"We, the Children of Caterpillars"
장르 : 드라마, 코미디
상영시간 : 16분
연출 : James Haggarty
시놉시스
The theatre company of a forgotten town puts on one last performance to escape the reality of their home fading away into nothingness.
Following a one-night stand, a young insomniac wakes up in a luxurious Manhattan apartment where things are not what they seem. Something about his host is off. When she reveals that they are not alone, the red flags escalate into a waking nightmare.
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
A constant journey from outer space to a town in Norway, where we encounter small pieces of people’s lives.
Tranquility is a silent short film centering feelings of emptiness and the search for fulfillment.
Short animation by Mati Kütt
Plans for an arranged marriage between the beauteous young Juliet and the wealthy but off-putting Count Paris are thrown awry when Juliet falls for Romeo, the son of her father's only enemy. Their romance will yield explosive passions — and deadly consequences.
After a close friends suicide; Will, a Punk and Post-Punk musician living in the US is struggling with doubts about his relationship, his identity and ultimately what he wants to do in life. Will becomes isolated, reliant on substances and is sent down a path of pain, suffering and existential terror.
A quiet meditation on the mundanity of life.
Margaret "Mar" Moon, suffering from extreme writer's block with an important deadline looming, travels to visit her sister Helen for inspiration, a decision that will bring only pain and disaster.
After a wild sex session in a brothel on his 40th birthday, Luis, bitter and haughty, tries unsuccessfully to escape from the blood stain that, without explanation, grows on the sheet over the bulge formed by his lover. Desperation and what he finds under the sheet means that the only option is to jump out the window of the room already full of blood. The blow plunges him into a strange dream in which a particular fairy godmother reminds him of the child that she still carries inside and the need to take care of him. Convinced of the teaching, by blowing out the candles on his birthday cake, Luis wishes to become that child. Beneath the sheets, drenched in blood, he discovers the error of his desire.
A young man and an older one meet by happenstance in a local cafe and decide to sit and talk about their points of view on life.
Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens and in comes a young man, cigarette between his lips, a swagger on his face. The young woman laughs. As the four young men continue disconnected activities, the other two become a couple. When the four realize something has changed, first they stare at the couple who have kissed and now are dancing slowly. The four run from the house in a kind of frenzy and return to stare. The power of sex has unnerved them.
Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?
Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?
대학에서 사회학을 가르치는 젊은 교수 조나가 어머니의 기일을 맞아 오랜만에 집으로 돌아온다. 종군 사진 작가였던 어머니의 3주기 기념 전시를 위해 그녀의 자료들을 정리하는 조나. 그는 어머니가 떠난 뒤 사이가 서먹해진 아버지와 동생의 사이에서 관계를 회복하기 위해 노력한다. 한편, 어머니의 오랜 파트너였던 리처드는 어머니의 사고에 대한 비밀을 기사화하겠다고 선언하고, 이를 반대하던 조나는 또다른 진실을 마주하게 되는데…
Extraordinarily detailed and beautifully drawn animation of a bizarre and surreal world; the domestic life of a fat man, his wife, a sort of oversized obese chicken, and their child/pet, a slug-like creature with a human head. This expressionistic and interior vision of Soviet animator Kovalyov is like an animated Eraserhead. Preserved by the Academy Film Archive, Academy War Film Collection, in 2007.
A priestess in “Serafisk Sang”, virginal in “Pastorale”, botanic in “Sommertanz” and finally a witch in “Hexentanz”, Mary Wigman is a woman-flower, goddess and a prophetess in turn. Her jerky, sombre and introspective movements proudly claim the expression of the free body. We are at the end of the roaring twenties and Mary Wigman provoked a real revolution in the world of dance.
Jankovics's adaptation of the eponymous play is divided into multiple parts, and depicts the creation and fall of Man throughout history.
A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.