Laurent Petitgand

TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER is an immersive experience in 3D, that takes its viewers on a journey into the world of Hopper, sharpening their senses for some aspects of his unique work.

Stella is 6 but she is going to school for the first time. Happy, exuberant (maybe too much) she is a lovely child, but is often absent. Her parents say she is fragile. She tells her teacher, Céline, she fell when asked why she has a few bruises. Is it child abuse or real immune deficiency? The doubt is growing in the mind of those who meet the child. Worried, Céline notes every injury until the day the family moves without telling anyone.

Pope Francis responds to questions from around the world, discussing topics including ecology, immigration, consumerism and social justice.

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

Charles and Pierrot are inseparable. When Charles takes early retirement, it seems the world is their oyster. They can spend even more time together. Their motto is simple: "Make the most of life and have fun!». They fill their days with abundant imagination, under the tender and sometimes worried gaze of the women in their lives…

Lyon, France in 1970s, Sibylle, Corinne, and Georgette are sisters who share everything, as they live with their Italian mother. Sibylle is the only blonde in the family, except for their father who abandoned them, and she feels isolated. She dreams of meeting her French father one day.

A writer awakens one day to find a strange but beautiful woman in bed with him. He quickly falls in love with her, thinking he has found his muse, but as time passes she becomes more and more unattainable.

A modest and run-of-the mill early-middle aged couple, Sandra and Benoit, travel to a vacation house in southern France, to spend some holidays with friends. When they arrive, they find that all their companions live completely according to nature; that is all are nudists.

A modest and run-of-the mill early-middle aged couple, Sandra and Benoit, travel to a vacation house in southern France, to spend some holidays with friends. When they arrive, they find that all their companions live completely according to nature; that is all are nudists.

A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film tells the story of the Skladanowsky Brothers, the German-born duo responsible for inventing the "bioskop", an early version of the film projector.

北イタリアの小さな村で出張の途中出会った魅力的な女教師に恋焦がれる青年の物語「ありえない恋の物語」、自らの父親を殺したという女性と一夜を過ごした男を描いた「女と犯罪」、2組の男女の恋の行方を綴った「私を探さないで」、ある女性に一目惚れした青年のエピソード「死んだ瞬間」の4話からなるオムニバス。

Damiel is now married to Marion, runs the pizzeria “Da Angelo” and the two have a child. The solitarily remaining angel Cassiel is more and more dissatisfied with his destiny as a mere observer of human life and finally decides to take the great leap. As Karl Engel he soon gets into a dubious milieu and finds himself as the assistant of the German American Baker, who makes his money with shady arms deals and sends films east in exchange for weapons. Cassiel’s adventure turns into a “thriller” when he decides to put a stop to Baker’s game.

Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.

守護天使ダミエルは、長い歴史を天使として見届け、人間のあらゆるドラマを寄り添うように見守った。だが親友カシエルに永遠の生命を放棄し、人間になりたい、と打ち明ける。やがてサーカスの舞姫マリオンに想いを寄せるダミエルはついに「壁」を境に東西に隔てられた街「ベルリン」に降り立つ。

German director Wim Wenders made this documentary in which he tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu. When Wenders visits Tokyo for the first time, he finds a very different city, one with a booming fascination with technology that often clashes with the traditional elements of Japanese culture. Wenders also interviews Ozu's cinematographer, Yuharu Atsuta, and Chishu Ryu, an actor who frequently collaborated with Ozu.