G(ode)ard

오샤레는 오늘도 친구들과 함께 여름방학 계획을 짜느라 여념이 없다. 방과 후 집으로 돌아온 그녀를 맞이하는 아빠, 이탈리아에서 돌아온 아빠가 반갑지만 아빠 옆에는 곧 새 엄마가 될 낯선 여자가 서 있다. 충격에 휩싸인 오샤레는 문득 생각난 시골 이모댁에 편지 한 통을 보낸다. 여름방학이 오고 오샤레는 7명의 친구들과 함께 시골 이모 집을 방문하기로 한다. 정겨운 시골의 분위기와 따뜻하게 맞아주는 이모는 도시밖에 몰랐던 오샤레와 친구들에게 특별한 방학을 선사해 줄 듯 하다. 하지만 뜻 밖의 사건들이 그들을 기다리고 있다. 집 안의 물건들이 그들을 위협하기 시작하고 친구들이 하나 둘씩 사라져 간다. 위협의 정체는 바로 이모. 사랑하는 사람을 전쟁으로 잃은 채 혼자 살다가 수년 전에 죽은 이모는 자신의 원한을 풀고자 젊은 처녀들을 잡아먹기 시작한다.

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.

“The lakes, their rounds palms, they drowned the face of the Sky: I have turned the sphere to look at the Sky". Victor Segalen. Estelas

When he understood it was all a dream. He decided to stay until eternity, darker since you died.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.

A short experimental film.

An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.

A film about creation itself, a rite of the sun and the surfaces illuminated by it. Light capturing and light summoning "in a primitive attempt to catch the sun with my hands".

A recurring drone changes and reshapes the land and sea.

Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.

During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.