Producer
Tiago, a tour guide with a broken heart leads Karen, a grieving and aging Brazilian woman, around a Lisbon of strange suicidal heroes. Tiago lives with his father, Raul, an old sailor haunted by historical defeats, and with his son, Manuel, a teenager fantasising of a solitary, but erotic, trip to the cosmos. All together, they take Karen through dreams, lost glories, and catastrophes to meet a fallen hero who disappeared many centuries ago on an island in the South Atlantic Ocean.
Executive Producer
The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.
Producer
Oscar, a renowned hypnotherapist, uses the last moments in his hotel room to say goodbye to the vertiginous Mercedes and rid old Norberto of his bitterness.
Editor
Oscar, a renowned hypnotherapist, uses the last moments in his hotel room to say goodbye to the vertiginous Mercedes and rid old Norberto of his bitterness.
Screenplay
Oscar, a renowned hypnotherapist, uses the last moments in his hotel room to say goodbye to the vertiginous Mercedes and rid old Norberto of his bitterness.
Director
Oscar, a renowned hypnotherapist, uses the last moments in his hotel room to say goodbye to the vertiginous Mercedes and rid old Norberto of his bitterness.
Editor
One day, an old water pipe caused a ceiling leak. On this ceiling, toxic mushrooms of the order Polypo- rales would grow. Sitting on the toilet, the lady of this house looks up and observes that magical and mys- terious fungus, which is not an animal, nor a plant. The mushroom is the future, she thought.
Sound
Full moon. Inside. Perhaps not alone.
Music
Full moon. Inside. Perhaps not alone.
Editor
Full moon. Inside. Perhaps not alone.
Writer
Full moon. Inside. Perhaps not alone.
Producer
Full moon. Inside. Perhaps not alone.
Director
Full moon. Inside. Perhaps not alone.
Producer
A bear is sighted somewhere in the northwest of Trás-os-Montes. The animal causes a natural uproar, but his existence seems to be called into question by some.
Producer
'In the course of my cleaning duties, I examined the belongings of each guest of the hotel and observed through the details, lives that will remain unknown', says the temporary Chambermaid in a large seaside hotel, which, unable to communicate, lives through a rigid methodology of analysis of the exterior and a ritualised quotidian. Until the uncontrollable comes to disrupts this dynamic. Hotel Royal is fragmented and incomplete mosaic of contemporary societies. It could be dubbed a film about the horrors of the soul, about voyeurs or simply about misfits.
Editor
'In the course of my cleaning duties, I examined the belongings of each guest of the hotel and observed through the details, lives that will remain unknown', says the temporary Chambermaid in a large seaside hotel, which, unable to communicate, lives through a rigid methodology of analysis of the exterior and a ritualised quotidian. Until the uncontrollable comes to disrupts this dynamic. Hotel Royal is fragmented and incomplete mosaic of contemporary societies. It could be dubbed a film about the horrors of the soul, about voyeurs or simply about misfits.
Producer
Crista, Carloto and João are building an airy greenhouse for butterflies in the garden. The three of them share household routines, day after day… And they are not the only ones.
Editor
She, Sohini, poet and young journalist, decides to look for her childhood love, Sagnik. He, everlasting student, gets mixed up with gambling debts. A lovers' hide and seek game in the crowded maze of Calcutta.
Producer
Obsessed with questions about his past, a bankrupt, white Brazilian filmmaker undertakes an epic journey from Brazil to Mozambique and Portugal. This melancholic fable mixes animation, live-action, voice-overs, genres, and continents to explore Brazil's colonial past.
Writer
Sound Designer
Editor
Director of Photography
Producer
Director
Producer
After fourteen years away from her homeland, Salomé is forced to return to Cape Verde to see her dying brother. During her stopover at Lisbon airport, Águeda, a cleaning lady, recognizes Salomé as "Mila", her childhood friend. Águeda invites Salomé to leave the airport and spend the stopover at her home, with the women of her family. The neighborhood transports her on a spiritual journey, whose destination reveals a painful bond with her homeland.
Producer
Bruno Aleixo was invited to write a biopic about his own life. Lacking ideas, he decided to ask his closest friends for inspiration. Reunited in a cafe, each of his friends suggests a different idea, more or less biographical.
Producer
The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.
Producer
From Sunday to Sunday, the Arcozelo football field is battered by the North wind. The lawn has to be swept and lots of clothes washed. - The boys are coming! - The two equipment managers, São and Cunha, know the name of the little players. Everyone is taken care of and the socks drying on the goals are also to be lent.
Producer
Patrick, 20-years-old, lives in Paris with his older boyfriend. He runs a teenage pornography website, which results in a prison sentence following a raid at a party. Mário, 8-years-old, was kidnapped 12 years ago in Portugal. Patrick and Mário are the same person with two conflicting identities: a life in Paris filled with parties, drugs, and promiscuity and a new rural life in Portugal, where he feels obliged to reconnect with a broken family.
Co-Producer
About three generations of a family grappling with a life-changing experience during one day of a vacation in the historic town of Sintra, Portugal.
Producer
Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.
Producer
For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.
Producer
The Empire Hotel is a 30-year-old landmark in Macau's old quarter, inhabited by characters with their own stories and struggles. It is also Maria's home. One day, the burden of keeping lives together and the hotel standing falls on her shoulders. A young man who left Macau two decades ago returns, intent on revenge and reclaiming his mother's fortune – half the hotel. Inside the casino, Maria sings Fado and exotic dancers perform. It is against this illusory backdrop that the man lays eyes on Maria for the first time; they’re both mesmerized. The film cuts back and forth between film noir-style scenes of Macau’s past and present.
Editor
The Empire Hotel is a 30-year-old landmark in Macau's old quarter, inhabited by characters with their own stories and struggles. It is also Maria's home. One day, the burden of keeping lives together and the hotel standing falls on her shoulders. A young man who left Macau two decades ago returns, intent on revenge and reclaiming his mother's fortune – half the hotel. Inside the casino, Maria sings Fado and exotic dancers perform. It is against this illusory backdrop that the man lays eyes on Maria for the first time; they’re both mesmerized. The film cuts back and forth between film noir-style scenes of Macau’s past and present.
Producer
Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.
Pai
Rute is a teenager like so many others: she goes to school, she has swimming lessons, she likes watching films and specially she loves to be online. Rute is almost always on her phone or using her computer. But Rute has a secret nobody knows: Rute is receiving hateful and violent messages. Who is sending these messages? Sara F.
Editor
Rute is a teenager like so many others: she goes to school, she has swimming lessons, she likes watching films and specially she loves to be online. Rute is almost always on her phone or using her computer. But Rute has a secret nobody knows: Rute is receiving hateful and violent messages. Who is sending these messages? Sara F.
Producer
Rute is a teenager like so many others: she goes to school, she has swimming lessons, she likes watching films and specially she loves to be online. Rute is almost always on her phone or using her computer. But Rute has a secret nobody knows: Rute is receiving hateful and violent messages. Who is sending these messages? Sara F.
Producer
The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.
Editor
I think I'll remember you, everything, but I'm not sure.
Producer
Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.
Editor
Paulo works as night security in a deactivated industrial complex. He lost his daughter in dramatic circumstances, and no regrets would console him. He sleeps at Luisa's house and witnesses the repeated transgressions of an unstable neighbour. Everything threatens to crack.
Producer
Paulo works as night security in a deactivated industrial complex. He lost his daughter in dramatic circumstances, and no regrets would console him. He sleeps at Luisa's house and witnesses the repeated transgressions of an unstable neighbour. Everything threatens to crack.
Writer
Paulo works as night security in a deactivated industrial complex. He lost his daughter in dramatic circumstances, and no regrets would console him. He sleeps at Luisa's house and witnesses the repeated transgressions of an unstable neighbour. Everything threatens to crack.
Director
Paulo works as night security in a deactivated industrial complex. He lost his daughter in dramatic circumstances, and no regrets would console him. He sleeps at Luisa's house and witnesses the repeated transgressions of an unstable neighbour. Everything threatens to crack.
Producer
In 1783, naturalist Alexandre Rodrigues Ferreira travelled to Amazonia. Centuries later, all that remains from his Philosophical Journey are the artifacts belonging the tribes he studied and the animals and plants he brought over to Portugal, evoking a distant Amazonia and an expedition that went on for nine years.
Producer
A man, Francisco, works in an open-pit mine. He goes to see his boss about taking the following day off. At first the boss doesn’t want to allow it as there is so much to do, but he finally concedes. The next day his daughter calls on him, a visit he no longer counted on. They spend the day with one another. The longer they are together, and the later the night gets, the more absurd the situations and moments they experience become.
Editor
In 1971, António Lobo Antunes' life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.
Producer
In 1971, António Lobo Antunes' life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.
Producer
In the year when cinema was paralyzed in Portugal due to lack of funding, a group of friends embarks on a mysterious expedition to see wolves in their natural habitat, but ends up being trapped in a house without much to do. The night goes by and the expedition’s main goal seems increasingly compromised until the biologist who promised them adventures shows up.
Producer
An adaptation of the 1907 political novel of the same title by Joseph Conrad set in Portugal during the so-called "Hot Summer" of 1975, re-contextualizing the anarchist prose within the Carnation Revolution.
Producer
Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with her friend Sara. From Portugal to the South Pacific, the pleasures of this routine will take a turn when the young girl visits the art show of a new neighbor in the local community.
Producer
In which Scheherazade doubts that she will still be able to tell stories to please the King, given that what she has to tell weighs three thousand tonnes. She therefore escapes from the palace and travels the Kingdom in search of pleasure and enchantment. Her father, the Grand-Vizier, arranges to meet her at the Ferris wheel, and Scheherazade resumes her narration: “Auspicious King, in old shanty towns of Lisbon there was a community of bewitched men who, in all rigour and passion, dedicated themselves to teaching birds to sing…”. And seeing the morning break, Scheherazade fell silent.
Producer
It's a summer weekend in a country house near Sintra, in Portugal. Fourteen-year-old Nicolau is spending a couple of days with his older brother Simão and his friends, all of them in their late twenties. Everyone is drawn to the beautiful and quiet Maria do Mar, but Nicolau will see his life the most deeply shaken by her. Between homework and tree-climbing, stories about a deceased philandering grandfather and the origins of the tortellini's shape, a friend in a costume nursing a broken heart and seduction games, Nicolau observes this group of young adults.
Producer
In which Scheherazade tells of how desolation invaded men : “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad ! The residents of a tower block in the suburbs will save parrots and piss inside lifts while surrounded by dead people and ghosts; including in fact a dog that…”. And seeing the morning break, Scheherazade fell silent.
Editor
A young adolescent, living with a swinger couple in a campsite, meets an emotionally unstable man and finds herself fascinated by his special powers.
Producer
A young adolescent, living with a swinger couple in a campsite, meets an emotionally unstable man and finds herself fascinated by his special powers.
Writer
A young adolescent, living with a swinger couple in a campsite, meets an emotionally unstable man and finds herself fascinated by his special powers.
Director
A young adolescent, living with a swinger couple in a campsite, meets an emotionally unstable man and finds herself fascinated by his special powers.
Producer
Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells king Shahryar her stories but these are not those in the book. These are stories based on whatever will be happening in Portugal during the production time of the film. As in the book, these stories will be tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events. This film will be about the reality of a disgraced country, Portugal, under the effects of a global economic crisis.
Editor
Before and after a kiss
Director
Before and after a kiss
Producer
Don Quixote, Luís de Camões, Camilo Castelo Branco and Teixeira de Pascoaes meet in an eternal garden in the middle of a modern city and talk about life.
Producer
At Uz, an isolated hamlet in the northern mountains of Portugal, four generations live together in a group of around fifty people. When life is rough, solidarity is of the highest order. Everything else is left in God’s hands. They could have emigrated, like so many others, but chose to stay and keep their ancestral way of life, away from the racket of modernity.
Director
Hidden memories and lost treasures of our primeval inhabitants.
Producer
Mariana is an 11 years old girl coming from Serpa who just moved to Lisbon with her father. The first days are spent in the city cleaning the house and knowing the new neighborhood, Entrecampos. After the first day of school, Mariana gets lost coming home and has to call her father for help. The next day, she becomes friends with a boy in her class, Nicholau, and his older brother, Simão. The two brothers invite Mariana for lunch and help her to get home.
Producer
A ten year-old boy faces up to the struggles of life in a summer camp. It’s not easy to be ignored by the girl of his heart or seeing his dormitory vandalised by adolescent thugs. Fortunately, in the forest, the wild haggis insists on remaining out of sight.
Producer
Tiago is a final-year secondary school student who has failed to graduate twice. Despite praying to the divine, he will fail once again. Between lying to his benevolent mother and giving in to the temptation of a school trip with his girlfriend, Tiago is faced with making decisions. Tiago may not be a lost case.
Producer
On January 21, 1975, in a village in the north of Portugal, a child writes to his parents who are in Angola to tell them how sad Portugal is. On July 13, 2011, in Milan, an old man remembers his first love. On May 6, 2012, in Paris, a man tells his baby daughter that he will never be a real father. During a wedding ceremony on September 3, 1977 in Leipzig, the bride battles against a Wagner opera that she can’t get out of her head. But where and when have these four poor devils begun searching for redemption?
Director
A story about survival, belief in the physical memory of things, as if still-life was always part of the scientific possibility or of the nightmare of extinction.
Producer
Before the assault, feel the weight of the body.
Director
Before the assault, feel the weight of the body.
Editor
The director takes us on a journey through the Portuguese continental and maritime borders, oriented by a map of Portugal. A year of pictures that cross the four seasons. The landscape is visited in detail, between buildings and natural landscapes, architecture denouncing the presence of civilization. The starting point is the point of arrival - and along the way we are introduced to people, stories, in an accurate representation of space and the life forms that inhabit it, including animals under threat of extinction.
Producer
The director takes us on a journey through the Portuguese continental and maritime borders, oriented by a map of Portugal. A year of pictures that cross the four seasons. The landscape is visited in detail, between buildings and natural landscapes, architecture denouncing the presence of civilization. The starting point is the point of arrival - and along the way we are introduced to people, stories, in an accurate representation of space and the life forms that inhabit it, including animals under threat of extinction.
Editor
A reporter and a camera operator from a Macau TV channel embark on a journey to south of China.
Producer
A princess and a hunter. An iconographic journey immersed in Lusitanian fantasy.
Producer
Us to the fascinating, disturbing, ghostly figure of Paulo de Figueiredo, professional mercenary soldier, from the sixties, played the hired liquidator task in diverse corners of the world.
Producer
According to the perpetual lunar calendar: 'When sparks catch a pot of water, it signifies wind. When the hills echo loudly and the sea generates great noise, it signifies tempestuous winds and storms at sea. When dense fog forms at dawn, it signals two days' serenity.' Let’s wait and see.
Editor
According to the perpetual lunar calendar: 'When sparks catch a pot of water, it signifies wind. When the hills echo loudly and the sea generates great noise, it signifies tempestuous winds and storms at sea. When dense fog forms at dawn, it signals two days' serenity.' Let’s wait and see.
Writer
According to the perpetual lunar calendar: 'When sparks catch a pot of water, it signifies wind. When the hills echo loudly and the sea generates great noise, it signifies tempestuous winds and storms at sea. When dense fog forms at dawn, it signals two days' serenity.' Let’s wait and see.
Director
According to the perpetual lunar calendar: 'When sparks catch a pot of water, it signifies wind. When the hills echo loudly and the sea generates great noise, it signifies tempestuous winds and storms at sea. When dense fog forms at dawn, it signals two days' serenity.' Let’s wait and see.
Producer
Lisbon, Portugal, 2010. Pilar, a pious woman devoted to social causes, maintains a peculiar relationship with her neighbor Aurora, a temperamental old woman obsessed with gambling who lives tormented by a mysterious past.
Producer
This documentary follows a group of prison inmates as they prepare to perform the annual Easter ritual, the Via Crucis, with a community of villagers in the northeast region of Portugal. We witness, from the first rehearsal to the day of the procession, the solemn and surreal moments that lead convicts and members of a rural community to take real and symbolic communion together.
Editor
The mountain burns in the August heat. A firefighter falls, swallowed by the ground. The broken body survives as it can. Outside, the night descends.
Editor
The gallery attendant in an art gallery or museum is a fundamental piece in its mise-en-scéne, his main role is to see and be seen. Seems So Long Ago, Nancy implies the spectator in an infinite gesture of circular observation — to observe the observers. A passive lens that fluctuates between the subjects and the neo-classical and post-modern architectural spaces they occupy, in a balance between silence, introspection, noise, repetition, intervals and waiting — small gestures of a fragmented post-modern flaneur.
Producer
The mountain burns in the August heat. A firefighter falls, swallowed by the ground. The broken body survives as it can. Outside, the night descends.
Producer
Despite his age and general weariness, Gebo keeps on working as an accountant to provide for his family. He lives with his wife, Doroteia, and his daughter-in-law, Sofia, but it is the absence of João, son and husband, that worries them.Gebo seems to be hiding something, especially to Doroteia, who is anxiously waiting to see her son again. Sofia is also waiting for her husband to come home, and yet she fears him. All of a sudden, João arrives and everything changes.
Co-Producer
The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.
Co-Producer
Nuvem, a young man with a strong penchant for stroll and daydream and little given to work, prefers the company of dogs and clowns. Seeing the indifference of his entourage, he lets his need for independence guide him and sets out to find the mysterious sunfish.
Producer
Manuel bids farewell to his routine and boards a 15th century vessel under pirate law. Treason on board triggers a series of terrible events our protagonist overcomes while keeping his moral principles intact.
Editor
A character searches, in Macau, for a friend who lived there fifteen years before. Assisted by the letters written to him by his friend, he will reconstitute his past steps, trying to find him.
Producer
Jorge, a very shy young man, works as bellboy in a Lisbon hotel and lives in a guesthouse where he is constantly harassed by the owner’s daughter. As he tries to resist her charms, the boy dreams of one thing only: to incarnate the singer Tony de Matos. This obsession leads him to sign up for an unique karaoke contest, where he will finally be able to give life to his longtime hero. And it’s amid a group of strange characters that Jorge will understand that, after all, he is not alone.
Producer
All sympathetic magic is based upon two principles: the first called the Law of Similarity says that “likes produce likes,” or that an effect resembles its cause; the second, called the law of contagion or contact says that all things having been in contact with each other continue to react upon one and another at a distance even after they have been severed or disconnected. A fearful man meets a disquiet woman. Do you believe in magic?
Screenplay
All sympathetic magic is based upon two principles: the first called the Law of Similarity says that “likes produce likes,” or that an effect resembles its cause; the second, called the law of contagion or contact says that all things having been in contact with each other continue to react upon one and another at a distance even after they have been severed or disconnected. A fearful man meets a disquiet woman. Do you believe in magic?
Editor
All sympathetic magic is based upon two principles: the first called the Law of Similarity says that “likes produce likes,” or that an effect resembles its cause; the second, called the law of contagion or contact says that all things having been in contact with each other continue to react upon one and another at a distance even after they have been severed or disconnected. A fearful man meets a disquiet woman. Do you believe in magic?
Director
All sympathetic magic is based upon two principles: the first called the Law of Similarity says that “likes produce likes,” or that an effect resembles its cause; the second, called the law of contagion or contact says that all things having been in contact with each other continue to react upon one and another at a distance even after they have been severed or disconnected. A fearful man meets a disquiet woman. Do you believe in magic?
Writer
A couple in a car, things aren't going well.
Director
A couple in a car, things aren't going well.
Producer
A young French actress in Lisbon to shoot a movie is intrigued by a nun she sees kneeling in the chapel where she is filming.
Director of Photography
Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.
Producer
Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.
Producer
João is an indolent young man, whose life is desperately empty. Day after day he goes through the motions of duplicating keys in his tiny shop concealed in the basement of an obsolete nearly deserted shopping center. Some day, he hopes, the lady of his heart will come and order the key that will unlock his heart. Against all expectation, the miracle happens...
Editor
April 1974 saw the fall of a long lasting dictatorship. The young democracy developed in the midst of much social and political turmoil. The armed wing of a leftist group changed the future of one family - the father disappears without trace, the mother denies their past, and the son grows up with unanswered questions. As a young man, Pedro is determined to reach for answers, aided by his apparently batty grandmother. Collecting clues and meeting people who would rather prefer to remain forgotten. His inner journey leads him Portugal to Spanish through the deserted roads of Alentejo. Pedro will find himself, but there is a price to pay.
Producer
In the heart of Portugal, amid the mountains, the month of August is abuzz with people and activity...
Editor
In this evocative story told ingeniously with minimal dialogue, men and women from various backgrounds and places each deal with the loss of a loved one.
Producer
In this evocative story told ingeniously with minimal dialogue, men and women from various backgrounds and places each deal with the loss of a loved one.
Writer
In this evocative story told ingeniously with minimal dialogue, men and women from various backgrounds and places each deal with the loss of a loved one.
Director
In this evocative story told ingeniously with minimal dialogue, men and women from various backgrounds and places each deal with the loss of a loved one.
Producer
A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.
Director
It’s all natural phenomena. There’s no doubt about that. The tide turns in cycles. Water rots wood. Meteors may fall anytime, anywhere. It’s just rock burning in the atmosphere. Fishes die if they stay out of the water for too long. This process takes time and when it ends there’s no turning back. When one of these things does not take place something fundamental has changed. That’s when miracles happen.
Producer
An interpretation of the life of Francis of Assisi.
Producer
After finishing his MA in Anthropology, Hugo spends his days giving his brain a rest from the endless reading of texts by unknown authors. His only company is Luisa, the cleaning lady, with whom he plays cat and mouse. To escape the sleep of reason – which creates monsters -, Hugo exercises his lyrical vein by writing, with his friend Manuel, songs about their neighbourhood. The quiet dilettantism of our protagonist is shaken by Catarina, a young and beautiful translator who’s starting her professional life as a freelancer. Hugo is hooked and wavers. High above, a kestrel falcon hovers. It’s not the only bird of prey that can do it.
Producer
Cecília is sixteen years old. She has a prosthesis in her left hand and a new love, but she does not have her mother's attention.
Editor
Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no reason to be so annoying... Francisco, repeat after me: "Up to your 30s you have the face God has given you. After that, you get the face you deserve".
Producer
Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no reason to be so annoying... Francisco, repeat after me: "Up to your 30s you have the face God has given you. After that, you get the face you deserve".
Producer
A place where putting red lipstick gives life and a broadcast camera takes it, reclaiming lost girls in endoscopic romances into darkness, where they evaporate, inside empty haute couture dresses.
Director
Everything threatens to crack and yet this devouring march happened long ago in the past. There is no moaning in the room next door, the wind has stopped blowing on the stairs, the air particles throw themselves against each other, but it’s only void against void.
Producer
A 20 year old young man asks some kids if he can play football with them. They think it’s weird and ask him how old is he. When he answers «I’m ten» he is laughed at. But he is going to find another group of kids who are different, just like him…
Director
By instinct, he covers the flame before him. The fire consumes tears and fever, little by little. Only then the sorrow begins. A cold wind sweeps the ashes from the floor and freezes the room.
Producer
A family gathers to celebrate Christmas.
Producer
Three people in a car, who will stay there the longest, wins the car.
Editor
Three people in a car, who will stay there the longest, wins the car.
Writer
Three people in a car, who will stay there the longest, wins the car.
Director
Three people in a car, who will stay there the longest, wins the car.
Editor
A love triangle between two boys and a girl who drift through life from a rugby game, to a pool party, to the beach.
Producer
A love triangle between two boys and a girl who drift through life from a rugby game, to a pool party, to the beach.
Writer
A violent relashionship.
Director
A violent relashionship.
Editor
The consuming passion between Pedro I of Portugal and Ines de Castro is brutally interrupted when Ines is executed, as a consequence of political intrigue and in the name of the kingdom's interests. Pedro, cruelly hurt, pursues the single-minded purpose of avenging his lost love. He captures and kills the executioners, and compels the nobility to acknowledge Ines as his lawful wife and Queen of Portugal.
Editor
Traveling by the experience and by the roots of one of the strongest manifestations of Portuguese popular culture – singing polyphonic Alentejo. Evoking Michel Giacometti, the film questions the origins of the “sing” in the context of Mediterranean culture.
