Miriam Biderman

The journey of Gabriel and Daniel, two brothers cursed by the Chinese mafia with its feared Three Generations Revenge, who have already reaped the life of their grandfather and their father. To survive, one of the brothers must learn the Smoke Style secrets, a little known Cannabis martial art, taught by a single master, high up in the mountains.

On the violent border between Brazil and Paraguay, a war is being waged around the expansion of agribusiness. On one side sits lawyer Luana Ruiz, the heiress to contested lands and one of the strongest supporters of president Jair Bolsonaro. Ruiz, like other ruralistas—rural wealthy elites and agribusiness producers who advocate for Indigenous cultural annihilation—has become empowered and her ideas of hate have flourished under Bolsonaro's anti-Indigenous agenda. On the other side sits teacher, Guarani-Kaiowá leader and activist Alenir Ximendes, embodying powerful Indigenous resistance and communal ideals. Having personally suffered losses at the hands of the ruralistas, Ximendes emerges as a powerful force against Ruiz, fighting for the protection of her community, their lands and Indigenous constitutional rights. This film contains sensitive images and dialogue in its portrayal of this urgent struggle for sovereignty.

In the sequel to Turma da Mônica: Laços, we follow Mônica, Jimmy Five, Maggy and Smudge dealing with the consequences of a mistake made at school. At the same time, they face transformations from childhood to adolescence and are about to discover the value of friendship.

Pregnant women from the paradise island of Fernando de Noronha, 360km off the Brazilian coast, are separated from their families and workplaces and sent to the mainland 12 weeks before giving birth. Pressure is brought upon those who resist. Their babies are not made welcome in their forebears’ lands. Without any reasonable explanation, the government has been denying the right of permanent residence to children of native people. Meanwhile, tourism is attracting more and more celebrities and outside investors to the island.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

Please do not enter with clothes on.

Ophelia is a 20-year-old girl who lives with her mother and grew up without a father. She suspects that he is Tedesco, a German artist who has just returned to Brazil. Determined to find him, she sends a letter notifying him of her arrival and that she will swim to him from the Santos bridge. Upon learning of the imminent arrival, Tedesco asks Smutter, his great friend, to start following her closely.

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

Maria, a virgin spinster, is trying magical superstitions to find a husband. In her dialogue with the marriage saint, she implores for a companion. Her father offered her as a bride to Saint Djalminha, if the saint saved her during her complicated birth which ended in the death of her mother. Since then Maria has lived this dilemma: revered and loved by the residents and pilgrims that believe she is a miracle worker; she is desperate to live a great love, with a flesh and blood prospect with real passionate desire. She asks for a sign from the heavens, a clue on how to find a crumb of love when a gypsy arrives on scene saying "someone who loves her very much, but she doesn't know will come from afar on an artists' caravan." Maria can't take the solitude she is living anymore and decides "to find Mr. Right," no matter how much it may cost.

Three friends are part of a fascist opposition group in the chaotic Chile of the early 70's and together commit a political crime that changes the history of the country and incidentally involves them in a betrayal that separates them forever.

A camping trip for a group of friends turns into an unexpected nightmare when one of them encounters a mysterious stranger.

The first transgender in the brazilian army, Maria Luiza's story begins in Ceres (Goiás, Brazil), where she was born in July 20, 1960 - the same day we celebrate Santos Dummont's birthday, patron of the Brazilian Aviation. Since she was a child, she didn't consider herself as a boy. During puberty, she went through a vocal cord scraping process and a hormonal treatment to become manlier. Depressed, she dropped out of school. At 18 she enlisted in the Air Force, and being completely in love with airplanes, she saw an opportunity there. She was drafted into the military in 1979. It marked the beginning of 22 years of service as a military aircraft mechanic in Brasilia.

The first transgender in the brazilian army, Maria Luiza's story begins in Ceres (Goiás, Brazil), where she was born in July 20, 1960 - the same day we celebrate Santos Dummont's birthday, patron of the Brazilian Aviation. Since she was a child, she didn't consider herself as a boy. During puberty, she went through a vocal cord scraping process and a hormonal treatment to become manlier. Depressed, she dropped out of school. At 18 she enlisted in the Air Force, and being completely in love with airplanes, she saw an opportunity there. She was drafted into the military in 1979. It marked the beginning of 22 years of service as a military aircraft mechanic in Brasilia.

After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief.

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.

Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.

A shy student suddenly becomes the center of attention when she wins a huge birthday party that she never asked for.

The Cambridge Squatter tells the story of refugees, recently arrived in Brazil who, together with a group of low-income workers, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.

In a convention of youtubers, the characters enter into various conflicts since they are all in search of fame at any price.

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

After all the trouble in the first film, Tino and Jane have more fun adventures. Still tasting bitter failure, they see a light at the end of the tunnel with uncle Olavinho’s unexpected inheritance. However, the will carries an unusual request: the rich uncle wants his ashes to be scattered throughout the Grand Canyon. The couple takes the opportunity of the trip to fulfill this wish and decides to go to Las Vegas and end up getting into comical situations. Big time spender Tino will fall into the greatest temptations and indulge in the casinos of the gambling city.

Eu Maior (Higher Self) is a Brazilian feature-length documentary presenting a fresh look at self-knowledge and the pursuit of happiness. The filmmakers interviewed thirty individuals with distinct backgrounds, including spiritual leaders, intellectuals, artists and professional athletes. Their touching personal stories, combined with the film's beautiful images and music, are certain to appeal to any audience's intelligence and artistic sensibility. - Anonymous

Shortly after World War II, the city of Rio de Janeiro experiments a period of great cultural, political and economic effervescence, when all the dreams – or nearly all – seem possible. In this exciting scenery of transformation, Paulo discovers love, friendship and sex through his childhood and adolescence in the 1950’s and 1960’s.

Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.

Clarisse notices a small green leaf growing out of her right arm.

Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.

Covering the last years of the famous Brazilian fashion designer in her doomed quest for justice, Zuzu Angel follows the case of her activist son Stuart's arrest, torture, murder, and subsequent corpse disposal by the military forces in early 1970s Rio de Janeiro, during the darkest era of Brazilian military regime and media censorship.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

In 1908, Titoe leaves her country, Japan, to try her luck in Brazil. Her intention is just to get rich and return in five years. But life has other plans for her.

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.

A small poor community called Javé is under threat of being flooded by a new dam that is being built, and the only way to prevent this is to prove the town's historical value. As most of the inhabitants are illiterate, they have no choice but to ask for the help of Antônio Biá, a man who has been ostracized ever since it was discovered that he had sent out letters with lies about their reputations as a way to keep his job in Javé's seldom-used post office. He now has the task of documenting people's memories of how the city was founded, yet each inhabitant has his or her own version of what happened.

A short story of love, betrayal, revenge, sex, death and mistreated hearts: Raul comes home to find his wife, Assyria, having sex with another man. He begins for him a spiral of depressive and violent feelings that only seem to pause in the brief moments of leaving the house, attracting the attention of Amanda, a saleswoman. a flower shop.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he discovers the victim of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.

Paco and Tonho are illegal Brazilian immigrants in New York. Shy Tonho dreams of being successful, but misses his family and Brazil. Pursued by Immigration Service and later arrested, he is about to be deported. Paco, a rapper and performer, indifferent to all except her career, dreams of hitting the top ten chart. The film shows the relationship of the couple in love mid hope, difficulties, and misencounters in a beautiful and violent metropolis

Durval and his mother Carmita live at the back of "Durval Discos", a record store they own in São Paulo, specializing in vinyl records. They lead a boring and unattractive life, until the day Durval hires a maid, Celia, to help his mother with the housekeeping. However, on her second day, Celia goes away leaving a 5-year-old child behind, Kiki, and a note promising to be back in a couple of days. Durval and Celia are charmed by the child at first, but soon they see some sad news about Celia and Kiki on TV that will change the whole situation.

Documentary about samba musician from Bahia Clementino Rodrigues, aka Riachão.

An apparently simple adultery case turns into an intricate and suspense-filled plot composed of numerous twists and turns, with a surprising ending. Dr. Rafidjian, a renowned physician, seeks out Dora Lobo's detective agency, wishing to locate call girl Ana Cíntia Lopes. The case soon finds its way into the hands of Remo Bellini and his new assistant Beatriz; but the client's brutal murder changes the course of the investigation, leading the two detectives into high-risk situations. Trying to solve the crime, they canvas the nightlife of São Paulo's underworld, where they meet Fátima, a mysterious prostitute who becomes involved with Bellini. Based on the book of the same title by the writer and musician Tony Bellotto, who is also the film's co-producer and co-composer of the soundtrack, along with Charles Gavin, fellow member of the rock band Titãs, and Andreas Kiesser, of Sepultura.

Rio de Janeiro, 1886. A precious Stradivarius violin presented to Emperor Dom Pedro II is stolen. Sherlock Holmes and Dr. Watson are called to solve the case.

Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.

A museum worker - the watchman - motivated by the homonymous painting by Giorgio De Chirico, is introduced, through everyday life, into the metaphysical universe of the Italian painter.

On a Saturday morning, an advertising crew arrives at a decadent old building downtown São Paulo to shoot a TV commercial. And then everything goes wrong, beginning with a broken elevator

The story of Cândida Raposo, an 81-year-old widow who still has a desire for pleasure, or the 'vertigo of living'.