Pablo Isola

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

In a remote village, two brothers find a demon-infected man just about to give birth to evil itself. They decide to get rid of the man but merely succeed in helping him to deliver the inferno.

After three years behind bars, Búfalo has decided to change his life: resume his relationship with his son, get organized, get a normal job, not make any more mistakes. His past, however, does not intend to let him go and convinces him to take one last hit, but things go very wrong and the debt is now not with society, but with Tano, a complicated guy that he does not plan to wait for.

A man steals his wife's diamond ring and sells it to buy a pinball. Three friends travel to the coast to buy a pinball but are scammed and receive unexpected help. A woman accidentally kills her lover, disposes of his body, and later learns that he might have diamonds on top of him. Three absurd stories of love and crime around the popular machines.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

Bernardo is an undertaker. He runs his mortuary business in the same house where he resides. In the front, he has his clients. And in the back, his dysfunctional family lives amongst coffins, wreaths, and the mischievous but nonviolent ghosts that visit on a daily basis. But when a malevolent entity enters the scene, it wreaks havoc on the already fractured household.

A documentary about the Costanera Sur (south boardwalk) of Buenos Aires, Argentina, including Super 8 filmmakers, conspiracies, choripanes and myths.

Yolanda hires Nicki Nicole and Rocío Ro-Ro for a robbery. They furtively get their hands on a drug load. The Princesita will go on a hunt to get back what belongs to her.

Yolanda hires Nicki Nicole and Rocío Ro-Ro for a robbery. They furtively get their hands on a drug load. The Princesita will go on a hunt to get back what belongs to her.

Police commissioner Funes and three researchers of supernatural phenomena investigate inexplicable events that are occurring in the suburbs of Buenos Aires.

Liverpool, 1978: What starts as a vibrant affair between a legendary femme-fatale, the eccentric Academy Award-winning actress Gloria Grahame, and her young lover, British actor Peter Turner, quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort.

ERで激しい殺し合いがあり、多くの犠牲者が出た。なぜ男たちは死闘を繰り広げたのか、調べを進めるCIA捜査官は唯一の生存者である看護師を疑って……。ジャン＝クロード・ヴァン・ダム主演のド級アクション。

When Hailey helps her friend Pam sell her recently deceased parent’s estate, she becomes suspicious when Pam suddenly leaves town without notice. To make matters worse, Pam's boyfriend is the sudden victim of an accident and the man Hailey's dating, Assistant Medical Examiner Dr. Jonas McClellan, falls critically ill. Now Hailey must determine: Are all these events a coincidence?

Trip to Timbuktu is the story of Ana and Lucho, two teenagers who live in Peru. Their story of love, which starts in childhood, reveals the changes which took place in this country during the 80's. For them, the only way to survive in the middle of violence, poverty and lack of opportunities is through their love, a sort of refuge which has as its homeland an imaginary country called Timbuktu. Nevertheless, the reality will stand in their way and collapse their utopia.

Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.

A fragile border separates our world from the realm of darkness, where nightmarish creatures await in the shadows. Only one thing is standing in their way: a secret order of priests, who devote their souls to protect this border. They are the 'Deus Irae'.

December 2001, Pablo lives in Buenos Aires in the middle of the worst economic crisis in Argentina. It is not easy for him to find a job and if he does, he is fired almost immediately. He lives alone in a small apartment and his main objective is to find a woman.

Michael and Marianne recently married and moved into their new home, however they have come to discover that their peaceful lives are about to be turned upside down when Michael starts suffering from severe stomach pains. They will soon discover that the pain comes from a miscalculation made by Victor, a demonologist who has just opened a portal to hell in Michael's stomach. Now both Michael and Marianne have to run from dangerous people who are after this gate while facing horrific creatures that are escaping from the portal that Michael carries in his body. They will soon arrive to a deserted town, which will be plagued with monsters and death. Will Michael find a way out before it is too late?