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세계의 끝 (1929)

장르 : 드라마

상영시간 : 1시간 20분

연출 : Jean Epstein

시놉시스

브르타뉴 해안과 어부들의 삶을 다룬 영화. 영화가 풍경에 대한 묘사를 빌어 인물의 정신적인 상태를 전달할 수 있다고 믿었던 엡스탱의 태도를 분명하게 보여주는 작품이다. 이야기와 다큐멘터리의 연계를 시도한 영화로 서정적인 다큐멘터리 영화의 선구적인 작품이자 이탈리아 네오리얼리즘을 예견케 하는 걸작. (2004년 한국시네마테크협의회 - 프랑스 아방가르드 : 장 엡스탱, 장 비고, 장 콕토 회고전)

출연진

Gibois
Gibois
Jean-Marie Laot
Jean-Marie Laot
Malgorn
Malgorn
François Morin
François Morin
Pierre
Pierre
Ambroise Rouzic
Ambroise Rouzic

제작진

Jean Epstein
Jean Epstein
Director
Jean Epstein
Jean Epstein
Writer
Serge Sandberg
Serge Sandberg
Producer
Robert Israel
Robert Israel
Music
Joseph Barthès
Joseph Barthès
Director of Photography
Gösta Kotulla
Gösta Kotulla
Director of Photography
Louis Née
Louis Née
Director of Photography
Raymond Tulle
Raymond Tulle
Director of Photography
Pierre Hot
Pierre Hot
Assistant Director

비슷한 영화

칼리가리 박사의 밀실
북독일의 시골에서 온 칼리가리 박사는 체자레라고 하는 남자에게 최면술을 걸어 예언자 행세를 하며 동네를 돌게 한다.
Berlin: Symphony of a Great City
A train speeds through the country on its way to Berlin, then gradually slows down as it pulls into the station. It is very early in the morning, about 5:00 AM, and the great city is mostly quiet. But before long there are some signs of activity, and a few early risers are to be seen on the streets. Soon the new day is well underway. It's just a typical day in Berlin, but a day full of life and energy.
무성 영화
알콜 문제로 영화계를 오랜 기간 떠났던 제작자 멜 펀. 그는 야심차게 영화계로의 복귀를 꿈꾸고, 그 첫 프로젝트로 무성영화를 만들 계획을 세운다. 제작자는 이 시대착오적인 꿈을 필사적으로 반대하지만 멜은 굴하지 않고 더 큰 계획을 실행에 옮긴다. 할리우드 최고의 배우를 캐스팅하려는 것이다. 이제 멜과 동료들은 LA에 살고 있는 스타들을 찾아다니며 못 말리는 소동을 벌인다. 어쩌면 멜 브룩스의 가장 야심찬 영화일지도 모를 는 말 그대로 무성 영화의 형식을 과감하게 밀어 붙인다. 인물들의 목소리가 아니라 자막으로 모든 대사를 전달하는 것이다. 무성 영화의 형식, 특히 자막과 화면의 불일치를 이용해 웃음을 만들어내는 솜씨는 그 자체로 재미있을 뿐 아니라 이미지와 사운드에 대한 날카로운 영화적 논평으로 읽히기도 한다. 버트 레이놀즈, 제임스 칸, 폴 뉴먼 등 스타들의 과감하게 망가지는 연기도 재미를 더한다. (제1회 충무로뮤지컬영화제)
벨빌의 세 쌍둥이
어른이 된 그는 [투르 드 프랑스]경기에 참여하지만 대회 도중 납치를 당한다. 강아지와 함께 사라잔 손자를 찾아나선 그의 할머니, 마담 수자. 프랑스 마피아의 근거지인 낯선 항구도시 ‘벨빌’에 도착한 그녀는 그곳에서 젊은 시절에는 배우였고 현재는 재즈그룹으로 활동하는 세 쌍둥이 자매를 만나는데…
테리예 비겐
선원 테리예 비겐은 잔인한 남자의 손에 가족을 잃는다. 몇 년 후 운명은 그에게 복수의 기회를 제공하는데...
When a Man Loves
A nobleman studying for the priesthood abandons his vocation in 18th Century France when he falls in love with a beautiful, but reluctant, courtesan.
Egged On
Charley invents a machine that turns ordinary, breakable eggs into rubbery, unbreakable ones for transport. He builds a Rube Goldberg contraption of parts stolen from his neighbors. Rival egg companies want his invention, one of them stooping to sabotage to get it.
He Done His Best
When Charley asks a young woman whom he is in love with to marry him, she tells him that he needs to get her father's consent. But when Charley then goes to see her father, who owns a restaurant, he ends up getting hired as a dishwasher instead. The rest of the kitchen staff soon find out that Charley is not a member of their union, and they go on strike. Charley is left by himself, leading to a series of upheavals in the restaurant, and a great invention.
The Artist's Dilemma
The scene opens in an artist's studio, the artist asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, requests him to paint her picture. While the artist is executing the work a clown comes from the clock, takes in the situation and begins to make love to the lady. The artist detects him and compels him to desist his love making. He continues to paint. The clown becomes interested and asks the artist to allow him to paint the picture, and begins smearing a whitewash brush over the canvas, when lo, a most perfect image of the young lady appears. The image then steps down from the frame, joins the young lady in the studio, and the figures, each a perfect counterpart of the other begin to dance to the great astonishment of the artist. The clown the by waving his hand causes the figures of the two girls to merge into one. The artist then assumes his seat and awakens from his dream with a great shock.
The Show Off
A blowhard who poses as a railroad executive (but is really just a $30-a-week clerk) catches a young bride and then drives her family's finances to the brink of ruin.
The Oracle of Delphi
A box of valued jewels is placed inside the tomb of Delphi. A thief breaks into the tomb and steals it, but soon the ghost of Delphi appears and puts a curse on him.
Our Modern Maidens
Young vivacious Billie uses her charms on influential businessman Glenn Abbott in hopes of getting her secret fiancée Gil a diplomatic appointment. Meanwhile Gil's affections meander to beautiful ingenue Kentucky, Billie's best friend.
The Battle of the Sexes
Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves into Judson's apartment building and contrives to meet and seduce him, plying him with compliments, music, swoons, décolletage, and batted eyes. When his loyal wife (and their two children) see him out catting with Marie at a night club, mom's devastated and confronts him. He moves out. Babe wants Marie to sell Judson worthless bonds. Will mom commit suicide? Will sis shoot the floozy? Will pops figure out he's being a fool?
My Stars
Johnny tries hard to impress his girl, but she seems to be much more interested in movie stars.
Fencing
Early Edison short showing two men fencing.
A Hand Shake
William K.L. Dickson and William Heise shake hands in this early experimental film.
Annabelle Butterfly Dance
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.
Giant Coal Dumper
“Shows how a full carload of coal is loaded onto a vessel every thirty seconds at the great Erie Railroad Docks, Cleveland, Ohio. Great clouds of coal dust rise as each car is unloaded.”
The X-Ray Fiend
A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.
Santa Claus
Santa arrives at a house on Christmas Eve to deliver his presents for the children.