The Marauders (1955)

줄거리고교 교사인 벵어는 자신이 원하던 무정부주의 수업 대신 프로젝트 수업으로 전체주의 수업을 맡게 된다. 전체주의의 여러 모습을 수업시간에 적용하는 것을 통해 그 허구와 부정적 부분을 드러내려 한 벵어의 시도는 점차 그의 의도를 넘어서 파국으로 치닫는다.

많지도 적지도 않은 애매한 나이, 스물 여덟. 사람들을 길거리로 내쫓는 부동산 브로커 일로 살아간다.저명한 피아니스트였던 어머니처럼 살고 싶었으나, 꿈은 저버린 지 오래.유일한 가족인 아버지는 자꾸 감당하기 힘든 일을 들이밀곤 한다. 그러던 어느 날, 우연히 어머니의 옛 에이전시 대표를 만나 오디션 제의를 받게 되고,10년 동안 손대지 않았던 피아노를 다시 치게 된다.하지만 생계인 브로커 일이 그의 발목을 잡게 되는데…

A group of tenants living in an old house are confronted with having to move out due to a renovation project the city has undertaken. The tenants decide to unite and come up with a strategy, but in the process—while the landlord and his aggressive attorney are chasing them—the tenants transform into the opposite of who they once were.

멕시코 국경에 인접한 "T.C.제포드" 일가의 대목장을 운영한다. 그의 아들 "클레이 제포드"(죤 브롬휠드)가 집으로 돌아오면서 영화는 시작된다. 대평원의 목장과 부를 함께 가지고 있는 "제포드"에게는 아들 외에 딸이 하나 있는데 그녀의 이름은"반스 제포드" (바바라 스탄웍) . 그녀는 그의 집에서도 가장으로서의 권위와 힘을 함께 가지고 있다. 그는 아들이 있음에도 딸인 반스에게 소유권을 넘겨주려고 하며, 딸이 사랑하는 남자를 데려왔을 때 둘의 사이를 갈라놓기 위해서 이간질도 서슴지 않는다. 아들이 정상적으로 결혼함에도 반스는 사랑하는 남자와 결혼하지 못한다. 그 뿐 아니라, 후일 아버지에게 애인이 생기자 딸의 질투는 극에 달해 딸이 아버지의 애인에게 상해를 입히는 지경에 이르고 만다. 그러나 아버지가 파산에 이르게 되면서 딸은 아버지를 돕게 되고, 결국 아버지는 자신에게 원한을 품은 사람이 쏜 총알에 맞아 딸의 품안에서 죽는다.

What To Do In Case of Fire? tells the humorous and touching story of six former creative anarchists who lived as house squatters in Berlin during its heyday in the 80s when Berlin was still an island in the middle of the former eastern Germany. At the end of the 80s they went their separate ways with the exception of Tim and Hotte, who have remained true to their ideals and continue to fight the issues they did as a group. In 2000, with Berlin as Germany's new capital, an event happens forcing the group out of existential reason to reunite and, ultimately, come to grips with the reason they separated 12 years ago.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.

After a hugely successful debut novel, Stewart Paylor is supposed to be delivering chapters of his new book. Unbeknownst to everyone around him, including Cynthia, his literary agent/girlfriend, Stewart has writer’s block and has not written a word. His life goes even further astray when he returns home from a vacation to find a homeless mother, Cassandra, and her two children, 12-year old Jake and 9-year old Vera have been squatting in his house, with nowhere to go.

Nine-year-old Karo grows up with her parents in an Amsterdam commune in the Seventies. She leads a carefree existence in this utopia-for-adults. Everything is shared in the squat, but not everyone is able to honor these ideals. Karo gets confused because of the internal conflicts that start to divide the group. Karo slowly realizes that nothing can stay the same forever.

Two chipmunks have made a cozy little home for themselves in the wood-burning stove of an empty cabin. They sleep in a matchbox, wash up in an empty acorn shell filled with water and look at their reflections on the back of a spoon, which serves as their bathroom mirror. They even have a staircase made with a pocket comb. Invading their space are Mickey Mouse and his dog Pluto, who are all set for a swell vacation. They don't reckon on the two squatters. Pluto immediately discovers the presence of these two pests, but Mickey never finds out. All he knows is that when he tries to light the stove, the matches go out; he doesn't know the chipmunks are blowing them out. Soon, Mickey is outside chopping wood, while Pluto is alone with the chipmunks. Pluto wants blood, but he'll end up with a bottle of ketchup.

This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.

A poor homesteader fights back when he's targeted for extinction by a powerful rancher and his gang of hired thugs.

The Salt Mines explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

"For Sale! Including 500 violent stone throwers from Hell", was the message from the controversial squat 'Ungdomshuset' in Copenhagen, Denmark. The film takes a balanced look behind the barricades and follows the definitive last year in the life of the squatters before all was demolished in March 2007 and riots broke out in Copenhagen.

Jessica Simmonds returns from overseas to find her retired professor father in a bitter public fight to save the historic Sydney waterfront houses on Angel Street. After her father's mysterious death, she joins forces with local residents and a union leader against corrupt forces. Based on the real life mysterious disappearance of Juanita Nielsen.

This documentary traces the history of Knust, an independent printing press based in Nijmegen that is regarded as one of the pioneers of risography. Founded in 1984, Knust was part of the Nijmegen artists’ initiative that originated during the squat movement in the Netherlands, where self-publishing ignited the clash between anarchist politics and neo-liberal urban reforms.

Documentary about a group of young idealistic friends in their squat in Amsterdam. Chased by the police and the press, they moved from squat to squat, with a clear message: don't make the city too expensive for the new generation of Amsterdammers. But living with such a large group and the flaws of the squat begin to take their toll. When the squatters collective falls apart halfway through the film, the filmmaker is left disillusioned and decides to confront the young squatters with her feelings of disappointment.

범접할 수 없는 카리스마를 가진 ‘포레스트(톰 하디)’를 중심으로 프랭클린 카운티의 전설로 불리는 본두란가 삼형제. 하지만 새로 부임한 특별수사관 ‘찰리(가이 피어스)’가 거액의 상납금을 요구하며 형제들의 가업인 밀주 사업을 위협한다. 법을 빌미로 악랄하게 숨통을 조여오던 찰리의 최후통첩에 형제들은 굴복하느냐 맞서느냐의 기로에 서게 된다. 한편, 형들은 물론 연인 ‘베르사(미아 와시코브스카)’에게도 강한 남자로서 인정 받고 싶었던 막내 ‘잭(샤이아 라보프)’은 위기를 기회 삼아 전설의 갱스터 ‘플로이드 배너(게리 올드만)’와 손을 잡는데… 악랄한 수사관에 맞서 더 극악한 갱스터와 결탁한 형제들. 피도 눈물도 없는 무자비한 전쟁이 시작된다!

존 챈스는 텍사스 변방 마을의 보안관으로, 그가 오기전 보안관 대리로 있던 듀드는 계속 술독에 빠져 정신을 못자리고 있는 중이다. 그가 사랑했던 여인이 행실이 나쁜 여자임을 알고 상심했기 때문이다. 자포자기 상태인 듀드는 조롱하며 죠버뎃이 동전을 타구에 던져넣는다. 그러자 듀드는 그 돈으로 술을 마시고자 자존심도 버린 채 타구 곁으로 간다. 이 광경을 보다 못한 챈스가 그 타구를 발로 걷어차 버린다. 순간 모욕을 당했다고 생각한 죠는 부하들을 시켜 챈스를 붙잡게 한 후 그를 난폭하게 구타한다. 게다가 말리던 구경꾼 하나를 죽여버린다. 얼마후 챈스는 듀드의 도움으로 간신히 죠를 체포한다. 며칠 내에 리오 브라보를 지나는 미연방재판소 집행관에게 죠를 넘길 작정이었던 것이다. 그러나 그때까지 죠를 붙잡아 놓는 것은 쉬운 일이 아니였는데...