Charles de Meaux

A Scottish orchid farmer visiting her ill sister in Bogotá, Colombia, befriends a young musician and a French archaeologist in charge of monitoring a century-long construction project to tunnel through the Andes mountain range. Each night, she is bothered by increasingly loud bangs which prevent her from getting any sleep.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

An empress commissions a painting of herself from a French outsider in hopes of stirring her husband's interest in this lavish period piece. The Lady in the Portrait is a period yarn evoking the unique rapport between a French missionary and the Manchurian Empress whose portrait he's ordered to paint.

An empress commissions a painting of herself from a French outsider in hopes of stirring her husband's interest in this lavish period piece. The Lady in the Portrait is a period yarn evoking the unique rapport between a French missionary and the Manchurian Empress whose portrait he's ordered to paint.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

Christophe, a young horse racing jockey from Paris, is filled with hope and ambition. Yet after a race, he tests positive for illegal substances and is subsequently suspended from racing. He decides to move to Macau, in Asia. There his circumstances change very quickly: he wins one race after another, earning himself large amounts of money and success with women. But, his new life also brings him an ever-increasing sense of solitude. Macau has its own unspoken rules that Christophe thinks he can ignore. But events start to gain momentum as the net tightens around him. Motivated by love for an intriguing young Chinese woman, Christophe ends up gambling with his own destiny, but this time on the card tables.

Christophe, a young horse racing jockey from Paris, is filled with hope and ambition. Yet after a race, he tests positive for illegal substances and is subsequently suspended from racing. He decides to move to Macau, in Asia. There his circumstances change very quickly: he wins one race after another, earning himself large amounts of money and success with women. But, his new life also brings him an ever-increasing sense of solitude. Macau has its own unspoken rules that Christophe thinks he can ignore. But events start to gain momentum as the net tightens around him. Motivated by love for an intriguing young Chinese woman, Christophe ends up gambling with his own destiny, but this time on the card tables.

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

20 short films about human rights.

Glistening objects from a jewelry collection inspired by carnivorous plants are transformed into a colourful sea of garden creatures through hand-drawn animations of roots, insects and various other organisms. A loving tribute to Weerasethakul's mother's garden. Commissioned by Dior; first presented at Musée de l’Orangerie, Jardin des Tuileries, Paris, to mark the opening of a new set of jewellery designed by Victoire de Castellane, 27 February 2007.

A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.

The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.

Shimkent hôtel tells the story of a young man who's experienced the failure of a business venture in the Afghan mountains, and who suffers from shock in Kazakhstan.

Shimkent hôtel tells the story of a young man who's experienced the failure of a business venture in the Afghan mountains, and who suffers from shock in Kazakhstan.

Min is an illegal Burmese immigrant living in Thailand who has contracted a mysterious painful rash covering his upper body. His girlfriend, Roong, and a middle-aged woman, Orn, take him to see a doctor. Min pretends that he cannot speak because he is not fluent in Thai and speaking would reveal him to be an illegal immigrant.

“Le Pont du Trieur”, co-written by de Meaux and Philippe Parreno, with an original score by Dave Stewart, is set in Pamir, a region situated in the highest part of Tajikistan, at the border between Afghanistan and China. This is a strategic zone controlled by various armies in the midst of a region that awaits reconstruction. The film stems from the simple question of how to tell the story of a country of which the West is deprived of images. Both fiction and documentary, it is about reality and the means of telling it.

“Le Pont du Trieur”, co-written by de Meaux and Philippe Parreno, with an original score by Dave Stewart, is set in Pamir, a region situated in the highest part of Tajikistan, at the border between Afghanistan and China. This is a strategic zone controlled by various armies in the midst of a region that awaits reconstruction. The film stems from the simple question of how to tell the story of a country of which the West is deprived of images. Both fiction and documentary, it is about reality and the means of telling it.

Pierre Huyghe's work questions how diverse languages can apply to the same reality. In his short film Blanche-Neige Lucie (Snow White Lucie), Huyghe tells the story of Lucie Dolene who sang in the French version of Disney's Snow White and the Seven Dwarfs. The film shows an aged Lucie humming the famous song while an interview with her runs as subtitles to the images. This mirroring of dubbing and translation serves as the vehicle for Huyghe's questioning of multiple identities and the ideal of translating a meaning to create a universal image.