Pablo Isola

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

In a remote village, two brothers find a demon-infected man just about to give birth to evil itself. They decide to get rid of the man but merely succeed in helping him to deliver the inferno.

After three years behind bars, Búfalo has decided to change his life: resume his relationship with his son, get organized, get a normal job, not make any more mistakes. His past, however, does not intend to let him go and convinces him to take one last hit, but things go very wrong and the debt is now not with society, but with Tano, a complicated guy that he does not plan to wait for.

A man steals his wife's diamond ring and sells it to buy a pinball. Three friends travel to the coast to buy a pinball but are scammed and receive unexpected help. A woman accidentally kills her lover, disposes of his body, and later learns that he might have diamonds on top of him. Three absurd stories of love and crime around the popular machines.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

Bernardo is an undertaker. He runs his mortuary business in the same house where he resides. In the front, he has his clients. And in the back, his dysfunctional family lives amongst coffins, wreaths, and the mischievous but nonviolent ghosts that visit on a daily basis. But when a malevolent entity enters the scene, it wreaks havoc on the already fractured household.

A documentary about the Costanera Sur (south boardwalk) of Buenos Aires, Argentina, including Super 8 filmmakers, conspiracies, choripanes and myths.

Yolanda hires Nicki Nicole and Rocío Ro-Ro for a robbery. They furtively get their hands on a drug load. The Princesita will go on a hunt to get back what belongs to her.

Yolanda hires Nicki Nicole and Rocío Ro-Ro for a robbery. They furtively get their hands on a drug load. The Princesita will go on a hunt to get back what belongs to her.

죽었던 개가 살아서 거리를 배회하고, 잔인한 사고를 당한 아이가 무덤 밖을 배회한다. 이웃집과의 불화는 되돌릴 수 없는 끔찍한 사건으로 번지고, 이내, 저주받은 밤이 내린 마을에 사악한 존재들이 모습을 보이기 시작하는데… ‘왜 우리를 찾아온거야..?’

1978년, 리버풀에서 우연히 만나 사랑에 빠진 필름스타 ‘글로리아’와 배우 지망생 ‘피터’ 너무나도 달랐지만 함께라서 특별했던 두 사람은 어쩌면 마지막이 될 시간을 위해 가장 뜨겁게 사랑했던 리버풀로 돌아온다. 우리의 사랑은 이곳에 기억된다.

총격 사건 뒤 필립(장 끌로드 반담)이라는 의문의 남자가 심한 부상을 당한 채 어느 병원에 실려오고 담당 간호사 수잔(어텀 리저)은 그를 정성껏 돌본다. 그러나 얼마 뒤 무장한 갱들이 필립을 죽이려고 병원에 들이닥치고 필립은 살아남기 위해 그들과 맞서게 된다. 수사에 나선 FBI는 수잔을 심문하면서 필립에 대한 정보를 알아내려고 하는데...

When Hailey helps her friend Pam sell her recently deceased parent’s estate, she becomes suspicious when Pam suddenly leaves town without notice. To make matters worse, Pam's boyfriend is the sudden victim of an accident and the man Hailey's dating, Assistant Medical Examiner Dr. Jonas McClellan, falls critically ill. Now Hailey must determine: Are all these events a coincidence?

Trip to Timbuktu is the story of Ana and Lucho, two teenagers who live in Peru. Their story of love, which starts in childhood, reveals the changes which took place in this country during the 80's. For them, the only way to survive in the middle of violence, poverty and lack of opportunities is through their love, a sort of refuge which has as its homeland an imaginary country called Timbuktu. Nevertheless, the reality will stand in their way and collapse their utopia.

Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.

A fragile border separates our world from the realm of darkness, where nightmarish creatures await in the shadows. Only one thing is standing in their way: a secret order of priests, who devote their souls to protect this border. They are the 'Deus Irae'.

December 2001, Pablo lives in Buenos Aires in the middle of the worst economic crisis in Argentina. It is not easy for him to find a job and if he does, he is fired almost immediately. He lives alone in a small apartment and his main objective is to find a woman.

Michael and Marianne recently married and moved into their new home, however they have come to discover that their peaceful lives are about to be turned upside down when Michael starts suffering from severe stomach pains. They will soon discover that the pain comes from a miscalculation made by Victor, a demonologist who has just opened a portal to hell in Michael's stomach. Now both Michael and Marianne have to run from dangerous people who are after this gate while facing horrific creatures that are escaping from the portal that Michael carries in his body. They will soon arrive to a deserted town, which will be plagued with monsters and death. Will Michael find a way out before it is too late?