two Greek refugees fall in love, but their relationship is devastated by dictatorship and war.

A widow reminisces on her life after returning to her family home in Greece.

비가 내리는 어느 일요일, 죽음을 앞둔 시인 알렉산더는 삶을 마무리하기 위한 마지막 여행길에 오른다. 하지만 딸을 찾아간 시인은 기르던 개를 돌봐줄 것을 부탁하지만 거절당하고, 사위에게서는 죽은 아내와의 추억이 깃든 집을 팔았다는 소식을 듣게 된다. 이제 그에겐 못다 바친 시 연구에 대한 후회와 죽은 아내가 남긴 편지가 남아있을 뿐이다. 그러나 어느 일요일 알렉산더는 우연히 한 알바니아 소년을 길에서 구해주게 된다. 알렉산더는 마피아에 의해 관리되는 수천 명의 불법 이민 소년들 중에 한 명인 이 소년을 알바니아의 고향으로 되돌려 보내기로 한다.

"A," a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist?

Michael falls in love with an American woman while borrowing his cousin's apartment, but the discovery of the contents of her suitcases gets them involved with the police, among other troubles.

Centres on two brothers, Stelios and Yannis. The impulsive Stelios skips their small town, deserts from the army, and is thought dead, until Yannis, now a city cop, recognizes his name on the papers of an illegal immigrant seaman. He begins a search for his lost brother, a search that takes him across many borders: between past and present, between Greece and its neighbouring countries, between one identity and another.

A prosperous widow with a gay son fallls for a young gym instructor in Athens.

Hovering between the realms of poetry and history, this stunningly photographed, elegiac work – shot mostly in long takes – mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. In sensuous, lyric styling, Askarian employs dreamlike images to reflect the history of his homeland, tranquil childhood memories, images inspired by erotic medieval poetry, and autobiographical shades of his own exile in Germany.

A reporter notices an old man in a border town who may be an important Greek politician who disappeared mysteriously years ago.

Two young people from the country, who have completed their military service, are trying to return home by hitchhiking. During their journey, they accidentally get involved in a fight in which one of them is killed. A strong and free-spirited truck driver woman comes to help of the young survivor. While the couple is on their way, the police are looking for the young man.

In his film, Menelaos Karamaghiolis attempts to trace the evolution of the gypsy race in Europe, particularly in Greece, through four different points of view. These are expressed in the narrations of four people: the Teacher, the Photographer, Tamara, the old gypsy lady and the young girl Aima.

Eighteen hundred Greek political refugees and their children return to Greece after 35 years of exile in the village of Beloiannisz, built near Budapest in 1950.

The history of the ancient neighborhood of Colonus in Athens, by a novelist and script writer who lives in modern-day Kolonos.

A documentary about Greek music. Τhe Great Love Songs is series of ten poems by, among others, Sappho, Elytis, Myrtiotissa, Sarantari, and cavafy, put to music by Manos Hadjidakis. In the film, the camera lens illustrates the emotions stirred by the erotic atmosphere of the music. We follow the camera as it wanders through Athens; the nostalgic Athens of yesteryear; the big modern-day city; the Athens of lovers; the Athens of tourists. Our journey through the city is intercut with footage from the studio recordings of the songs, while there also scenes featuring the film crew. The film is a game between image and sound.